Canonical Classics ← 第十八回
第十八回
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At the Guanyin Temple the Tang Monk Escapes His Ordeal · At the Gao Village the Great Sage Removes the Monster

街衢扯人
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

街衢扯人 The Young Man in the Street

xíngzhěkàndào:「shīqǐngxíngdìngshìcūnhǎorénjiāzhèngjiè宿。」zhǎnglǎocuīdòngbáizǎodàojiēzhīkǒuyòujiànshàoniántóuguǒ綿miánshēn穿chuānlánǎochísǎnbēibāoliǎnkūnzhājiǎozheshuāngsāněrcǎoxiéxióngjiūjiūdechūjiēmángzǒuxíngzhěshùnshǒuchězhùdào:「wènxìnerjiānshìshénmefāng?」rénzhǐguǎnzhèngkǒurǎngdào:「zhuāngshàngméirénzhǐshìhǎowènxìn?」xíngzhěpéizhexiàodào:「shīzhǔnǎo。『rénfāng便biànfāng便biàn。』jiùshuōshuōmínghàijiědefánnǎo。」rénzhèngtuōshǒudeluàntiàodào:「cèngdèngcèngdèngjiāzhǎngdeshòuliǎoyòuzhuàngzháozhèguāngtóushòudeqīng。」xíngzhědào:「yǒuběnshìkāideshǒu便biànjiùle。」rénzuǒniǔyòuniǔniǔdòngquètiěqiánqiánzhùbānxíngzhěkàndào:「shīqǐngxíngdìngshìcūnhǎorénjiāzhèngjiè宿。」zhǎnglǎocuīdòngbáizǎodàojiēzhīkǒuyòujiànshàoniántóuguǒmiánshēn穿chuānlánǎochísǎnbēibāoliǎnkūnzhājiǎozheshuāngsāněrcǎoxiéxióngjiūjiūdechūjiēmángzǒuxíngzhěshùnshǒuchězhùdào:「wènxìnerjiānshìshénmefāng?」rénzhǐguǎnzhèngkǒurǎngdào:「zhuāngshàngméirénzhǐshìhǎowènxìn?」xíngzhěpéizhexiàodào:「shīzhǔnǎo。『rénfāng便biànfāng便biàn。』jiùshuōshuōmínghàijiědefánnǎo。」rénzhèngtuōshǒudeluàntiàodào:「cèngdèngcèngdèngjiāzhǎngdeshòuliǎoyòuzhuàngzháozhèguāngtóushòudeqīng。」xíngzhědào:「yǒuběnshìkāideshǒu便biànjiùle。」rénzuǒniǔyòuniǔniǔdòngquètiěqiánqiánzhùbān


逐句解 Line by line

xíngzhěkàndào:「shīqǐngxíngdìngshìcūnhǎorénjiāzhèngjiè宿。」 xíngzhěkàndào:「shīqǐngxíngdìngshìcūnhǎorénjiāzhèngjiè宿。」

When the Pilgrim had done looking he said, "Go forward, Master. It is certainly a village of decent folk, and a fit place to beg a lodging."

看罷 answers the 定睛觀看 that opened the rhapsody. 借宿 is the polite counterpart of 告宿 — one begs the lodging, one borrows the night.

zhǎnglǎocuīdòngbáizǎodàojiēzhīkǒu zhǎnglǎocuīdòngbáizǎodàojiēzhīkǒu

The elder urged the white horse on, and they came shortly to the mouth of the street.

街衢 (jiē qú) is a crossing of ways; the compound is faintly literary for so plain a village. 那長老 takes the demonstrative .

yòujiànshàoniántóuguǒ綿miánshēn穿chuānlánǎochísǎnbēibāoliǎnkūnzhā yòujiànshàoniántóuguǒmiánshēn穿chuānlánǎochísǎnbēibāoliǎnkūnzhā

There they saw a young fellow, a cotton cloth wound about his head, a blue jacket on his back, an umbrella in his hand and a pack on his shoulder, his breeches gathered and bound,

A costume inventory of the kind the novel reserves for figures about to matter. 斂褌劄褲 — the drawers gathered up, the trouser-legs bound — is the dress of a man on a journey; is zhā, "to bind fast" (so ruled at ch15).

jiǎozheshuāngsāněrcǎoxiéxióngjiūjiūdechūjiēmángzǒu jiǎozheshuāngsāněrcǎoxiéxióngjiūjiūdechūjiēmángzǒu

straw sandals of the three-eared sort upon his feet, striding along in a great hurry out of the street.

三耳草鞋: straw sandals with three loops at the heel. 踏著 takes as zhe, a state maintained. 雄糾糾 writes 赳赳; the man is swaggering, and about to be stopped dead.

xíngzhěshùnshǒuchězhùdào:「wènxìnerjiānshìshénmefāng?」 xíngzhěshùnshǒuchězhùdào:「wènxìnerjiānshìshénmefāng?」

The Pilgrim reached out and caught him fast. "Where away?" he said. "I have a question for you. What place is this?"

Both interrogatives are here: 那裡去 as — and 甚麼, as shén. 信兒 takes the diminutive , er. The Pilgrim asks for news; he seizes first and asks after.

rénzhǐguǎnzhèngkǒurǎngdào:「zhuāngshàngméirénzhǐshìhǎowènxìn?」 rénzhǐguǎnzhèngkǒurǎngdào:「zhuāngshàngméirénzhǐshìhǎowènxìn?」

The man only struggled the harder, shouting, "Is there nobody else in my village? Am I the only man fit to be asked the road?"

苦掙: is zhèng, "to strain, to wrench," a standing ruling. The rejoinder is pure exasperation — 只是我好問信?, "am I the only one worth asking?" — and it will turn out that he is.

xíngzhěpéizhexiàodào:「shīzhǔnǎo。『rénfāng便biànfāng便biàn。』 xíngzhěpéizhexiàodào:「shīzhǔnǎo。『rénfāng便biànfāng便biàn。』

The Pilgrim said, smiling upon him, "Do not be vexed, patron. 'A kindness done another is a kindness done yourself.'

陪著笑 — the smile is put on, and is again zhe. The proverb 與人方便,自己方便 is a commonplace of popular morality; it stands as prose, not verse, by the house rule for quoted sayings.

jiùshuōshuōmínghàijiědefánnǎo。」 jiùshuōshuōmínghàijiědefánnǎo。」

What harm is there in telling me the name of the place? I may even be able to dissolve your troubles for you."

解得: is the potential , "am able to." The Pilgrim's offer is not idle — he will indeed dissolve this man's trouble, though at the cost of a great deal more trouble to the household.

rénzhèngtuōshǒudeluàntiàodào:「cèngdèngcèngdèng rénzhèngtuōshǒudeluàntiàodào:「cèngdèngcèngdèng

The man could not wrench his hand free, and hopped about in a rage. "Ill luck!" he cried. "Ill luck!

蹭蹬 (cèng dèng) is a rhyming binome of the vernacular meaning "hard luck, a run of misfortune." 氣得亂跳 takes as the resultative de.

jiāzhǎngdeshòuliǎoyòuzhuàngzháozhèguāngtóushòudeqīng。」 jiāzhǎngdeshòuliǎoyòuzhuàngzháozhèguāngtóushòudeqīng。」

The master's temper I cannot bear, and now I run into this bald-head besides, and take his insolence too!"

屈氣 and 清氣 are paired: the swallowed anger owed to a master, and the gratuitous insolence of a stranger. 撞著 is zháo — a goal attained, not a state maintained. 受不了 keeps as liǎo.

xíngzhědào:「yǒuběnshìkāideshǒu便biànjiùle。」 xíngzhědào:「yǒuběnshìkāideshǒu便biànjiùle。」

The Pilgrim said, "If you have the strength, prise open my hand, and you may go for all of me."

你便就去了也罷: "then off you go, and welcome." The Pilgrim's challenge is a boast disguised as a concession; the reader knows the hand cannot be prised.

rénzuǒniǔyòuniǔniǔdòngquètiěqiánqiánzhùbān rénzuǒniǔyòuniǔniǔdòngquètiěqiánqiánzhùbān

The man twisted left and twisted right, but where could he twist himself loose? It was as though an iron pincer had gripped him.

那裡扭得動: the first of the segment is demonstrative , the second interrogative , and is the potential . 鐵鈐拑 — an iron clamp and a pincer. is , not shì; pypinyin defaults wrongly.


總評 Commentary

The comedy of the passage rests on a mismatch of scale. Sun Wukong has just come from burning a mountain and bargaining with a bodhisattva; he now applies the same irresistible grip to a village servant on an errand, and the servant's only recourse is to hop and swear. The narrator is careful to record what the man is wearing before he is caught — the pack, the umbrella, the bound trousers — because these details establish that he is going somewhere, and being stopped is precisely his grievance.

Note that the Pilgrim quotes a proverb about kindness while holding a man immobile. 與人方便,自己方便 is the currency of ordinary neighbourliness, and it is deployed here as a threat with a smile. The 世德堂本 narrator does not moralise; he simply lets the iron pincer and the proverb occupy the same breath.