Canonical Classics ← 第八十三回
第八十三回
xīnyuánshídāntóu
chàháiguīběnxìng

The Mind-Ape Knows the Elixir Head · The Fair Girl Returns to Her Original Nature

半截兒韁繩
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

半截兒韁繩 Half A Length Of Bridle Rope

zhèngxúnchùzhǐjiànpángbiānxiéduǒzhebànjiéérjiāngshéngzhǐzhùyǎnzhōngliúlèifàngshēngjiàodào:「shīashíbiérénhuíláizhǐjiànzhèxiēshéng。」zhèngshìjiànānjùnlèixiǎngqīnrénzhèngxúnchùzhǐjiànpángbiānxiéduǒzhebànjiéérjiāngshéngzhǐzhùyǎnzhōngliúlèifàngshēngjiàodào:「shīashíbiérénhuíláizhǐjiànzhèxiēshéng。」zhèngshìjiànānjùnlèixiǎngqīnrén


逐句解 Line by line

zhèngxúnchùzhǐjiànpángbiānxiéduǒzhebànjiéérjiāngshéng zhèngxúnchùzhǐjiànpángbiānxiéduǒzhebànjiéérjiāngshéng

As they were casting about, they caught sight of half a length of bridle rope trailing crookedly at the side of the road.

is páng here, the side of a thing. Modern Chinese writes that word with the man radical stripped off, but the novel keeps this fuller form throughout. The character is bàng when it means to lean on something, which it does not here. is a rare one: to hang slack, to droop. And is zhe, the state that continues — it lies there trailing, and goes on trailing.

zhǐzhùyǎnzhōngliúlèifàngshēngjiàodào:「shīashíbiérénhuíláizhǐjiànzhèxiēshéng。」 zhǐzhùyǎnzhōngliúlèifàngshēngjiàodào:「shīashíbiérénhuíláizhǐjiànzhèxiēshéng。」

He picked it up, and could not hold back the tears in his eyes. He cried out, "Master! When I left I said goodbye to a man and a horse, and I come back to nothing but this piece of rope."

The half-rope is the same rope she bit through, and it has been lying in the road since. This is the only time in the chapter that Pilgrim weeps, and what produces it is not a threat or a defeat but a piece of severed cord. is zhōng, inside — the tears in his eyes.

zhèngshìjiànānjùnlèixiǎngqīnrén zhèngshìjiànānjùnlèixiǎngqīnrén

It was just as they say: seeing the saddle he thought of the fine horse; the tears fell as he thought of the one he loved.

見鞍思俊馬 is a saying, and its logic is the logic of grief everywhere: the object survives and the owner does not, so the object becomes unbearable. English has the same thought in a wardrobe full of somebody's clothes. 親人 is one's own people, the word for family — which is what a master has quietly become.


總評 Commentary

The chapter has been comic for four hundred characters and it stops being comic here, on a piece of rope. The switch is not signposted; the novel simply lets the object do the work.

The couplet that follows is a formula, and formulas usually flatten a moment. This one does not, because it names precisely the mechanism at work — the tack outlasts the horse, and the sight of it is what breaks him.