八戒自媒 Bajie Woos the Widow
那獃子拉著馬,有草處且不教吃草,嗒嗒嗤嗤的趕著馬,轉到後門首去。只見那婦人帶了三個女子,在後門外閑立著,看菊花兒耍子。他娘女們看見八戒來時,三個女兒閃將進去。那婦人佇立門首道:「小長老那裡去?」這獃子丟了韁繩,上前唱個喏,道聲「娘,我來放馬的。」那婦人道:「你師父忒弄精細。在我家招了女婿,卻不強似做掛搭僧,往西蹡路?」八戒笑道:「他們是奉了唐王的旨意,不敢有違君命,不肯幹這件事。剛才都在前廳上栽我,我又有些奈上祝下的,只恐娘嫌我嘴長耳大。」那婦人道:「我也不嫌,只是家下無個家長,招一個倒也罷了,但恐小女兒有些兒嫌醜。」八戒道:「娘,你上覆令愛,不要這等揀漢。想我那唐僧,人才雖俊,其實不中用。我醜自醜,有幾句口號兒。」婦人道:「你怎的說麼?」八戒道:「我:那呆子拉著马,有草处且不教吃草,嗒嗒嗤嗤的赶著马,转到后门首去。只见那妇人带了三个女子,在后门外闲立著,看菊花儿耍子。他娘女们看见八戒来时,三个女儿闪将进去。那妇人伫立门首道:「小长老那里去?」这呆子丢了缰绳,上前唱个喏,道声「娘,我来放马的。」那妇人道:「你师父忒弄精细。在我家招了女婿,却不强似做挂搭僧,往西蹡路?」八戒笑道:「他们是奉了唐王的旨意,不敢有违君命,不肯干这件事。刚才都在前厅上栽我,我又有些奈上祝下的,只恐娘嫌我嘴长耳大。」那妇人道:「我也不嫌,只是家下无个家长,招一个倒也罢了,但恐小女儿有些儿嫌丑。」八戒道:「娘,你上覆令爱,不要这等拣汉。想我那唐僧,人才虽俊,其实不中用。我丑自丑,有几句口号儿。」妇人道:「你怎的说么?」八戒道:「我:
逐句解 Line by line
The blockhead led the horse along, and where there was grass would not let it graze, but with clicks and hisses drove it on, rounding to the back gate.
那獃子 nà (獃子, 子 zi). 不教吃草 “would not let it eat grass,” 教 causative jiào. 拉著…趕著 both durative zhe. 嗒嗒嗤嗤 onomatope of the driver's clicks. His true errand is not grazing.
There he saw the woman, with her three girls, standing idly outside the back gate, amusing themselves looking at the chrysanthemums.
三個女子 “three young women,” 女子 (nǚzǐ) with 子 the noun zǐ; the following 耍子 (“to play, amuse oneself”) takes the suffix zi — one segment, two readings. 閑立著 “standing at leisure,” 著 durative zhe.
When the mother and daughters saw Bajie coming, the three girls slipped inside.
娘女們 “mother and daughters.” 閃將進去 “darted in,” 將 the verbal complement jiāng. The daughters' modest retreat leaves the widow to Bajie alone.
The woman, standing at the gate, said, “Little elder — where are you off to?”
那婦人 nà (also 那裡, nà). 小長老 zhǎng lǎo, a wheedling “little elder.” 佇立 “to stand waiting.”
The blockhead dropped the halter-rope, stepped up with a bow of greeting, and said, “Ma'am — I've come to graze the horse.”
這獃子 (獃子, 子 zi). 唱個喏 “to make a bow with a murmured salutation.” 放馬 “to graze the horse” — the pretext, kept up to her face.
The woman said, “Your master is far too clever by half.”
那婦人 nà. 忒弄精細 “much too finicky, too shrewd” — the widow's dig at Tripitaka's punctilious refusal.
“To be taken as a son-in-law in my house — would that not be better than being a vagrant monk, tramping the road westward?”
招了女婿 “to be taken in as a son-in-law.” 掛搭僧 “a lodging, itinerant monk,” 掛搭 the temporary registration of a wandering cleric at a monastery. 蹡路 “to trudge the road,” 強似 “better than,” 似 sì.
Bajie said with a laugh, “They are under the Tang king's command, and dare not disobey the sovereign's order; they won't do this thing.”
奉了唐王的旨意 “bearing the Tang emperor's decree.” 有違君命 “to contravene the ruler's command.” Bajie pins the refusal on the others while distancing himself from it.
“Just now, out in the front hall, they were all pinning it on me; and being one to defer to those above and mind those below, I only feared, ma'am, that you might mislike my long snout and big ears.”
栽我 “to foist it on me,” 都 dōu. 奈上祝下 an obscure colloquialism, roughly “deferential to superiors and placating to inferiors,” i.e. obligingly accommodating. 嘴長耳大 “long-snouted, big-eared” — Bajie's porcine features; here 長 reads cháng (“long”), against the zhǎng of 家長 below.
The woman said, “I've no objection myself; it is only that the house has no master, so taking one in would do well enough — but I fear my girls may find you ill-favored.”
那婦人 nà. 無個家長 “no head of household,” here 長 reads zhǎng (家長, “householder”) — distinct from the cháng of 嘴長 above. 嫌醜 “to mislike (one's) ugliness.”
Bajie said, “Ma'am, tell your worthy daughters not to be so choosy about a man.”
上覆 “to convey (a message) up to, to inform respectfully.” 令愛 “your esteemed daughter(s).” 揀漢 “to pick and choose a husband.”
“Take that Tang Monk of ours — handsome enough in looks, but in truth good for nothing.”
那唐僧 nà. 人才雖俊 “though fine in person.” 不中用 “of no use, good for nothing,” here 中 reads zhòng (中用, “to be serviceable”). Bajie disparages his handsome master to advance his own homely suit.
“Ugly I may be, but I have a few lines of doggerel to say.”
我醜自醜 “ugly as I am,” conceding the point. 口號 “an impromptu doggerel verse,” 兒 the diminutive suffix. The lead-in to Bajie's self-advertising rhyme.
The woman said, “And how does it go?”
你怎的說麼 “how do you say it, then?” The widow's prompt draws out the verse.
Bajie said: “I —”
八戒道:「我 — the opening 「 of Bajie's recited 口號; the quotation stays open through the seven couplets that follow, closing only on the final line.
Ugly of person though I be, / at diligent toil I have some skill.
人物醜 “homely of person.” 勤緊 “diligent, hardworking”; 有些功 “have some competence.” The doggerel's boast opens with industry over looks.
If it be a thousand qǐng of land, / no need to set an ox to plough.
千頃地 “a thousand qǐng of field.” 不用使牛耕 “no need to use an ox to till” — Bajie's brute strength stands in for the beast.
It needs but a single stroke of my rake, / and the sown seed sprouts in its season.
一頓鈀 “one stroke of the (nine-tooth) muck-rake,” 鈀 pá, Bajie's weapon and farm-tool. 佈種 “to sow seed,” here 種 the verb zhòng (“to plant”). 及時生 “sprout in due time.”
In drought I can pray down rain; / in stillness I can summon wind.
能求雨…會喚風 “able to invoke rain… able to call up wind” — Bajie's boast of his weather-working powers, a relic of his former office as Marshal of the Heavenly Reeds.
Should the house be thought too low, / I'll raise it up two storeys or three.
嫌矮 “to think (it) too low.” 起上二三層 “to build it up two or three storeys,” 上 the complement of adding on.
If the floor's unswept, I'll give it a sweep; / if the drain's blocked, I'll give it a clearing.
掃一掃…通一通 “give it a sweep… give it a clearing,” the colloquial verb-reduplication for a quick doing. 陰溝 “a covered drain.” The doggerel descends comically from weather-magic to household chores.
The long and short of household matters, every kind of thing — / from kicking heaven to fiddling with wells, I can do it all.
家長里短 “the long and short of home and neighborhood,” i.e. every domestic trifle; here 長 reads cháng (paired with 短 “short”), not the zhǎng of 家長 “householder.” 踢天弄井 “to kick heaven and toy with wells,” an idiom for boundless capability. 般 bān.
Alone with the widow at the back gate — the daughters having modestly withdrawn — Bajie drops all pretense but the flimsy one of grazing the horse. His courtship is a small masterpiece of self-interest: he disowns the refusal as the others' doing and the emperor's command, presents himself as obligingly accommodating, and even runs down his own handsome master as “good for nothing” to clear his rival from the field.
The centerpiece is his recited 口號, an impromptu doggerel of self-advertisement. It begins grandly — a thousand qǐng ploughed without an ox, rain prayed down and wind summoned, storeys raised at will — the boasts of a former Marshal of the Heavenly Reeds — and then subsides, with deliberate bathos, into sweeping floors and unclogging drains. The comedy lies exactly in the descent from cosmic power to domestic handiness, all offered as a husband's credentials.
The scene is watched throughout by Wukong in the form of a red dragonfly, and that unseen audience is the point: Bajie, believing himself unobserved, lays bare the full measure of his appetite and vanity. Where the public confrontation tested the pilgrims' resolve to their faces, this covert wooing exposes the one among them whose resolve has already given way — convicting him, as the four saints' test is designed to do, out of his own eager mouth.