Canonical Classics ← 第八十三回
第八十三回
心xīn猿yuán識shí得dé丹dān頭tóu
姹chà女nǚ還hái歸guī本běn性xìng

The Mind-Ape Knows the Elixir Head · The Fair Girl Returns to Her Original Nature

剔骨還父
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition

剔骨還父 He Gave His Bones Back

這zhè太tài子zǐ三sān朝zhāo兒ér就jiù下xià海hǎi淨jìng身shēn闖chuǎng禍huò,踏tà倒dǎo水shuǐ晶jīng宮gōng,捉zhuō住zhù蛟jiāo龍lóng要yào抽chōu筋jīn為wéi絛tāo子zi。天tiān王wáng知zhī道dào,恐kǒng生shēng後hòu患huàn,欲yù殺shā之zhī。哪né吒zhā奮fèn怒nù,將jiāng刀dāo在zài手shǒu,割gē肉ròu還huán母mǔ,剔tī骨gǔ還huán父fù,還huán了le父fù精jīng母mǔ血xuè。这zhè太tài子zǐ三sān朝zhāo儿ér就jiù下xià海hǎi净jìng身shēn闯chuǎng祸huò,踏tà倒dǎo水shuǐ晶jīng宫gōng,捉zhuō住zhù蛟jiāo龙lóng要yào抽chōu筋jīn为wéi绦tāo子zi。天tiān王wáng知zhī道dào,恐kǒng生shēng后hòu患huàn,欲yù杀shā之zhī。哪né咤zhā奋fèn怒nù,将jiāng刀dāo在zài手shǒu,割gē肉ròu还huán母mǔ,剔tī骨gǔ还huán父fù,还huán了le父fù精jīng母mǔ血xuè。


逐句解 Line by line

這zhè太tài子zǐ三sān朝zhāo兒ér就jiù下xià海hǎi淨jìng身shēn闖chuǎng禍huò,踏tà倒dǎo水shuǐ晶jīng宮gōng,捉zhuō住zhù蛟jiāo龍lóng要yào抽chōu筋jīn為wéi絛tāo子zi。 这zhè太tài子zǐ三sān朝zhāo儿ér就jiù下xià海hǎi净jìng身shēn闯chuǎng祸huò,踏tà倒dǎo水shuǐ晶jīng宫gōng,捉zhuō住zhù蛟jiāo龙lóng要yào抽chōu筋jīn为wéi绦tāo子zi。

This prince, three days old, went down into the sea to wash himself and got into trouble. He trampled the Crystal Palace flat and caught a scaly dragon, meaning to draw out its sinews for a sash-cord.

三朝兒 is the third day after a birth, and 朝 is zhāo, a day — not the cháo of a court, which the same character is everywhere else in this chapter. 三朝 was a real occasion: the third-day washing, when a newborn was bathed and shown to the family. Nezha goes to his in the sea and wrecks a palace. 倒 is dǎo, to fall — trampled it down — not the dào of reversed. 為 is wéi, to make into.

天tiān王wáng知zhī道dào,恐kǒng生shēng後hòu患huàn,欲yù殺shā之zhī。 天tiān王wáng知zhī道dào,恐kǒng生shēng后hòu患huàn,欲yù杀shā之zhī。

The Heavenly King learned of it and, fearing what would come of it later, wanted to kill him.

後患 is later trouble, the consequence that has not arrived yet, and it is still the ordinary word. A father proposing to kill a three-day-old to prevent an incident is told here in eleven characters, without comment.

哪né吒zhā奮fèn怒nù,將jiāng刀dāo在zài手shǒu,割gē肉ròu還huán母mǔ,剔tī骨gǔ還huán父fù,還huán了le父fù精jīng母mǔ血xuè。 哪né咤zhā奋fèn怒nù,将jiāng刀dāo在zài手shǒu,割gē肉ròu还huán母mǔ,剔tī骨gǔ还huán父fù,还huán了le父fù精jīng母mǔ血xuè。

Nezha flew into a rage. Taking the blade in his own hand, he cut off his flesh and gave it back to his mother, scraped his bones and gave them back to his father, and returned to them the seed and blood of his parents.

This is the scene everything else about Nezha is remembered for, and its language is bookkeeping. All three 還 are huán, to give a thing back to its owner — not the hái of still or yet. What a child receives from its parents is flesh, bone and the blood that made it, and Nezha settles the account item by item. 父精母血 is the father's seed and the mother's blood, the standard account of how a body is made. Filial duty said the body was not yours; Nezha agrees, and hands it over.


總評 Commentary

Everything in this scene turns on taking a moral commonplace literally. A child owes its body to its parents — so Nezha returns the body, and the debt with it, and the relationship at the same time.

The prose stays flat throughout, which is what makes it terrible. Cut, scrape, give back: three verbs and an inventory, and a three-day-old dismantling himself in the space of one sentence.