Canonical Classics ← 第七十五回
第七十五回
xīnyuánzuāntòuyīnyáng
zhǔhuánguīdàozhēn

The Mind-Monkey Bores Through the Body of Yin and Yang · The Demon Lord Returns to the True Great Way

英雄威武
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

英雄威武 Who Is Knocking At The Door

shēnjīnjiǎfèngyāoshùlóngtāoyǒujiànshēnjīnjiǎfèngyāoshùlóngtāoyǒujiàn
shǒuzhígāngdāomínghuǎnghuǎngyīngxióngwēishìjiānshǒuzhígāngdāomínghuǎnghuǎngyīngxióngwēishìjiān
shēngyāoléizhènwèndàoqiāoménzhěshìshuí」?shēngyāoléizhènwèndàoqiāoménzhěshìshuí」?

逐句解 Line by line

shēnjīnjiǎfèngyāoshùlóngtāoyǒujiàn shēnjīnjiǎfèngyāoshùlóngtāoyǒujiàn

Golden mail on his body without a thread of a seam, a dragon-sash bound at his waist with a clever catch.

is a woven silk cord or sash — the demon is dressed with some care. 見機 is a small trick or contrivance, the working part of a fastening.

shǒuzhígāngdāomínghuǎnghuǎngyīngxióngwēishìjiān shǒuzhígāngdāomínghuǎnghuǎngyīngxióngwēishìjiān

In his hand a steel sabre, glittering and glinting; a hero's dignity, rare in this world.

明晃晃 is one of those three-character shapes Chinese makes by doubling the tail of an adjective, and it does the work of an adverb and a sound effect together. The sabre named here gets a whole poem of its own two passages from now.

shēngyāoléizhènwèndàoqiāoménzhěshìshuí」? shēngyāoléizhènwèndàoqiāoménzhěshìshuí」?

One bellow like a thunderclap, and he demanded: who is that knocking at the door?

is , a shout — the character only reads when it means drinking. And notice the punctuation: an inner pair of brackets closes before the question mark, so the closing bracket and the question mark stack up at the very end of a verse line. It is the only site of its kind in the chapter.


總評 Commentary

Six lines and the rhyme never wavers: , , , , , — all in the same sound family. Ming verse of this kind holds one rhyme from beginning to end, and the discipline is part of the pleasure, like a bassline that does not change.

The closing question is a nice piece of staging. The whole portrait has been silent description, and then the subject of it speaks, and what he says is the most ordinary sentence imaginable: who is at the door. The poem hands him back to the plot.