Canonical Classics ← 第十八回
第十八回
guānyīnyuàntángsēngtuōnàn
gāolǎozhuāngshèngchú

At the Guanyin Temple the Tang Monk Escapes His Ordeal · At the Gao Village the Great Sage Removes the Monster

太公迎接
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

太公迎接 Squire Gao Comes Out

tàigōngmánghuànlegāocáichūláiyíngjiējiàoshēng:「zhǎnglǎo。」sānzàngtīngjiànzhuǎnshēnzǎodàolemiànqiánlǎozhědàidǐnglíngjīn穿chuānlǐngcōngbáishǔjǐnshuāngcāodezixuētiáohēitāozichūláixiàoxiāngyíng便biànjiào:「èrwèizhǎnglǎozuòle。」sānzànghuánlexíngzhězhànzhedònglǎozhějiànxiàngmàoxiōngchǒu便biànjiùgǎnzuòxíngzhědào:「zěnmechànglǎosūn?」lǎoeryǒufēnhàijiàogāocáidào:「zhèxiǎoquènòngshājiāxiànyǒuchǒutóuguàinǎode婿kāizěnmeyòuyǐnzhèléigōngláihài?」tàigōngmánghuànlegāocáichūláiyíngjiējiàoshēng:「zhǎnglǎo。」sānzàngtīngjiànzhuǎnshēnzǎodàolemiànqiánlǎozhědàidǐnglíngjīn穿chuānlǐngcōngbáishǔjǐnshuāngcāodezixuētiáohēi绿tāozichūláixiàoxiāngyíng便biànjiào:「èrwèizhǎnglǎozuòle。」sānzànghuánlexíngzhězhànzhedònglǎozhějiànxiàngmàoxiōngchǒu便biànjiùgǎnzuòxíngzhědào:「zěnmechànglǎosūn?」lǎoeryǒufēnhàijiàogāocáidào:「zhèxiǎoquènòngshājiāxiànyǒuchǒutóuguàinǎode婿kāizěnmeyòuyǐnzhèléigōngláihài?」


逐句解 Line by line

tàigōngmánghuànlegāocáichūláiyíngjiējiàoshēng:「zhǎnglǎo。」 tàigōngmánghuànlegāocáichūláiyíngjiējiàoshēng:「zhǎnglǎo。」

The squire changed his clothes in haste and came out with Gao Cai to receive them, calling, "Elder!"

即忙換了衣服 — he changes at once. He does not receive strangers in his working coat, and the whole of Squire Gao's character sits in the promptness of that change.

sānzàngtīngjiànzhuǎnshēnzǎodàolemiànqián sānzàngtīngjiànzhuǎnshēnzǎodàolemiànqián

Sanzang heard him, turned quickly about, and found him already at his side.

三藏 keeps as zàng, since it is a name. 早已到了面前: the old man has crossed the ground in the time it took the monk to turn round.

lǎozhědàidǐnglíngjīn穿chuānlǐngcōngbáishǔjǐn lǎozhědàidǐnglíngjīn穿chuānlǐngcōngbáishǔjǐn

The old man wore a cap of black silk gauze and a gown of Shu brocade the colour of scallion-white;

A second clothes inventory, set against Gao Cai's in the street. 烏綾巾 is the black silk headcloth of a scholar-farmer. 蔥白 is the pale green-white of a scallion stem, and 蜀錦 the famous brocade of Sichuan. This is a rich man dressed in a hurry.

shuāngcāodezixuētiáohēitāozi shuāngcāodezixuētiáohēi绿tāozi

on his feet were calfskin boots the colour of unhusked rice, and about his waist a sash of black-green braid.

糙米皮 is the colour of unpolished rice; 犢子靴 are calfskin boots; 絛子, tāo zi, is a woven cord or sash. The list is unheroic on purpose — no jade, no gold, nothing you could not buy in a market town.

chūláixiàoxiāngyíng便biànjiào:「èrwèizhǎnglǎozuòle。」 chūláixiàoxiāngyíng便biànjiào:「èrwèizhǎnglǎozuòle。」

He came out smiling and speaking his welcome, saying, "Your two reverences, I make you my bow."

in 相迎 is xiāng, the mutual adverb: to come out and meet one another. 作揖了 — the marks the thing as done, so the bow is made in the announcing of it, rather as one says my compliments while already bowing.

sānzànghuánlexíngzhězhànzhedònglǎozhějiànxiàngmàoxiōngchǒu便biànjiùgǎnzuò sānzànghuánlexíngzhězhànzhedònglǎozhějiànxiàngmàoxiōngchǒu便biànjiùgǎnzuò

Sanzang returned the courtesy; the Pilgrim stood and did not stir. Seeing how fierce and ugly his face was, the old man did not dare bow to him at all.

Three characters want care here. 還了禮 takes as huán, to return a courtesy, not hái, still. 站著 is zhe, a state kept up: standing there. And 相貌 takes as xiàng, appearance — the very same character that was xiāng one line ago. One character, two readings, a sentence apart.

xíngzhědào:「zěnmechànglǎosūn?」lǎoeryǒufēnhàijiàogāocáidào xíngzhědào:「zěnmechànglǎosūn?」lǎoeryǒufēnhàijiàogāocáidào

The Pilgrim said, "Why do you not salute old Sun?" The old fellow, somewhat frightened, said to Gao Cai,

唱喏 is a bow made together with a spoken greeting; you say the word as you dip. is , the reading this site holds to. 那老兒 takes the softening , er. And the Pilgrim is demanding a courtesy he has this moment refused to pay.

zhèxiǎoquènòngshājiāxiànyǒuchǒutóuguàinǎode婿kāi zhèxiǎoquènòngshājiāxiànyǒuchǒutóuguàinǎode婿kāi

"You young rascal, would you be the death of me? There is an ugly-headed, monstrous-faced son-in-law in the house already that I cannot get rid of;

小廝 is a young servant, a lad. 弄殺我也 is will you be the death of me. 打發不開: cannot be sent packing, cannot be settled with — the verb is the one for paying off a debt or dismissing a servant, and neither works on this son-in-law.

zěnmeyòuyǐnzhèléigōngláihài?」 zěnmeyòuyǐnzhèléigōngláihài?」

why must you bring me this thunder-god to plague me too?"

雷公, the thunder-god, is the standard comparison for Sun Wukong's face throughout the novel: beaked, hairy, glaring. Keep it in mind. The same comparison will be made at the very end of this chapter, and by the monster.


總評 Commentary

The passage is built on two refusals to bow. Sanzang returns the old man's salutation; the Pilgrim does not, and then complains of not receiving one. The narrator marks the order exactly — 三藏還了禮行者站著不動 — and leaves the reader to work out that the very face now demanding a bow is the thing that stopped Squire Gao giving one.

The clothes list matters. Squire Gao has changed into Sichuan brocade to greet a pair of exorcists; Gao Cai went out into the street in a cotton headcloth and tied trousers. The household's money is real and its dignity is fragile, and a monster in the back court is exactly the sort of thing you cannot dress for. When the old man cries 怎麼又引這個雷公來害我, why bring me this thunder-god to plague me too, he is not complaining of danger. He is complaining of a second face he could not seat at his table.