Canonical Classics ← 第七十回
第七十回
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The Fiend's Treasure Looses Smoke, Sand and Fire · Wukong by Stratagem Steals the Purple-Gold Bells

更不忍見
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

更不忍見 He Cannot Bear To Look

guǎrénjiànzāobiégèngrěnjiànjiànjiànróngbìngyòuzhòngfēn。」xíngzhědào:「qiěxiūzhèhuàqiějiāngjīnchuànláishědedōushězhǐzhī。」guǎrénjiànzāobiégèngrěnjiànjiànjiànróngbìngyòuzhòngfēn。」xíngzhědào:「qiěxiūzhèhuàqiějiāngjīnchuànláishědedōushězhǐzhī。」


逐句解 Line by line

guǎrénjiànzāobiégèngrěnjiàn guǎrénjiànzāobiégèngrěnjiàn

"Seeing what a parting she has come to, I cannot bear the sight of them;

The edition cuts the sentence here with a semicolon and the two halves are read apart. They match in depth, but the second raises the stakes — cannot bear to look becomes the illness gets worse — and a member that escalates is not a parallel one.

jiànjiànróngbìngyòuzhòngfēn。」 jiànjiànróngbìngyòuzhòngfēn。」

"one look and it is as though I saw her jade face, and the sickness goes a few degrees the heavier."

is zhòng, heavy, as an illness is heavy. is a graduated fraction, a degree on a scale — so the king measures his grief the way a physician measures a dose, which is how this kingdom has been discussing his condition from the start.

xíngzhědào:「qiěxiūzhèhuàqiějiāngjīnchuànlái xíngzhědào:「qiěxiūzhèhuàqiějiāngjīnchuànlái

Pilgrim said: "Let that talk be for now, and have the golden bracelets fetched.

且休題 shuts the subject down without unkindness: not now, leave it. falls twice in fourteen characters, once to stop something and once to start something.

shědedōushězhǐzhī。」 shědedōushězhǐzhī。」

"If you can bear to part with them, let me take both; if you cannot, I shall take one only."

The edition cuts this at a semicolon too, and here the two halves are read together: the same if-frame twice with opposite conditions, two members each, and the second contracts rather than escalating. 捨得 takes the light de — to be able to bear parting with something.


總評 Commentary

Two semicolons, two sentences of the same outward shape, and they behave differently for a reason visible on the page. The king's pair escalates — cannot look becomes falls iller — and the halves will not sit together. Wukong's pair does the opposite, offering both and then one, and reads as a single breath.

That difference is also the difference between the two men in this scene. The king cannot stop the subject growing on him; every mention of the bracelets recruits the face, the illness, the parting. Wukong closes it in three characters, asks for the object, and immediately offers to take less of it.