Canonical Classics ← 第七十回
第七十回
妖yāo魔mó寶bǎo放fàng煙yān沙shā火huǒ
悟wù空kōng計jì盜dào紫zǐ金jīn鈴líng

The Fiend's Treasure Looses Smoke, Sand and Fire · Wukong by Stratagem Steals the Purple-Gold Bells

雙眸滴淚
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition

雙眸滴淚 Her Two Eyes Dropping Tears

直zhí入rù裡lǐ面miàn看kàn時shí,有yǒu兩liǎng班bān妖yāo狐hú、妖yāo鹿lù,一yí個gè個gè都dōu妝zhuāng成chéng美měi女nǚ之zhī形xíng,侍shì立lì左zuǒ右yòu。正zhèng中zhōng間jiān坐zuò著zhe那nà個gè娘niáng娘niang,手shǒu托tuō著zhe香xiāng腮sāi,雙shuāng眸móu滴dī淚lèi。直zhí入rù里lǐ面miàn看kàn时shí,有yǒu两liǎng班bān妖yāo狐hú、妖yāo鹿lù,一yí个gè个gè都dōu妆zhuāng成chéng美měi女nǚ之zhī形xíng,侍shì立lì左zuǒ右yòu。正zhèng中zhōng间jiān坐zuò着zhe那nà个gè娘niáng娘niang,手shǒu托tuō着zhe香xiāng腮sāi,双shuāng眸móu滴dī泪lèi。


逐句解 Line by line

直zhí入rù裡lǐ面miàn看kàn時shí,有yǒu兩liǎng班bān妖yāo狐hú、妖yāo鹿lù,一yí個gè個gè都dōu妝zhuāng成chéng美měi女nǚ之zhī形xíng,侍shì立lì左zuǒ右yòu。 直zhí入rù里lǐ面miàn看kàn时shí,有yǒu两liǎng班bān妖yāo狐hú、妖yāo鹿lù,一yí个gè个gè都dōu妆zhuāng成chéng美měi女nǚ之zhī形xíng,侍shì立lì左zuǒ右yòu。

Going right inside to look, he found two ranks of fiend foxes and fiend deer, every one of them got up in the shape of a beautiful woman, waiting to left and right.

妝成 is to be made up into something — the attendants are not women and have been dressed as women. The same character stood in the cosmetic case the king could not bear to open, a thousand characters back, and the queen is the only person in this room who is what she appears to be.

正zhèng中zhōng間jiān坐zuò著zhe那nà個gè娘niáng娘niang,手shǒu托tuō著zhe香xiāng腮sāi,雙shuāng眸móu滴dī淚lèi。 正zhèng中zhōng间jiān坐zuò着zhe那nà个gè娘niáng娘niang,手shǒu托tuō着zhe香xiāng腮sāi,双shuāng眸móu滴dī泪lèi。

In the very middle sat the queen herself, her hand propping her scented cheek, and the tears dropping from both her eyes.

著 falls twice and is the zhe of an action held both times: the sitting is held and the hand is held. 正中間 puts her at the centre of a room she has been placed in rather than one she keeps.


總評 Commentary

Two ranks of animals dressed as women, and one woman. The arrangement is a court and it is a fake court, staffed by foxes and deer made up for the part, and the only real person in it is the one who was brought here against her will and is crying.

Nothing in either sentence says she is guarded. She is simply in the middle, with attendants left and right, in the posture of a queen holding audience — and the posture is the point. The demon has built her the entire trappings of the position, and she has been sitting in it weeping.