Canonical Classics ← 第二十三回
第二十三回
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Tripitaka Does Not Forget His Origin · The Four Saints Test the Meditative Heart

八戒數擔
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

八戒數擔 Bajie Counts the Load

jièdào:「kànzhèdānxíngduōzhòng?」xíngzhědào:「xiōngcóngyǒuleshāsēngyòucéngtiāozhezhīduōzhòng?」jièdào:「akànkànshùérmejièdào:「kànzhèdānxíngduōzhòng?」xíngzhědào:「xiōngcóngyǒuleshāsēngyòucéngtiāozhezhīduōzhòng?」jièdào:「akànkànshùérme

piànhuángténgmièchángduǎntiáoshéngpiànhuángténgmièchángduǎntiáoshéng
yòuyàofángyīnzhānbāosāncéngyòuyàofángyīnzhānbāosāncéng
biǎndànháichóuhuáliǎngtóudīngshàngdīngbiǎndànháichóuhuáliǎngtóudīngshàngdīng
tóngxiāngtiějiǔhuánzhàngmièténgchándǒupéngtóngxiāngtiějiǔhuánzhàngmièténgchándǒupéng

zhèbānduōxíngnánwéilǎozhūzhújiādānzhezǒupiāngēnshīzuòzuòchánggōng。」zhèbānduōxíngnánwéilǎozhūzhújiādānzhezǒupiāngēnshīzuòzuòchánggōng。」


逐句解 Line by line

jièdào:「kànzhèdānxíngduōzhòng?」 jièdào:「kànzhèdānxíngduōzhòng?」

Zhu Bajie said, “Brother, just see how heavy this load of baggage is!”

Here is the noun/measure dàn (a carrying-load), 行李 reads xíng (“luggage”), and 多重 (“how heavy”) takes as zhòng.

xíngzhědào:「xiōngcóngyǒuleshāsēngyòucéngtiāozhezhīduōzhòng?」 xíngzhědào:「xiōngcóngyǒuleshāsēngyòucéngtiāozhezhīduōzhòng?」

Pilgrim said, “Brother, ever since you and Sha came along, I have not once carried it — how should I know its weight?”

挑著 again takes the durative 著 (zhe); 那知 (“how would I know”) is the rhetorical 那 (nǎ).

jièdào:「akànkànshùérme jièdào:「akànkànshùérme

Zhu Bajie said, “Brother, just tally it up, will you:

看看數兒 = “take a look at the count.” The colon opens the recited inventory that follows — Bajie's speech continues straight through the verse.

piànhuángténgmièchángduǎntiáoshéng piànhuángténgmièchángduǎntiáoshéng

Four strips of yellow rattan-splint; eight ropes, of differing length;

is here a loan-graph for (thin bamboo or rattan splint). 長短 (“long-and-short,” i.e. of various lengths) takes as cháng.

yòuyàofángyīnzhānbāosāncéng yòuyàofángyīnzhānbāosāncéng

and, to guard against the drizzling rain, a felt wrapper of three or four plies;

防陰雨 = to ward off wet weather; 氈包 = a felt bundle wrapped in several layers.

biǎndànháichóuhuáliǎngtóudīngshàngdīng biǎndànháichóuhuáliǎngtóudīngshàngdīng

the flat carrying-pole, forever apt to slip, has nails driven in at either end;

匾擔 (for 扁擔) is the flat shoulder-pole, the noun dàn; here is hái (“moreover, still”).

tóngxiāngtiějiǔhuánzhàngmièténgchándǒupéng tóngxiāngtiějiǔhuánzhàngmièténgchándǒupéng

a nine-ringed staff, copper-inlaid and iron-forged; and a great rain-cape, bound round with bamboo-thread and rattan.

The 九環杖 is the ringed pilgrim-staff (the 錫杖, khakkhara), read huán; 斗篷 (rain-cape) takes as dǒu. The couplet's lines swell to nine characters, closing the list with its two grandest items.

zhèbānduōxíngnánwéilǎozhūzhújiādānzhezǒupiāngēnshīzuòzuòchánggōng。」 zhèbānduōxíngnánwéilǎozhūzhújiādānzhezǒupiāngēnshīzuòzuòchánggōng。」

With so much baggage as this, it is hard on old Pig to shoulder it alone, day after day — while you get to be the master's disciple, and make me your hired hand!”

似這般 = “like this” (似 (sì)); 難為 = to put upon, impose on (為 (wéi)). Here turns verbal — 擔著走, “to carry it along,” read dān with durative 著 (zhe); 長工 (a long-term hired labourer) takes as cháng.


總評 Commentary

Bajie's grievance swells into a mock-heroic catalogue. The descriptive -list — the form the novel normally reserves for palaces, battle-arrays, or the beauty of goddesses — is here turned upon a heap of ordinary travel-gear, and the bathos is the joke. The pilgrim who ought to renounce possessions instead recites his baggage lovingly, item by aggrieved item.

The inventory is also a rare, concrete glimpse of the pilgrims' material kit: rattan splints and coils of rope, a many-plied felt wrapper against the rain, a flat shoulder-pole nailed at the ends, the copper-and-iron 九環杖 (Sanzang's emblematic ringed staff), and a great rattan-bound rain-cape. Note the spoken-verse framing: the opens in Bajie's prose lead-in, the list is set as verse, and the speech runs on past it to close with the only after his final complaint.

The graph does double service and rewards attention: as a noun it is dàn (這擔, 匾擔, the load and the pole), but as a verb dān (擔著走, to carry). Beneath the comedy lies Bajie's real complaint — the injustice of the division of labour, disciple versus 長工 — a resentment the coming test will exploit.