Canonical Classics ← 第十八回
第十八回
guānyīnyuàntángsēngtuōnàn
gāolǎozhuāngshèngchú

At the Guanyin Temple the Tang Monk Escapes His Ordeal · At the Gao Village the Great Sage Removes the Monster

剪草除根
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

剪草除根 Cut the Grass and Root It Out

zǒuláikànjiàngāolǎochězhùbàotóuxíngzhědào:「qiěqiěwènyāoguàiwǎngle?」dào:「zhīwǎngzhèxiēshítiānmíngjiùfāngláiyúnyúnwǎnghuízhīsuǒyīnshìxiǎodeqīnyào退tuìchángchángfángbèihūnláizhāo。」xíngzhědào:「xiāoshuōlelǎoerdàilìngàiwǎngqiánbiānzháimànmàndekuòrànglǎosūnzàiděngruòláiquèguàiruòláiledìngjiǎncǎochúgēn。」lǎogāohuānhuāndeérdàijiāngqiánzǒuláikànjiàngāolǎochězhùbàotóuxíngzhědào:「qiěqiěwènyāoguàiwǎngle?」dào:「zhīwǎngzhèxiēshítiānmíngjiùfāngláiyúnyúnwǎnghuízhīsuǒyīnshìxiǎodeqīnyào退tuìchángchángfángbèihūnláizhāo。」xíngzhědào:「xiāoshuōlelǎoerdàilìngàiwǎngqiánbiānzháimànmàndekuòrànglǎosūnzàiděngruòláiquèguàiruòláiledìngjiǎncǎochúgēn。」lǎogāohuānhuāndeérdàijiāngqián


逐句解 Line by line

zǒuláikànjiàngāolǎochězhùbàotóu zǒuláikànjiàngāolǎochězhùbàotóu

She came out, saw Old Gao, caught hold of him, and clung to his neck weeping.

抱頭大哭 — to clasp the head and weep aloud, a fixed phrase for reunion. The girl is given no speech until the Pilgrim silences her weeping.

xíngzhědào:「qiěqiěwènyāoguàiwǎngle?」 xíngzhědào:「qiěqiěwènyāoguàiwǎngle?」

The Pilgrim said, "Do not weep, do not weep. Tell me — where has the monster gone?"

妖怪往那裡去了: the interrogative , . The Pilgrim's comfort is one line long, and then he wants intelligence.

dào:「zhīwǎngzhèxiēshítiānmíngjiùfānglái dào:「zhīwǎngzhèxiēshítiānmíngjiùfānglái

The girl said, "I do not know where he goes. These days he leaves at daybreak and comes back at nightfall.

Her answer contains the whole of what she knows, and it is the schedule of a farm-hand: gone at first light, back at dark. She has not seen his hunting or his flying.

yúnyúnwǎnghuízhīsuǒyīnshìxiǎodeqīnyào退tuì yúnyúnwǎnghuízhīsuǒyīnshìxiǎodeqīnyào退tuì

He goes in cloud and mist, and I know nothing of where he goes or whence he returns. Because he knows my father would be rid of him,

往回不知何所 — she does not know the direction of his coming or his going. 曉得 takes as de. 祛退, to drive off by exorcism.

chángchángfángbèihūnláizhāo。」 chángchángfángbèihūnláizhāo。」

he is always on his guard; and so he comes at dusk and goes at dawn."

昏來朝去: is zhāo, dawn, not cháo. Compare her father's 昏去明來 in the earlier interview — the two accounts are exact mirrors, and both cannot be right.

xíngzhědào:「xiāoshuōlelǎoerdàilìngàiwǎngqiánbiānzháimànmàndekuòrànglǎosūnzàiděng xíngzhědào:「xiāoshuōlelǎoerdàilìngàiwǎngqiánbiānzháimànmàndekuòrànglǎosūnzàiděng

The Pilgrim said, "Enough said. Old man, take your daughter to the front of the house and talk with her at leisure, and let old Sun wait for him here.

不消說了, "no need to say more." 令愛 is the polite "your daughter." 敘闊, to talk over a long separation.

ruòláiquèguàiruòláiledìngjiǎncǎochúgēn。」 ruòláiquèguàiruòláiledìngjiǎncǎochúgēn。」

If he does not come, do not blame me; but if he comes, I shall cut the grass and root it out for you."

剪草除根 — to cut the grass and dig out the root — takes up Squire Gao's 除了根 and makes it a proverb. Whether the Pilgrim intends to kill the monster or merely to promise it is left, deliberately, unresolved.

lǎogāohuānhuāndeérdàijiāngqián lǎogāohuānhuāndeérdàijiāngqián

So Old Gao, in great good humour, took his daughter away with him to the front.

帶將前去: is the verbal complement, jiāng. 歡歡喜喜 is the old man's reduplicated delight, set beside a daughter who has just been described as barely able to speak.


總評 Commentary

Two accounts of the monster's hours now stand side by side. Squire Gao said 昏去明來 — out at dusk, home at dawn — and offered it as evidence of diligence. His daughter says 昏來朝去 — home at dusk, out at dawn — and explains it as vigilance against exorcism. The novel does not reconcile them. The father describes a labourer; the daughter describes a husband who keeps regular hours and is afraid.

Of Kingfisher Orchid we learn nothing else. She weeps, she answers a question, and she is led away by a father in 歡歡喜喜 spirits. The 世德堂本 gives her twenty-eight graphs of speech in the whole chapter, and every one of them is testimony against her husband. What she wants is never asked.