Canonical Classics ← 第十八回
第十八回
guānyīnyuàntángsēngtuōnàn
gāolǎozhuāngshèngchú

At the Guanyin Temple the Tang Monk Escapes His Ordeal · At the Gao Village the Great Sage Removes the Monster

後宅見女
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

後宅見女 The Girl in the Back Court

kànzǎnzhetiěbàngchězhegāolǎodào:「yǐnhòuzháiziyāojīngdezhùchùkànkàn。」gāolǎosuìyǐndàohòuzháiménshǒuxíngzhědào:「yàoshilái。」gāolǎodào:「qiěkànkànruòshìyòngyàoshiquèqǐngle。」xíngzhěxiàodào:「lǎoerniánsuīquèshíshuǎzhèhuàerhǒnghǒngjiùdàngzhēn。」zǒushàngqiánleyuánláishìtóngzhīguàndesuǒzihěndejiāngjīnbàngdǎodǎokāiménshànmiànquèhēidòngdòngdexíngzhědào:「lǎogāojiàoérshēngkànzàimiàn?」lǎoeryìngzhedǎnjiàodào:「sānjiějiě!」érrèndeshìqīndeshēngyīncáishǎodeyìngleshēngdào:「diēdiēzàizhè。」xíngzhěshǎnjīnjīngxiànghēiyǐngzǎikànshídàozěnshēngyàngdànjiànkànzǎnzhetiěbàngchězhegāolǎodào:「yǐnhòuzháiziyāojīngdezhùchùkànkàn。」gāolǎosuìyǐndàohòuzháiménshǒuxíngzhědào:「yàoshilái。」gāolǎodào:「qiěkànkànruòshìyòngyàoshiquèqǐngle。」xíngzhěxiàodào:「lǎoerniánsuīquèshíshuǎzhèhuàerhǒnghǒngjiùdàngzhēn。」zǒushàngqiánleyuánláishìtóngzhīguàndesuǒzihěndejiāngjīnbàngdǎodǎokāiménshànmiànquèhēidòngdòngdexíngzhědào:「lǎogāojiàoérshēngkànzàimiàn?」lǎoeryìngzhedǎnjiàodào:「sānjiějiě!」érrèndeshìqīndeshēngyīncáishǎodeyìngleshēngdào:「diēdiēzàizhè。」xíngzhěshǎnjīnjīngxiànghēiyǐngzǎikànshídàozěnshēngyàngdànjiàn

yúnbìnluànduīlüèróngwèichényúnbìnluànduīlüèróngwèichén
piànlánxīnjiùshífēnjiāotàiqīngtuípiànlánxīnjiùshífēnjiāotàiqīngtuí
yīngchúnquánxuèyāozhīwēiwēiyīngchúnquánxuèyāozhīwēiwēi
chóuéméidànchóuéméidàn
shòuqièqièshēngshòuqièqièshēng

逐句解 Line by line

kànzǎnzhetiěbàngchězhegāolǎodào:「yǐnhòuzháiziyāojīngdezhùchùkànkàn。」 kànzǎnzhetiěbàngchězhegāolǎodào:「yǐnhòuzháiziyāojīngdezhùchùkànkàn。」

See him now, gripping his iron rod and tugging Old Gao along. "Bring me to the back court," he said, "where the monster lodges, that I may look at it."

(zǎn), to grip in the fist. Both of this segment are zhe, states maintained. 後宅子裡: the inner court where women live, here a prison.

gāolǎosuìyǐndàohòuzháiménshǒuxíngzhědào:「yàoshilái。」 gāolǎosuìyǐndàohòuzháiménshǒuxíngzhědào:「yàoshilái。」

Old Gao led him to the door of the back court. The Pilgrim said, "Go and fetch the key."

門首, the doorway. The Pilgrim, who has just been shown to be beyond ordinary means, asks for a key like anybody else.

gāolǎodào:「qiěkànkànruòshìyòngyàoshiquèqǐngle。」 gāolǎodào:「qiěkànkànruòshìyòngyàoshiquèqǐngle。」

Old Gao said, "Look at it first. If a key could serve, I should not have sent for you."

用得鑰匙: is the potential . The old man's retort is his sharpest line in the chapter, and entirely just.

xíngzhěxiàodào:「lǎoerniánsuīquèshíshuǎzhèhuàerhǒnghǒngjiùdàngzhēn。」 xíngzhěxiàodào:「lǎoerniánsuīquèshíshuǎzhèhuàerhǒnghǒngjiùdàngzhēn。」

The Pilgrim laughed. "Old fellow, for all your years you cannot take a jest. I was only teasing you, and you took it in earnest."

不識耍, cannot take a joke. 話兒 takes the diminutive er; 當真 takes as dàng, "to reckon as." 哄你一哄 — the verb doubled around its own object.

zǒushàngqiánleyuánláishìtóngzhīguàndesuǒzi zǒushàngqiánleyuánláishìtóngzhīguàndesuǒzi

He went up and felt the lock: it was one filled solid with molten copper.

銅汁灌的鎖子: a lock whose keyway has been run full of molten copper. Squire Gao has not merely locked the door; he has made it unopenable, and said nothing of it until now.

hěndejiāngjīnbàngdǎodǎokāiménshànmiànquèhēidòngdòngde hěndejiāngjīnbàngdǎodǎokāiménshànmiànquèhēidòngdòngde

That so vexed him that he drove his golden-hooped rod at it once, burst the door leaves open — and within was pitch darkness.

狠得 writes 恨得, "so exasperated that"; is the resultative de. 黑洞洞 — the reduplication makes a substantive of the dark.

xíngzhědào:「lǎogāojiàoérshēngkànzàimiàn?」 xíngzhědào:「lǎogāojiàoérshēngkànzàimiàn?」

The Pilgrim said, "Old Gao, call your daughter once, and see whether she is inside."

The Pilgrim gives the father the office of calling, and stands back. It is the first considerate thing he has done since entering the village.

lǎoeryìngzhedǎnjiàodào:「sānjiějiě!」 lǎoeryìngzhedǎnjiàodào:「sānjiějiě!」

The old man hardened his heart and called, "Third sister!"

硬著膽, "stiffening his gall"; is zhe. 三姐姐 — the third daughter, addressed by her rank among sisters, as if she were still a child of the house.

érrèndeshìqīndeshēngyīncáishǎodeyìngleshēngdào:「diēdiēzàizhè。」 érrèndeshìqīndeshēngyīncáishǎodeyìngleshēngdào:「diēdiēzàizhè。」

The girl knew her father's voice, and with hardly breath or strength enough answered him once: "Papa — I am here."

認得 takes as the resultative de. 應了一聲: is yìng, to answer, not yīng, "ought." 少氣無力 — short of breath and without strength. Half a year behind a copper-sealed lock is answered for in five graphs.

xíngzhěshǎnjīnjīngxiànghēiyǐngzǎikànshídàozěnshēngyàngdànjiàn xíngzhěshǎnjīnjīngxiànghēiyǐngzǎikànshídàozěnshēngyàngdànjiàn

The Pilgrim flashed his golden eyes and looked carefully into the shadow. What manner of thing do you suppose he saw? Only this:

閃金睛, the fire-golden eyes flashing open. 怎生模樣: is . The formula 但見那 hands the description over to verse.

yúnbìnluànduīlüèróngwèichén yúnbìnluànduīlüèróngwèichén

Cloudy tresses heaped in disorder, uncombed; a face of jade unwashed, and grimed with dust.

A 詞 in five units. 雲鬢, cloud-tresses; 無掠, not smoothed with the hand. 塵淄 () is a black grime — the jade face is not merely unwashed but stained.

piànlánxīnjiùshífēnjiāotàiqīngtuí piànlánxīnjiùshífēnjiāotàiqīngtuí

The orchid heart within her is whole as ever; the tender bearing is ten parts fallen away.

蘭心 takes up her name, Kingfisher Orchid, and the sisters' names before hers. The couplet's force is in the antithesis: what is within is untouched; what shows is ruined. 一片 takes the mechanical sandhi .

yīngchúnquánxuèyāozhīwēiwēi yīngchúnquánxuèyāozhīwēiwēi

The cherry lips have lost their blood and breath; the waist and limbs are bent, and huddled close.

櫻唇, cherry lips, the standard beauty. 屈屈偎偎 — bent and huddling, the reduplication doing what description cannot.

chóuéméidàn chóuéméidàn

Sorrow gathers upon her, and the moth-brows are pale;

This unit and the next are joined in the original by and are kept as two verse units by house convention. 蹙蹙 (cù cù), knitted, drawn together; 蛾眉, the moth-antenna brows of the 詩經.

shòuqièqièshēng shòuqièqièshēng

thin and shrinking she is, and the voice is low.

怯怯, timid, shrinking. The 詞 ends on 語聲低, three graphs, and the reader has already heard that low voice answer her father from the dark.


總評 Commentary

The copper-filled lock is the passage's quiet horror. Squire Gao has been describing a son-in-law who works too hard and eats too much, and it emerges, incidentally, in a single subordinate clause, that the door of his daughter's room has been sealed with molten metal. He never says who sealed it. The Pilgrim, who asked for the key, is not told there is none until he asks.

The 詞 is composed entirely of the vocabulary of feminine beauty — cloud-tresses, jade face, cherry lips, moth-brows — with each term negated in the second half of its line. This is a portrait of a beauty painted in the terms of her own ruin, and the one thing said to be intact is 蘭心, the orchid heart, which is also her name. What the novel will not yet tell us is whether she was locked in by the monster or by her father.