Canonical Classics ← 第七十回
第七十回
妖yāo魔mó寶bǎo放fàng煙yān沙shā火huǒ
悟wù空kōng計jì盜dào紫zǐ金jīn鈴líng

The Fiend's Treasure Looses Smoke, Sand and Fire · Wukong by Stratagem Steals the Purple-Gold Bells

再不離身
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition

再不離身 Never Off His Body

卻què不bù知zhī他tā的de鈴líng兒ér放fàng在zài何hé處chù?」娘niáng娘niang道dào:「他tā那nǎ肯kěn放fàng下xià?只zhǐ是shì帶dài在zài腰yāo間jiān,行xíng住zhù坐zuò臥wò,再zài不bù離lí身shēn。」却què不bù知zhī他tā的de铃líng儿ér放fàng在zài何hé处chù?」娘niáng娘niang道dào:「他tā那nǎ肯kěn放fàng下xià?只zhǐ是shì带dài在zài腰yāo间jiān,行xíng住zhù坐zuò卧wò,再zài不bù离lí身shēn。」


逐句解 Line by line

卻què不bù知zhī他tā的de鈴líng兒ér放fàng在zài何hé處chù?」 却què不bù知zhī他tā的de铃líng儿ér放fàng在zài何hé处chù?」

"But I do not know where he keeps those bells of his."

The question the entire visit was for, and it arrives eleven characters long at the end of a remark about sneezing. 鈴兒 takes the suffix at ér.

娘niáng娘niang道dào:「他tā那nǎ肯kěn放fàng下xià? 娘niáng娘niang道dào:「他tā那nǎ肯kěn放fàng下xià?

The queen said: "How would he ever put them down?

那 is nǎ again, the second rhetorical use in this short scene. She answers a question about place with a question about likelihood — which is a way of saying the answer is worse than he expects.

只zhǐ是shì帶dài在zài腰yāo間jiān,行xíng住zhù坐zuò臥wò,再zài不bù離lí身shēn。」 只zhǐ是shì带dài在zài腰yāo间jiān,行xíng住zhù坐zuò卧wò,再zài不bù离lí身shēn。」

"He wears them at his waist, and walking, standing, sitting or lying he never has them off his body."

行住坐臥 — walking, standing, sitting, lying — is a Buddhist formula for the four postures of the body, used to mean at every moment of the day. It is monastic vocabulary, and it turns up here in a demon's bedchamber. 行 is xíng.


總評 Commentary

Two questions and two answers, and the second answer shuts the door the first one opened. Where does he keep them? He does not keep them — he wears them. Walking, standing, sitting, lying: the formula covers the whole of a life and leaves no interval to steal in.

This is where the plan has to change. Wukong came for a location and has been told there is no location, only a body with the things strapped to it. Everything he proposes next follows from that one sentence.