Canonical Classics ← 第十八回
第十八回
guānyīnyuàntángsēngtuōnàn
gāolǎozhuāngshèngchú

At the Guanyin Temple the Tang Monk Escapes His Ordeal · At the Gao Village the Great Sage Removes the Monster

現出原身
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

現出原身 Where Do You Run?

shuōtàoshàngkāileménwǎngwàijiùzǒubèixíngzhěchězhùjiāngliǎnshànglexiànchūyuánshēndào:「hǎoyāoguàizǒutáitóukànkànshì?」guàizhuǎnguòyǎnláikànjiànxíngzhěláizuǐhuǒyǎnjīnjīngtóumáoliǎnjiùshìhuóléigōngxiānghuāngdeshǒujiǎoruǎnhuádeshēngzhènglehuàkuángfēngtuōshēnérxíngzhěshàngqiánchètiěbàngwàngfēnglexiàguàihuàwàndàohuǒguāngjìngzhuǎnběnshānérxíngzhějiàyúnsuíhòugǎnláijiàoshēng:「zǒuruòshàngtiānjiùgǎndàodǒuniúgōngruòjiùzhuīzhìwǎng。」jìngzhīzhègǎnzhìfāngyǒushèngbàiqiětīngxiàhuífēnjiěshuōtàoshàngkāileménwǎngwàijiùzǒubèixíngzhěchězhùjiāngliǎnshànglexiànchūyuánshēndào:「hǎoyāoguàizǒutáitóukànkànshì?」guàizhuǎnguòyǎnláikànjiànxíngzhěláizuǐhuǒyǎnjīnjīngtóumáoliǎnjiùshìhuóléigōngxiānghuāngdeshǒujiǎoruǎnhuádeshēngzhènglehuàkuángfēngtuōshēnérxíngzhěshàngqiánchètiěbàngwàngfēnglexiàguàihuàwàndàohuǒguāngjìngzhuǎnběnshānérxíngzhějiàyúnsuíhòugǎnláijiàoshēng:「zǒuruòshàngtiānjiùgǎndàodǒuniúgōngruòjiùzhuīzhìwǎng。」jìngzhīzhègǎnzhìfāngyǒushèngbàiqiětīngxiàhuífēnjiě


逐句解 Line by line

shuōtàoshàngkāileménwǎngwàijiùzǒu shuōtàoshàngkāileménwǎngwàijiùzǒu

With that he pulled on his clothes, opened the door, and made for the outside.

is to pull a thing on over yourself — the verb for shrugging into a coat, not for dressing with any care. He is running, and he still stops to put his clothes on. Even in flight the creature is domestic.

bèixíngzhěchězhùjiāngliǎnshànglexiànchūyuánshēndào:「hǎoyāoguàizǒu bèixíngzhěchězhùjiāngliǎnshànglexiànchūyuánshēndào:「hǎoyāoguàizǒu

But the Pilgrim caught him fast, wiped a hand across his own face, showed his true form, and roared, "Fine monster! Where do you run?

將自己臉上抹了一抹: is jiāng, bringing the object forward. One wipe of the hand undoes the transformation — no incantation, no smoke. 那裡走, where do you run, has the question word ; it is the standard challenge of this novel, shouted at a fleeing back.

táitóukànkànshì?」guàizhuǎnguòyǎnlái táitóukànkànshì?」guàizhuǎnguòyǎnlái

Lift your head and look at me — who am I?" The monster turned his eyes,

我是那個, who am I — the question word , and then immediately after it the pointing of 那怪. Two readings of one character inside a single breath, sorted out by nothing but position.

kànjiànxíngzhěláizuǐhuǒyǎnjīnjīngtóumáoliǎnjiùshìhuóléigōngxiāng kànjiànxíngzhěláizuǐhuǒyǎnjīnjīngtóumáoliǎnjiùshìhuóléigōngxiāng

and saw the Pilgrim's jutting teeth and bared jaws, his fiery eyes and golden pupils, his bumpy head and hairy face — the very image of a living thunder-god.

咨牙徠嘴 is teeth bared and jaws thrust forward; 磕頭毛臉 is a knobbed skull and a hairy face. 活雷公相似 takes as xiāng and as : the very image of a living thunder-god. Squire Gao made exactly this comparison at the gate, and was lectured for judging by appearances.

huāngdeshǒujiǎoruǎnhuádeshēngzhènglehuàkuángfēngtuōshēnér huāngdeshǒujiǎoruǎnhuádeshēngzhènglehuàkuángfēngtuōshēnér

So terrified was he that his hands went numb and his legs weak. With a ripping sound he burst out of his clothes, changed into a wild wind, and got clean away.

慌得 takes the unstressed de. 劃剌的一聲 is the sound of cloth tearing, with read huá and . 掙破 keeps as zhèng. He escapes out of his own clothes — the same clothes he arrived in, described down to the flowered cotton girdle.

xíngzhěshàngqiánchètiěbàngwàngfēnglexiàguàihuàwàndàohuǒguāngjìngzhuǎnběnshānér xíngzhěshàngqiánchètiěbàngwàngfēnglexiàguàihuàwàndàohuǒguāngjìngzhuǎnběnshānér

The Pilgrim sprang after him, drew out the iron rod, and struck once at the wind. The monster turned into ten thousand shafts of fire and made straight for his own mountain.

望風打了一下 is to strike at the wind. 萬道火光 is ten thousand shafts of fire; for a pig, this creature carries a remarkable amount of fire about him. 徑轉本山 is straight home to his own mountain — Fuling, the address he obligingly disclosed eighteen lines ago.

xíngzhějiàyúnsuíhòugǎnláijiàoshēng:「zǒu xíngzhějiàyúnsuíhòugǎnláijiàoshēng:「zǒu

The Pilgrim mounted a cloud and gave chase, calling out, "Where do you run?

The chase opens with the same three characters as the unmasking: 那裡走, again with .

ruòshàngtiānjiùgǎndàodǒuniúgōngruòjiùzhuīzhìwǎng。」 ruòshàngtiānjiùgǎndàodǒuniúgōngruòjiùzhuīzhìwǎng。」

If you go up to Heaven, I will follow you to the Palace of the Dipper and the Ox; if you go down into the earth, I will pursue you to the Prison of Unjust Death!"

斗牛宮 pairs , the Dipper, read dǒu, with , the Ox — two of the twenty-eight lodges into which Chinese astronomy divides the sky. 枉死獄, the Prison of Unjust Death, is a hell Sun Wukong has been to in person. The threat runs from the top of the universe to the bottom, and he has stood at both ends.

jìngzhīzhègǎnzhìfāngyǒushèngbàiqiětīngxiàhuífēnjiě jìngzhīzhègǎnzhìfāngyǒushèngbàiqiětīngxiàhuífēnjiě

Ah! Not yet may it be known to what place this pursuit led, nor who had the victory and who the defeat. Let it be told in the chapter to come.

is the storyteller's closing exclamation, the intake of breath before he stops. 且聽下回分解 — wait for the next chapter to unravel it — ends every chapter of the novel, and is the ancestor of every serial cliffhanger since. Chapter nineteen opens on Fuling Mountain, and the monster has still not been given a Buddhist name.


總評 Commentary

The unmasking is arranged as an exact rhyme. Squire Gao, at the gate, saw a face like a thunder-god and did not dare bow; the Pilgrim lectured him with 若專以相貌取人乾淨錯了. Now Zhu Ganglie, in his marriage bed, turns his eyes and sees 活雷公相似 — the same comparison, the same two characters 雷公 — and bursts out of his clothes in terror. The chapter preaches against reading faces, then wins its biggest moment by putting a frightening one to work.

And the monster runs, as he has run from every reckoning in his life: he does not fight, he goes home. 徑轉本山 — straight back to Fuling Mountain and the Cloud-Ladder Cave, whose location he disclosed eighteen lines ago in order to comfort a wife who was not there. Sun Wukong's threat to follow him to the Dipper or down to the Prison of Unjust Death is magnificent, and quite unnecessary. He has the address.