會變嘴臉 The Changing Face
行者道:「怎麼樣變?」高老道:「初來時是一條黑胖漢,後來就變做一個長嘴大耳朵的獃子,腦後又有一溜鬃毛,身體粗糙怕人,頭臉就像個豬的模樣。食腸卻又甚大:一頓要吃三五斗米飯,早間點心也得百十個燒餅才夠。喜得還吃齋素;若再吃葷酒,便是老拙這些家業田產之類,不上半年,就吃個罄淨。」三藏道:「只因他做得,所以吃得。」高老道:「吃還是件小事。他如今又會弄風,雲來霧去,走石飛砂,諕得我一家並左鄰右舍,俱不得安生。又把那翠蘭小女關在後宅子裡,一發半年也不曾見面,更不知死活如何。因此知他是個妖怪,要請個法師與他去退去退。」行者道:「怎么样变?」高老道:「初来时是一条黑胖汉,后来就变做一个长嘴大耳朵的呆子,脑后又有一溜鬃毛,身体粗糙怕人,头脸就像个猪的模样。食肠却又甚大:一顿要吃三五斗米饭,早间点心也得百十个烧饼才够。喜得还吃斋素;若再吃荤酒,便是老拙这些家业田产之类,不上半年,就吃个罄净。」三藏道:「只因他做得,所以吃得。」高老道:「吃还是件小事。他如今又会弄风,云来雾去,走石飞砂,諕得我一家并左邻右舍,俱不得安生。又把那翠兰小女关在后宅子里,一发半年也不曾见面,更不知死活如何。因此知他是个妖怪,要请个法师与他去退去退。」
逐句解 Line by line
The Pilgrim said, "Changed how?" Old Gao said, "When he first came he was a stout dark fellow;
The Pilgrim asks the one question the old man had hoped to slide past. 黑胖漢 is a dark, heavy fellow — nothing remarkable at all, which is exactly the point.
afterwards he turned into an idiot with a long snout and great ears, with a ridge of bristles down the back of his skull,
長 is cháng, long, not zhǎng, to grow; the default reading goes the wrong way. 獃子, dolt or blockhead, is the name the Pilgrim will use for this creature for the next eighty chapters — and it arrives here, in a father-in-law's complaint, before the two have even met. 一溜鬃毛: 溜 is liù, a row or a ridge.
his body coarse and frightful, his head and face for all the world like a pig's.
模樣 takes 模 as mú. And notice the order: the pig arrives last, after the snout, the ears and the bristles have made it unavoidable — and six lines after the surname 豬 was handed over without comment. The novel is letting the reader get there first.
And his gullet is prodigious: at one sitting he must have three or five dǒu of rice,
食腸 is the eating-gut, meaning the capacity of a man's appetite. 甚 is shèn here, the intensifier, very. A 斗, dǒu, is a dry measure for grain — about ten litres in Ming terms, and the middle rung of a decimal ladder that runs ten to the step. So three or five of them is something like thirty to fifty litres of cooked rice, at one sitting, for one guest. The default reading gives dòu, to fight, which would make an odd sentence indeed.
and for his morning bite a hundred-odd flat cakes are barely enough.
點心 here is the morning meal, not the sweet snack it later becomes. 也得 takes 得 as dé, requires. And a hundred flat cakes for breakfast is a joke the novel will keep making at Zhu Bajie's expense until the last chapter.
It is a mercy that he still eats vegetarian. If he took to flesh and wine,
喜得 is happily, as luck has it, with 得 as dé. 還 is hái, still. 齋素 is vegetarian abstinence — and here is the detail worth stopping on. The fiend has kept a Buddhist rule for three years unasked, and his father-in-law counts it as a saving on the grocery bill.
then all this old fool's holdings, land and stock and the rest, would be eaten clean away inside half a year."
家業田產 is the household's whole estate, land and stock together. 罄淨, qìng jìng, is emptied right down to the bottom. 不上半年 is in less than half a year.
Sanzang said, "He eats so because he works so." Old Gao said, "The eating is the small matter.
Sanzang's one contribution to the interview is a piece of plain justice: 只因他做得,所以吃得, both 得 the dé of ability. He can do the work, so he may eat the food. It is the only word spoken in the monster's favour by anybody in the entire chapter, and it comes from the man who is about to become his master.
Nowadays he raises winds besides, and comes in cloud and goes in mist, and sends the stones walking and the sand flying, so that he has frightened my whole household and the neighbours to left and right out of all peace.
諕 is writing 嚇 and is read xià, to frighten. Then watch 得 appear twice in one line: 諕得 takes the unstressed de that introduces a result, while 不得安生 takes the full dé of ability — could not get any peace. One character, two readings, a dozen characters apart. 走石飛砂, stones walking and sand flying, is the stock formula for a fiend's wind.
And he has shut my little daughter Kingfisher Orchid away in the back court, and for a full half-year we have not seen her face, nor do we know whether she is alive or dead.
一發 here is altogether, for a full — the same word that opened the chapter with the Pilgrim's violence running to the full. 更不知死活如何: the father does not know whether his daughter is alive. Three years of free labour bought a great deal of patience.
By this we knew him for a monster, and would fetch some exorcist to be rid of him — to be rid of him."
去退去退 — the doubled verb is the old man's fluster breaking through, and the English keeps the repetition. 法師 is an exorcist of either persuasion, and by now we know he does not care which.
The portrait is assembled backwards, feature by feature, and the surname was handed over long before the snout. Squire Gao has been living with a pig-headed son-in-law for three years and produces the resemblance as an afterthought — 頭臉就像個豬的模樣, his head and face for all the world like a pig's — as though it had only lately struck him. The comedy here is entirely a comedy of late recognition.
Sanzang's single sentence, 只因他做得,所以吃得, is worth the whole interview. It is the only fair thing said about Zhu Ganglie by anyone before he speaks for himself, and it is said by the man who will shortly be his master. The old man brushes it aside: the eating is 件小事, a small matter. What he cannot forgive is the wind, the mist and the locked door — that is, the half-year in which the creature stopped being useful and started being frightening.