Canonical Classics ← 第七十三回
第七十三回
qíngyīnjiùhènshēngzāi
xīnzhǔzāoxìngguāng

Passion from an Old Grudge Breeds a Venomous Calamity · The Mind-Lord Meets a Demon and Is Saved by the Breaking Light

師兄息怒
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

師兄息怒 Curb Your Anger Brother

zěnmezhèděngxiánzhuānghuǎngziliqiěràngchū。」zhòngguàiyòuchězhùdào:「shīxiōngwènqiánbiānshìfāngláide?」zěnmezhèděngxiánzhuānghuǎngziliqiěràngchū。」zhòngguàiyòuchězhùdào:「shīxiōngwènqiánbiānshìfāngláide?」


逐句解 Line by line

zěnmezhèděngxiánzhuānghuǎngziliqiěràngchū。」 zěnmezhèděngxiánzhuānghuǎngziliqiěràngchū。」

"How can you be so ill-mannered, making a public show of me? Now let me get out there."

裝幌子 is the idiom of the passage and it is a good one. A 幌子 is the cloth sign a shop hangs outside to advertise what it sells — a wine shop's banner, a barber's pole. To 裝幌子 for somebody is to turn them into a signboard: to make a display of them, to embarrass them in public. It is still used, and it still means being made a spectacle of.

zhòngguàiyòuchězhùdào:「shīxiōng zhòngguàiyòuchězhùdào:「shīxiōng

The monsters all took hold of him at once. "Elder brother, curb your anger."

扯住 is to grab and hold on — physical, not polite. Seven women physically restraining a man who is trying to walk out of a room is the point at which this scene stops being an argument. 息怒, let your anger rest, is the set formula for calming a superior, and it appears in every historical drama ever filmed.

wènqiánbiānshìfāngláide?」 wènqiánbiānshìfāngláide?」

"Let us just ask you — those guests out in front, where have they come from?"

Both are , but they are doing different jobs: the first is demonstrative, those guests, and the second is interrogative, which quarter. Early vernacular writes both with this character where modern Chinese splits them into and . The question is the hinge of the whole chapter and they have had to wrestle him into a chair to ask it.


總評 Commentary

Everything turns on one question and it takes them four passages to get it out. He has interrupted, excused himself, laughed at them, lectured them and tried to leave. They grab him. And what they finally ask is not "do you know who is out there" but something far more careful: where have they come from?

That care is the tell. They already know what the guests look like — they got that from the tea boy. What they do not know is whether these are the same four, and the answer that would settle it is a place name, not a face. The women are doing detective work, and they are being methodical about it.

Meanwhile 裝幌子 deserves its moment. The image is a shop banner: you have hung me up outside like a sign for people to look at. It is the exact complaint of a man whose family has embarrassed him in front of company, in a phrase five hundred years old and still in service.