Canonical Classics ← 第十八回
第十八回
guānyīnyuàntángsēngtuōnàn
gāolǎozhuāngshèngchú

At the Guanyin Temple the Tang Monk Escapes His Ordeal · At the Gao Village the Great Sage Removes the Monster

會變嘴臉
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

會變嘴臉 The Changing Face

xíngzhědào:「zěnmeyàngbiàn?」gāolǎodào:「chūláishíshìtiáohēipànghànhòuláijiùbiànzuòchángzuǐěrduodedāizinǎohòuyòuyǒuliùzōngmáoshēncāoréntóuliǎnjiùxiàngzhūdeyàngshíchángquèyòushèndùnyàochīsāndǒufànzǎojiāndiǎnxīnbǎishíshāobǐngcáigòuháichīzhāiruòzàichīhūnjiǔ便biànshìlǎozhuōzhèxiējiātiánchǎnzhīlèishàngbànniánjiùchīqìngjìng。」sānzàngdào:「zhǐyīnzuòsuǒchī。」gāolǎodào:「chīháishìjiànxiǎoshìjīnyòuhuìnòngfēngyúnláizǒushífēishāxiàdejiābìngzuǒlínyòushèānshēngyòucuìlánxiǎoguānzàihòuzháizibànniáncéngjiànmiàngèngzhīhuóyīnzhīshìyāoguàiyàoqǐngshī退tuì退tuì。」xíngzhědào:「zěnmeyàngbiàn?」gāolǎodào:「chūláishíshìtiáohēipànghànhòuláijiùbiànzuòchángzuǐěrduodedāizinǎohòuyòuyǒuliùzōngmáoshēncāoréntóuliǎnjiùxiàngzhūdeyàngshíchángquèyòushèndùnyàochīsāndǒufànzǎojiāndiǎnxīnbǎishíshāobǐngcáigòuháichīzhāiruòzàichīhūnjiǔ便biànshìlǎozhuōzhèxiējiātiánchǎnzhīlèishàngbànniánjiùchīqìngjìng。」sānzàngdào:「zhǐyīnzuòsuǒchī。」gāolǎodào:「chīháishìjiànxiǎoshìjīnyòuhuìnòngfēngyúnláizǒushífēishāxiàdejiābìngzuǒlínyòushèānshēngyòucuìlánxiǎoguānzàihòuzháizibànniáncéngjiànmiàngèngzhīhuóyīnzhīshìyāoguàiyàoqǐngshī退tuì退tuì。」


逐句解 Line by line

xíngzhědào:「zěnmeyàngbiàn?」gāolǎodào:「chūláishíshìtiáohēipànghàn xíngzhědào:「zěnmeyàngbiàn?」gāolǎodào:「chūláishíshìtiáohēipànghàn

The Pilgrim said, "Changed how?" Old Gao said, "When he first came he was a stout dark fellow;

The Pilgrim asks the one question the old man had hoped to slide past. 黑胖漢 is a dark, heavy fellow — nothing remarkable at all, which is exactly the point.

hòuláijiùbiànzuòchángzuǐěrduodedāizinǎohòuyòuyǒuliùzōngmáo hòuláijiùbiànzuòchángzuǐěrduodedāizinǎohòuyòuyǒuliùzōngmáo

afterwards he turned into an idiot with a long snout and great ears, with a ridge of bristles down the back of his skull,

is cháng, long, not zhǎng, to grow; the default reading goes the wrong way. 獃子, dolt or blockhead, is the name the Pilgrim will use for this creature for the next eighty chapters — and it arrives here, in a father-in-law's complaint, before the two have even met. 一溜鬃毛: is liù, a row or a ridge.

shēncāoréntóuliǎnjiùxiàngzhūdeyàng shēncāoréntóuliǎnjiùxiàngzhūdeyàng

his body coarse and frightful, his head and face for all the world like a pig's.

模樣 takes as . And notice the order: the pig arrives last, after the snout, the ears and the bristles have made it unavoidable — and six lines after the surname was handed over without comment. The novel is letting the reader get there first.

shíchángquèyòushèndùnyàochīsāndǒufàn shíchángquèyòushèndùnyàochīsāndǒufàn

And his gullet is prodigious: at one sitting he must have three or five dǒu of rice,

食腸 is the eating-gut, meaning the capacity of a man's appetite. is shèn here, the intensifier, very. A , dǒu, is a dry measure for grain — about ten litres in Ming terms, and the middle rung of a decimal ladder that runs ten to the step. So three or five of them is something like thirty to fifty litres of cooked rice, at one sitting, for one guest. The default reading gives dòu, to fight, which would make an odd sentence indeed.

zǎojiāndiǎnxīnbǎishíshāobǐngcáigòu zǎojiāndiǎnxīnbǎishíshāobǐngcáigòu

and for his morning bite a hundred-odd flat cakes are barely enough.

點心 here is the morning meal, not the sweet snack it later becomes. 也得 takes as , requires. And a hundred flat cakes for breakfast is a joke the novel will keep making at Zhu Bajie's expense until the last chapter.

háichīzhāiruòzàichīhūnjiǔ háichīzhāiruòzàichīhūnjiǔ

It is a mercy that he still eats vegetarian. If he took to flesh and wine,

喜得 is happily, as luck has it, with as . is hái, still. 齋素 is vegetarian abstinence — and here is the detail worth stopping on. The fiend has kept a Buddhist rule for three years unasked, and his father-in-law counts it as a saving on the grocery bill.

便biànshìlǎozhuōzhèxiējiātiánchǎnzhīlèishàngbànniánjiùchīqìngjìng。」 便biànshìlǎozhuōzhèxiējiātiánchǎnzhīlèishàngbànniánjiùchīqìngjìng。」

then all this old fool's holdings, land and stock and the rest, would be eaten clean away inside half a year."

家業田產 is the household's whole estate, land and stock together. 罄淨, qìng jìng, is emptied right down to the bottom. 不上半年 is in less than half a year.

sānzàngdào:「zhǐyīnzuòsuǒchī。」gāolǎodào:「chīháishìjiànxiǎoshì sānzàngdào:「zhǐyīnzuòsuǒchī。」gāolǎodào:「chīháishìjiànxiǎoshì

Sanzang said, "He eats so because he works so." Old Gao said, "The eating is the small matter.

Sanzang's one contribution to the interview is a piece of plain justice: 只因他做得所以吃得, both the of ability. He can do the work, so he may eat the food. It is the only word spoken in the monster's favour by anybody in the entire chapter, and it comes from the man who is about to become his master.

jīnyòuhuìnòngfēngyúnláizǒushífēishāxiàdejiābìngzuǒlínyòushèānshēng jīnyòuhuìnòngfēngyúnláizǒushífēishāxiàdejiābìngzuǒlínyòushèānshēng

Nowadays he raises winds besides, and comes in cloud and goes in mist, and sends the stones walking and the sand flying, so that he has frightened my whole household and the neighbours to left and right out of all peace.

is writing and is read xià, to frighten. Then watch appear twice in one line: 諕得 takes the unstressed de that introduces a result, while 不得安生 takes the full of ability — could not get any peace. One character, two readings, a dozen characters apart. 走石飛砂, stones walking and sand flying, is the stock formula for a fiend's wind.

yòucuìlánxiǎoguānzàihòuzháizibànniáncéngjiànmiàngèngzhīhuó yòucuìlánxiǎoguānzàihòuzháizibànniáncéngjiànmiàngèngzhīhuó

And he has shut my little daughter Kingfisher Orchid away in the back court, and for a full half-year we have not seen her face, nor do we know whether she is alive or dead.

一發 here is altogether, for a full — the same word that opened the chapter with the Pilgrim's violence running to the full. 更不知死活如何: the father does not know whether his daughter is alive. Three years of free labour bought a great deal of patience.

yīnzhīshìyāoguàiyàoqǐngshī退tuì退tuì。」 yīnzhīshìyāoguàiyàoqǐngshī退tuì退tuì。」

By this we knew him for a monster, and would fetch some exorcist to be rid of him — to be rid of him."

去退去退 — the doubled verb is the old man's fluster breaking through, and the English keeps the repetition. 法師 is an exorcist of either persuasion, and by now we know he does not care which.


總評 Commentary

The portrait is assembled backwards, feature by feature, and the surname was handed over long before the snout. Squire Gao has been living with a pig-headed son-in-law for three years and produces the resemblance as an afterthought — 頭臉就像個豬的模樣, his head and face for all the world like a pig's — as though it had only lately struck him. The comedy here is entirely a comedy of late recognition.

Sanzang's single sentence, 只因他做得所以吃得, is worth the whole interview. It is the only fair thing said about Zhu Ganglie by anyone before he speaks for himself, and it is said by the man who will shortly be his master. The old man brushes it aside: the eating is 件小事, a small matter. What he cannot forgive is the wind, the mist and the locked door — that is, the half-year in which the creature stopped being useful and started being frightening.