Canonical Classics ← 第二十三回
第二十三回
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Tripitaka Does Not Forget His Origin · The Four Saints Test the Meditative Heart

撞天婚頌
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

撞天婚頌 The Blind Lottery

réndào:「hǎohǎozhèyǒufāngshǒudǐngzàitóushàngzhēleliǎnzhuàngtiānhūnjiàoércónggēnqiánzǒuguòshēnkāishǒuchědàojiùpèiledāiziyánjiēleshǒudǐngzàitóushàngyǒushīwéizhèngshīyuēréndào:「hǎohǎozhèyǒufāngshǒudǐngzàitóushàngzhēleliǎnzhuàngtiānhūnjiàoércónggēnqiánzǒuguòshēnkāishǒuchědàojiùpèiledāiziyánjiēleshǒudǐngzàitóushàngyǒushīwéizhèngshīyuē

chīshíběnyuányóujiànshāngshēnànxiūchīshíběnyuányóujiànshāngshēnànxiū
cóngláixìnyǒuzhōugōngjīnxīnlángdǐnggàitóucóngláixìnyǒuzhōugōngjīnxīnlángdǐnggàitóu

逐句解 Line by line

réndào:「hǎohǎo réndào:「hǎohǎo

The woman said, “That won't do, that won't do.”

那婦人 . 不好,不好 “no good, no good.” The widow waves off Bajie's demand and proposes her contrivance instead.

zhèyǒufāngshǒudǐngzàitóushàngzhēleliǎnzhuàngtiānhūnjiàoércónggēnqiánzǒuguòshēnkāishǒuchědàojiùpèile zhèyǒufāngshǒudǐngzàitóushàngzhēleliǎnzhuàngtiānhūnjiàoércónggēnqiánzǒuguòshēnkāishǒuchědàojiùpèile

“I have here a kerchief: put it on your head to cover your face, and chance a heaven-made match — I'll have my daughters walk past before you, and whichever one you reach out and catch, that one I'll match with you.”

一方手帕 “a square kerchief.” 撞個天婚 “to hazard a heaven-decided marriage,” a folk lottery in which a blindfolded party takes whom fate gives. 教我女兒 causative jiào; 扯到那個 “catch hold of which one,” 那 (×2).

dāiziyánjiēleshǒudǐngzàitóushàng dāiziyánjiēleshǒudǐngzàitóushàng

The blockhead did as told, took the kerchief, and put it on his head.

依言 “according to (her) words.” 接了手帕,頂在頭上 “took the kerchief and set it on his head” (獃子, 子 zi). The groom, absurdly, veils himself.

yǒushīwéizhèng yǒushīwéizhèng

There is a verse to prove it.

有詩為證 “there is a poem in witness,” the storyteller's formula; here 為 reads wéi (“to be, to serve as”), the recurring corpus usage 為證 “as proof.”

shīyuē shīyuē

The verse says:

詩曰 “the poem runs,” the tag ushering in the quatrain.

chīshíběnyuányóujiànshāngshēnànxiū chīshíběnyuányóujiànshāngshēnànxiū

Foolish and dull, he knows not the root of the matter; / the sword of lust wounds the body, and in secret undoes him.

痴愚不識本原由 “the fool does not know the true cause,” i.e. that this is no real marriage. 色劍傷身 “the sword of desire wounds the body,” a moral commonplace on the ruin lust brings.

cóngláixìnyǒuzhōugōngjīnxīnlángdǐnggàitóu cóngláixìnyǒuzhōugōngjīnxīnlángdǐnggàitóu

From of old there have truly been the rites of the Duke of Zhou; / today the bridegroom dons the veil upon his head.

周公禮 the marriage rites codified by the Duke of Zhou (also a byword for the marriage-bed). 新郎頂蓋頭 “the groom wears the bridal veil” — the comic inversion, for the veil belongs to the bride, points the whole joke.


總評 Commentary

The widow rejects Bajie's demand for all three daughters and offers her ruse: a “heaven-made match,” in which he is to veil his face with a kerchief and catch whichever daughter he can as they file past. The device is folk custom turned instrument of humiliation — and Bajie, all eagerness, veils himself without a moment's suspicion.

The quatrain that the storyteller appends turns the comedy to moral point. It names Bajie a fool who cannot see “the root of the matter” — that no true bride awaits him — and invokes the old warning that “the sword of lust wounds the body.” Even amid the farce, the tale keeps its didactic thread: desire blinds, and the blinding is literalized in the kerchief over his eyes.

The final image seals the joke and the lesson together. Invoking the venerable marriage-rites of the Duke of Zhou, the verse sets against them the ludicrous sight of a bridegroom in a bride's veil. The inversion is exact: Bajie, who would be husband to three, is made instead a blindfolded figure of fun, groping after wives he will never catch.