撞天婚頌 The Blind Lottery
那婦人道:「不好,不好。我這裡有一方手帕,你頂在頭上,遮了臉,撞個天婚:教我女兒從你跟前走過,你伸開手扯到那個,就把那個配了你罷。獃子依言,接了手帕,頂在頭上。有詩為證。詩曰:那妇人道:「不好,不好。我这里有一方手帕,你顶在头上,遮了脸,撞个天婚:教我女儿从你跟前走过,你伸开手扯到那个,就把那个配了你罢。呆子依言,接了手帕,顶在头上。有诗为证。诗曰:
逐句解 Line by line
The woman said, “That won't do, that won't do.”
那婦人 nà. 不好,不好 “no good, no good.” The widow waves off Bajie's demand and proposes her contrivance instead.
“I have here a kerchief: put it on your head to cover your face, and chance a heaven-made match — I'll have my daughters walk past before you, and whichever one you reach out and catch, that one I'll match with you.”
一方手帕 “a square kerchief.” 撞個天婚 “to hazard a heaven-decided marriage,” a folk lottery in which a blindfolded party takes whom fate gives. 教我女兒 causative jiào; 扯到那個 “catch hold of which one,” 那 nà (×2).
The blockhead did as told, took the kerchief, and put it on his head.
依言 “according to (her) words.” 接了手帕,頂在頭上 “took the kerchief and set it on his head” (獃子, 子 zi). The groom, absurdly, veils himself.
There is a verse to prove it.
有詩為證 “there is a poem in witness,” the storyteller's formula; here 為 reads wéi (“to be, to serve as”), the recurring corpus usage 為證 “as proof.”
The verse says:
詩曰 “the poem runs,” the tag ushering in the quatrain.
Foolish and dull, he knows not the root of the matter; / the sword of lust wounds the body, and in secret undoes him.
痴愚不識本原由 “the fool does not know the true cause,” i.e. that this is no real marriage. 色劍傷身 “the sword of desire wounds the body,” a moral commonplace on the ruin lust brings.
From of old there have truly been the rites of the Duke of Zhou; / today the bridegroom dons the veil upon his head.
周公禮 the marriage rites codified by the Duke of Zhou (also a byword for the marriage-bed). 新郎頂蓋頭 “the groom wears the bridal veil” — the comic inversion, for the veil belongs to the bride, points the whole joke.
The widow rejects Bajie's demand for all three daughters and offers her ruse: a “heaven-made match,” in which he is to veil his face with a kerchief and catch whichever daughter he can as they file past. The device is folk custom turned instrument of humiliation — and Bajie, all eagerness, veils himself without a moment's suspicion.
The quatrain that the storyteller appends turns the comedy to moral point. It names Bajie a fool who cannot see “the root of the matter” — that no true bride awaits him — and invokes the old warning that “the sword of lust wounds the body.” Even amid the farce, the tale keeps its didactic thread: desire blinds, and the blinding is literalized in the kerchief over his eyes.
The final image seals the joke and the lesson together. Invoking the venerable marriage-rites of the Duke of Zhou, the verse sets against them the ludicrous sight of a bridegroom in a bride's veil. The inversion is exact: Bajie, who would be husband to three, is made instead a blindfolded figure of fun, groping after wives he will never catch.