Canonical Classics ← 第六十二回
第六十二回
gòuxīnwéisǎo
guīzhǔnǎixiūshēn

Washing the Filth and Cleansing the Heart Is Only Sweeping the Pagoda · Binding the Fiend and Returning to the Master Is Cultivating the Self

散誕逍遙
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

散誕逍遙 Roaming Free Toward The West

zhèpiānpáimínglínjiāngxiān》,dāndàotángsānzàngshīzhòngshuǐhuǒběnxìngqīngliángjièchúnyīnbǎoshànshānzàohuǒguòshānxíngguòlebǎizhīchéngshīmensǎndànxiāoyáoxiàng西érzhèpiānpáimínglínjiāngxiān》,dāndàotángsānzàngshīzhòngshuǐhuǒběnxìngqīngliángjièchúnyīnbǎoshànshānzàohuǒguòshānxíngguòlebǎizhīchéngshīmensǎndànxiāoyáoxiàng西ér


逐句解 Line by line

zhèpiānpáimínglínjiāngxiān》,dāndàotángsānzàngshīzhòngshuǐhuǒběnxìngqīngliáng zhèpiānpáimínglínjiāngxiān》,dāndàotángsānzàngshīzhòngshuǐhuǒběnxìngqīngliáng

This one lyric, to the tune-name Immortal By The River, tells only of how Tripitaka Tang and his disciples, four in all, brought water and fire to completion, so that the original nature was made cool.

The caption arrives after the picture. The novel almost never tells you which tune a lyric is set to, and here it does. 牌名 pái míng is the tune-title, and 《臨江仙lín jiāng xiān, Immortal By The River, is one of the commonest of them all. The metre checks out: seven, six, seven, five, five characters to the stanza, twice over, the standard sixty-character form. 既濟 jì jì is the sixty-third hexagram of the 《易經》, water sitting above fire, and its name is After Completion — which is a fair description of the three chapters just finished.

jièchúnyīnbǎoshànshānzàohuǒguòshān jièchúnyīnbǎoshànshānzàohuǒguòshān

Having borrowed the treasure fan of pure yin, they fanned the parching fire out and passed the mountain.

純陰 chún yīn is what the fan is made of: it belongs wholly to the cold principle, which is why it can answer a mountain of fire. Two characters here are worth keeping apart. shān is the verb, to fan; shàn is the fan itself. The previous chapter held that distinction at every single occurrence, and this chapter inherits it with exactly one of each.

xíngguòlebǎizhīchéngshīmensǎndànxiāoyáoxiàng西ér xíngguòlebǎizhīchéngshīmensǎndànxiāoyáoxiàng西ér

In less than a day they had covered eight hundred of road, and master and disciples, free and unhurried, went on toward the west.

散誕 sǎn dàn is being off the leash, going at your own pace. The reading matters: not sàn, the verb to scatter, but the loose and unconfined sǎn you get in 散人, a man of no office, or 閒散, at leisure. The eight hundred is the width of the Mountain of Flames, which blocked the road for three chapters and is crossed here in half a sentence.


總評 Commentary

Now the prose says what the song would not, and names whose story that was. It also does something the novel hardly ever bothers with, and names the tune. Lyrics get dropped into these chapters constantly, normally announced by a formula — 詩曰, a poem says; 有詩為證, there are verses to prove it; 但見, and what they saw was — or by nothing at all. Here the poem comes first and the label second, like a caption arriving after the photograph.

The summary is brisk to the point of rudeness. Three chapters of trouble — the Mountain of Flames, the Rakshasi, the Bull King, the plantain fan — fold into two clauses, and the eight hundred that could not be crossed at all are crossed inside a day. The novel is sweeping the board.

One phrase survives out of all that: the original nature made cool. It is the result the song claimed in the language of alchemy, and it is also a plain description of four tired men on a good road in autumn. The rest of the chapter will test whether the coolness holds.