四夷朝貢 Four Tribes Bring Tribute
三藏聞言,大喜道:「你這裡是何地方?有何冤屈?」眾僧跪告:「爺爺,此城名喚祭賽國,乃西邦大去處。當年有四夷朝貢:南,月陀國;北,高昌國;東,西梁國;西,本缽國。年年進貢美玉、明珠、嬌妃、駿馬。我這裡不動干戈,不去征討,他那裡自然拜為上邦。」三藏闻言,大喜道:「你这里是何地方?有何冤屈?」众僧跪告:「爷爷,此城名唤祭赛国,乃西邦大去处。当年有四夷朝贡:南,月陀国;北,高昌国;东,西梁国;西,本钵国。年年进贡美玉、明珠、娇妃、骏马。我这里不动干戈,不去征讨,他那里自然拜为上邦。」
逐句解 Line by line
Tripitaka heard it with great delight and said, "What place is this of yours? And what wrong do you suffer?"
The two questions are the ones Pilgrim could not answer at the gate, where there was neither signboard nor banner to read the city's name off. The party has had to come inside and ask, exactly as he said they would.
The monks knelt and told him. "Your Reverence, this city is called the Kingdom of Sacrificial Offerings, and it is a great place among the western states.
祭賽國 — 祭 is the sacrifice and 賽 the thanksgiving rite that pays a god back for a favour granted. It is not a name invented and dropped, either: the seal of this kingdom is among those stamped on the pilgrims' travel document when the whole thing is handed back to the Tang emperor in the novel's last chapter.
"In those years four tribes came to court with tribute: to the south, the Kingdom of Yuetuo; to the north, the Kingdom of Gaochang; to the east, the Kingdom of Xiliang; to the west, the Kingdom of Benbo.
Two of the four are not inventions. 高昌 was a real kingdom in the Turfan depression on the northern Silk Road. And 西梁 is the novel's own Kingdom of Women, which the party has already passed through — that chapter uses 西梁國 and 西梁女國 interchangeably inside a single speech.
"Year upon year they sent up fine jade, bright pearls, lovely consorts and swift horses.
The four tribute goods are a conventional set, and the third of them is a reminder of what tribute between states actually involved. Jade, pearls, horses — and women.
"Here we moved neither shield nor spear and mounted no campaign, and there they of themselves acknowledged us their sovereign state."
干戈 gān gē is shield and spear, the standard figure for war, and 干 holds gān rather than the gàn of doing. 拜為 takes the linking wéi, acknowledged as, and not the wèi that means for the sake of.
The account opens as a boast, and the boast is about restraint. Four states came to court and nobody was conquered; the kingdom moved neither shield nor spear, and the tribute arrived by itself. This is the classical ideal of overlordship won by virtue rather than by force — and it is exactly the standard the rhapsody at the gate had been measuring the place against.
The tense is doing quiet work. 當年 puts the whole of it in the past, and 年年進貢 describes a regularity the sentence has already implied is over. The monks are describing what the kingdom was before they say what it is.