大流金香爐 A Great Gilt Incense Burner
只見有三間倒坐兒,近後壁卻鋪一張龍吞口雕漆供桌,桌上有一個大流金香爐,爐內有香煙馥郁。那上面供養著一個大金字牌,牌上寫著「尊父李天王之位」;只见有三间倒坐儿,近后壁却铺一张龙吞口雕漆供桌,桌上有一个大流金香炉,炉内有香烟馥郁。那上面供养着一个大金字牌,牌上写着「尊父李天王之位」;
逐句解 Line by line
He saw only three rooms facing north, and against the back wall stood a carved-lacquer altar table with a dragon-swallow mouth. On the table was a great gilt incense burner, and inside it the incense smoke lay rich and heavy.
倒坐 is a room whose door faces north instead of south, so it sits backwards to the proper orientation — and 倒 is dào, reversed, not the dǎo of falling over. It is the least honourable position in a courtyard, which is a small joke about the household. 龍吞口 is the dragon-swallow moulding, a carved mouth at the corner of an altar table. 供 is gòng, the offering reading — an altar table, not a supply table.
Set up on the altar above was a great gilt-lettered tablet, and on the tablet was written HONOURED FATHER, HIS PLACE, LI THE HEAVENLY KING;
供養 keeps 供 at gòng, the reading for making offerings, as against the gōng that means to provide for a living relative. The distinction is exactly the point here — the tablets are being worshipped. 之位, the place of, is the standard formula on an ancestral tablet, and finding one in a demon's back room is not what Pilgrim came down here for. The two 著 in this line are both zhe, the marker of a state that persists: set up and standing there, written and still written.
The smell leads to a shrine, and the shrine is the discovery the whole chapter has been walking towards. A fiend who abducts monks keeps an altar in her back rooms, and the names on it belong to heaven.
The furniture is described with unusual care — the north-facing rooms, the lacquer, the dragon-swallow mouth, the gilding. The novel slows down because it wants the reader looking at the table when the lettering comes into focus.