Canonical Classics ← 第八十三回
第八十三回
心xīn猿yuán識shí得dé丹dān頭tóu
姹chà女nǚ還hái歸guī本běn性xìng

The Mind-Ape Knows the Elixir Head · The Fair Girl Returns to Her Original Nature

咬斷韁繩
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition

咬斷韁繩 She Bit Through The Bridle Rope

也yě是shì三sān藏zàng災zāi星xīng未wèi退tuì,他tā到dào洞dòng門mén前qián牌pái樓lóu下xià,卻què見jiàn唐táng僧sēng在zài那nà裡lǐ獨dú坐zuò,他tā就jiù近jìn前qián一yì把bǎ抱bào住zhù,搶qiǎng了le行xíng李li,咬yǎo斷duàn韁jiāng繩shéng,連lián人rén和hé馬mǎ,復fù又yòu攝shè將jiāng進jìn去qù不bù題tí。也yě是shì三sān藏zàng灾zāi星xīng未wèi退tuì,他tā到dào洞dòng门mén前qián牌pái楼lóu下xià,却què见jiàn唐táng僧sēng在zài那nà里lǐ独dú坐zuò,他tā就jiù近jìn前qián一yì把bǎ抱bào住zhù,抢qiǎng了le行xíng李li,咬yǎo断duàn缰jiāng绳shéng,连lián人rén和hé马mǎ,复fù又yòu摄shè将jiāng进jìn去qù不bù题tí。


逐句解 Line by line

也yě是shì三sān藏zàng災zāi星xīng未wèi退tuì,他tā到dào洞dòng門mén前qián牌pái樓lóu下xià,卻què見jiàn唐táng僧sēng在zài那nà裡lǐ獨dú坐zuò,他tā就jiù近jìn前qián一yì把bǎ抱bào住zhù,搶qiǎng了le行xíng李li,咬yǎo斷duàn韁jiāng繩shéng,連lián人rén和hé馬mǎ,復fù又yòu攝shè將jiāng進jìn去qù不bù題tí。 也yě是shì三sān藏zàng灾zāi星xīng未wèi退tuì,他tā到dào洞dòng门mén前qián牌pái楼lóu下xià,却què见jiàn唐táng僧sēng在zài那nà里lǐ独dú坐zuò,他tā就jiù近jìn前qián一yì把bǎ抱bào住zhù,抢qiǎng了le行xíng李li,咬yǎo断duàn缰jiāng绳shéng,连lián人rén和hé马mǎ,复fù又yòu摄shè将jiāng进jìn去qù不bù题tí。

It was also that Tripitaka's unlucky star had not yet set. When she reached the archway in front of the cave mouth she found the Tang Monk sitting there all alone. She went straight up, threw her arms round him, snatched the baggage, bit through the bridle rope, and carried man and horse together back inside — of which no more for now.

災星未退 — the star of calamity has not yet withdrawn — is the novel's standing explanation for a run of bad luck, and it is astrology used as narrative bookkeeping: the master's troubles are not over because his allotted count of them is not finished. 不題 is the storyteller's own bookmark, of which no more for now, dropped in whenever one thread is set down to pick up another. 將 is jiāng again, the disposal marker, doing its ordinary work of shoving the object forward.


總評 Commentary

Everything the fiend needs is achieved in one sentence with no fight in it: seize, snatch, bite, carry off. Four verbs, and the chapter's whole problem is back where it started.

The biting is the detail that lasts. She does not untie the horse, she bites through the rope — and the severed half of that rope is what Pilgrim will find in the road and weep over a few passages from now.