Canonical Classics ← 第七十三回
第七十三回
情qíng因yīn舊jiù恨hèn生shēng災zāi毒dú
心xīn主zhǔ遭zāo魔mó幸xìng破pò光guāng

Passion from an Old Grudge Breeds a Venomous Calamity · The Mind-Lord Meets a Demon and Is Saved by the Breaking Light

姓名高
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

姓名高 Her Name Stands High

面miàn似sì秋qiū容róng霜shuāng後hòu老lǎo,聲shēng如rú春chūn燕yàn社shè前qián嬌jiāo。面miàn似sì秋qiū容róng霜shuāng后hòu老lǎo,声shēng如rú春chūn燕yàn社shè前qián娇jiāo。
腹fù中zhōng久jiǔ諳ān三sān乘shèng法fǎ,心xīn上shàng常cháng修xiū四sì諦dì饒ráo。腹fù中zhōng久jiǔ谙ān三sān乘shèng法fǎ,心xīn上shàng常cháng修xiū四sì谛dì饶ráo。
悟wù出chū空kōng空kōng真zhēn正zhèng果guǒ,煉liàn成chéng了liǎo了liǎo自zì逍xiāo遙yáo。悟wù出chū空kōng空kōng真zhēn正zhèng果guǒ,炼liàn成chéng了liǎo了liǎo自zì逍xiāo遥yáo。
正zhèng是shì千qiān花huā洞dòng裡lǐ佛fó,毘pí藍lán菩pú薩sà姓xìng名míng高gāo。正zhèng是shì千qiān花huā洞dòng里lǐ佛fó,毘pí蓝lán菩pú萨sà姓xìng名míng高gāo。

逐句解 Line by line

面miàn似sì秋qiū容róng霜shuāng後hòu老lǎo,聲shēng如rú春chūn燕yàn社shè前qián嬌jiāo。 面miàn似sì秋qiū容róng霜shuāng后hòu老lǎo,声shēng如rú春chūn燕yàn社shè前qián娇jiāo。

Her face like autumn's look, aged after the frost; her voice like a spring swallow before the festival, soft and sweet.

Two similes, one old and one young, in one couplet. 社 is the spring sacrifice to the god of the soil, held just as the swallows return — so 社前 dates the bird precisely. An old face and a young voice is the standard signature of a being who has been alive a very long time.

腹fù中zhōng久jiǔ諳ān三sān乘shèng法fǎ,心xīn上shàng常cháng修xiū四sì諦dì饒ráo。 腹fù中zhōng久jiǔ谙ān三sān乘shèng法fǎ,心xīn上shàng常cháng修xiū四sì谛dì饶ráo。

In her belly long conversant with the Three Vehicles, in her heart forever cultivating the abundance of the Four Truths.

And with that she is Buddhist, whatever her clothes said. 三乘 takes 乘 as shèng, a vehicle — the Three Vehicles by which beings are carried to liberation. 四諦 are the Four Noble Truths: suffering, its cause, its cessation, and the path. 腹中 and 心上, belly and heart, are where Chinese puts learning and practice respectively.

悟wù出chū空kōng空kōng真zhēn正zhèng果guǒ,煉liàn成chéng了liǎo了liǎo自zì逍xiāo遙yáo。 悟wù出chū空kōng空kōng真zhēn正zhèng果guǒ,炼liàn成chéng了liǎo了liǎo自zì逍xiāo遥yáo。

She has woken to the true fruit of emptiness upon emptiness, refined to a clear clarity and roams at ease.

空空 is emptiness doubled, the Buddhist śūnyatā pressed twice, and 了了 — liǎo liǎo — is complete comprehension, everything seen through. But 煉 is the alchemist's verb, to refine in a furnace, and 逍遙 is the title of the first chapter of the 莊子. Buddhist content in Daoist vocabulary, in one line.

正zhèng是shì千qiān花huā洞dòng裡lǐ佛fó,毘pí藍lán菩pú薩sà姓xìng名míng高gāo。 正zhèng是shì千qiān花huā洞dòng里lǐ佛fó,毘pí蓝lán菩pú萨sà姓xìng名míng高gāo。

This is indeed the Buddha within the Thousand Flower Cave — Bodhisattva Vairambha, whose name stands high.

And the verse names her twice over: 佛, a Buddha, and 菩薩, a bodhisattva. 毘藍 is a Sanskrit name carried over syllable by syllable, and the pipeline reads it straight, because a transcribed syllable keeps its full tone. She appears eighteen times in this chapter and this is the first time she has been in the room.


總評 Commentary

The portrait began as the Daoist's twin and ends somewhere else entirely. His four costume lines were followed by a face like iron, a foreign nose, and thunder held in — power described from the outside. Hers are followed by the Three Vehicles, the Four Noble Truths and emptiness upon emptiness. The clothes matched. The contents do not.

The mixing of vocabularies is not sloppiness. She wears Daoist dress, she is 煉-ed like an elixir, she 逍遙s in Zhuangzi's own word — and everything she has actually learned is Buddhist doctrine. By the Ming the two traditions had been borrowing each other's furniture for a thousand years, and this novel is the single greatest monument to the borrowing.

And the rhyme holds all the way: 袍, 絛, 嬌, 饒, 遙, 高, every one in 蕭豪. That makes two exact set-pieces in this scene alone, and by the count of the whole chapter, five exact against four loose. There is no rule about which are which. Each one has to be checked.