火燒黑風洞 The Burning of Black Wind Cave
行者辭了菩薩,按落雲頭,將袈裟掛在香柟樹上,掣出棒來,打入黑風洞裡,那洞裡那得一個小妖。原來是他見菩薩出現,降得那老怪就地打滾,急急都散走了。行者一發行兇,將他那幾層門上都積了乾柴,前前後後,一齊發火,把個黑風洞燒做個紅風洞,卻拿了袈裟,駕祥光,轉回直北。行者辞了菩萨,按落云头,将袈裟挂在香柟树上,掣出棒来,打入黑风洞里,那洞里那得一个小妖。原来是他见菩萨出现,降得那老怪就地打滚,急急都散走了。行者一发行凶,将他那几层门上都积了干柴,前前后后,一齐发火,把个黑风洞烧做个红风洞,却拿了袈裟,驾祥光,转回直北。
逐句解 Line by line
The Pilgrim took his leave of the Bodhisattva, pressed down his cloud-head, hung the cassock on a fragrant nan tree, and whipped out his rod.
The chapter opens on mopping-up. 按落雲頭 — to press one's cloud-head down — is the standard formula for a descent from flight. 香柟: 柟 (U+67DF, read nán) is a variant of 楠, the fragrant nanmu much prized for coffins and temple pillars; that the Pilgrim should hang the Buddha's own robe on such a tree while he goes to butcher is a small, deliberate incongruity.
He battered his way into the Black Wind Cave — and in that cave there was not one small fiend to be had.
The 那 of 那洞裡 is the demonstrative nà; the 那 of 那得 is the interrogative nǎ — 那得一個小妖, "where was there to be found a single imp?" The rhetorical question does the work of a flat negative, and the two graphs stand three characters apart, requiring positional rulings.
The truth was that, having seen the Bodhisattva reveal herself and subdue the old monster till he rolled about on the ground, they had all scattered and fled in haste.
降得: 降 is xiáng, "to subdue," not jiàng, "to descend"; 得 is the resultative marker de, introducing the consequence 就地打滾. The narrator supplies the explanation the Pilgrim never troubles to seek — the cave is empty because its garrison saw what he did not stay to see.
Now the Pilgrim let his violence run its full course: against the several tiers of gates he heaped dry brushwood, before and behind, and set the whole alight at once,
一發 here is adverbial, "all the more, to the full," rather than "at one stroke." 乾柴 takes 乾 as gān (dry), not qián (the trigram); pypinyin defaults wrongly. The detail of firewood already stacked at the gates is quietly damning: the bear-fiend kept house.
so that he burned the Black Wind Cave into a Red Wind Cave. Then he took up the cassock, mounted the auspicious light, and turned back due north.
The wordplay is the point: 黑風洞 is burned into a 紅風洞, black wind made red. 直北, "due north," is a plain compass bearing and not the "straight north" of any doctrinal geography. The Pilgrim leaves nothing behind him but a changed colour.
Chapter seventeen closed on the Bodhisattva leading the bear-fiend away to keep the back gate of Potalaka; chapter eighteen opens four lines later with a cave full of nobody. The novel is fond of this deflation. Having built an elaborate contest of transformations, it disposes of the aftermath in a single sentence — the small fiends have already run — and lets the Pilgrim expend his prepared violence on empty rooms and stacked firewood.
The burning is gratuitous and the narrator knows it: 一發行兇 concedes as much. Nothing requires the cave to be destroyed. But Sun Wukong is not yet the pilgrim of the later chapters, and the fire is of a piece with the monkey who scorched the Region Below in chapter three. The joke — black wind cave, red wind cave — is exactly the kind of verbal turn the 世德堂本 narrator reserves for moments when a moral judgement might otherwise be expected.