Canonical Classics ← 第八十四回
第八十四回
難nán滅miè伽gā持chí圓yuán大dà覺jué
法fǎ王wáng成chéng正zhèng體tǐ天tiān然rán

Hard to Extinguish, the Sustaining Power Perfects the Great Awakening · The Dharma King Attains the True Body, Natural and Whole

海闊從魚躍
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition

海闊從魚躍 Wide Sea and Empty Sky

諕xià得de個gè三sān藏zàng跳tiào下xià馬mǎ來lái,打dǎ個gè問wèn訊xùn道dào:「老lǎo菩pú薩sà,古gǔ人rén云yún:『海hǎi闊kuò從cóng魚yú躍yuè,天tiān空kōng任rèn鳥niǎo飛fēi。』怎zěn麼me西xī進jìn便biàn沒méi路lù了le?」諕xià得de个gè三sān藏zàng跳tiào下xià马mǎ来lái,打dǎ个gè问wèn讯xùn道dào:「老lǎo菩pú萨sà,古gǔ人rén云yún:『海hǎi阔kuò从cóng鱼yú跃yuè,天tiān空kōng任rèn鸟niǎo飞fēi。』怎zěn么me西xī进jìn便biàn没méi路lù了le?」


逐句解 Line by line

諕xià得de個gè三sān藏zàng跳tiào下xià馬mǎ來lái,打dǎ個gè問wèn訊xùn道dào:「老lǎo菩pú薩sà,古gǔ人rén云yún:『海hǎi闊kuò從cóng魚yú躍yuè,天tiān空kōng任rèn鳥niǎo飛fēi。』 諕xià得de个gè三sān藏zàng跳tiào下xià马mǎ来lái,打dǎ个gè问wèn讯xùn道dào:「老lǎo菩pú萨sà,古gǔ人rén云yún:『海hǎi阔kuò从cóng鱼yú跃yuè,天tiān空kōng任rèn鸟niǎo飞fēi。』

That gave Tripitaka such a fright that he sprang down from the horse and made his greeting, saying: "Venerable Bodhisattva, the ancients said, 'The sea is wide, so fish leap as they please; the sky is empty, so birds fly where they will.'

Tripitaka's reflex under fright is to be polite and quote something. 諕 is xià, to frighten, a variant of the character modern Chinese writes 嚇. The saying he reaches for is still current — it is the one Chinese uses for having room to move and nobody stopping you, which makes it a slightly comic thing to produce when someone has just told you the road ahead is fatal. And 老菩薩, Venerable Bodhisattva, is only a courteous way to address an old woman. He has no idea how right he is.

怎zěn麼me西xī進jìn便biàn沒méi路lù了le?」 怎zěn么me西xī进jìn便biàn没méi路lù了le?」

How can it be that going west there is no road at all?"

The question follows straight from the quotation: if the sky is wide enough for any bird, how can a road be closed? He is arguing from a proverb against an eyewitness.


總評 Commentary

This is the closest the novel comes to a running joke about Tripitaka: confronted with a fact, he produces a sentiment. His two lines about fish and birds are about freedom of movement in the abstract, and the old woman has just made a concrete claim about one specific road.

The bow he makes is the palms-together greeting a monk gives on meeting. He performs it correctly to a stranger by the roadside, and it happens to be the correct greeting for the Bodhisattva she actually is. The accident is the point — Tripitaka is courteous to exactly the degree the situation secretly deserves, and for none of the right reasons.