三藏念咒 The Spell Is Recited
三藏自此一言,就是晦氣到了。果然信那獃子攛唆,手中捻訣,口裡念咒。行者就叫:「頭疼,頭疼。莫念,莫念,有話便說。」唐僧道:「有甚話說?出家人時時常要方便,念念不離善心,掃地恐傷螻蟻命,愛惜飛蛾紗罩燈。你怎麼步步行兇,打死這個無故平人,取將經來何用?你回去罷。」三藏自此一言,就是晦气到了。果然信那呆子撺唆,手中捻诀,口里念咒。行者就叫:「头疼,头疼。莫念,莫念,有话便说。」唐僧道:「有甚话说?出家人时时常要方便,念念不离善心,扫地恐伤蝼蚁命,爱惜飞蛾纱罩灯。你怎么步步行凶,打死这个无故平人,取将经来何用?你回去罢。」
逐句解 Line by line
From this one word of Tripitaka's, ill luck was upon them.
晦氣 (huì qì) is bad luck of the settled, sticky sort — the 晦 is the dark of the moon, the last night of the lunar month. The narrator stops the action for one sentence to tell you that this is where it all goes wrong. And note where he puts it. Not at the blow. At the decision to believe Bajie.
Sure enough, taking that idiot's slander for truth, he pinched his fingers into the sign and began to recite the spell.
捻訣 (niǎn jué) is pinching the fingers into a ritual sign — the gesture that arms the spell, like keying in a code before pressing send. Then the recitation. The 緊箍咒 tightens the gold band round Wukong's skull, and there is no defence against it of any kind. (那 points, nà; 子 is the toneless suffix; 手中 takes 中 as zhōng.)
Pilgrim at once cried out, "My head! My head aches!
Two words, said twice. The creature who fought heaven to a standstill is reduced to "my head, my head" — and the thing doing it is not a weapon or an army but an elderly monk muttering. This is the only power on earth that works on him, and it has just been used to punish him for being right.
"Stop, stop! If you have something to say, say it."
莫念: stop saying it. Then, "if you have something to say, say it" — which is Wukong asking for a hearing while in agony. The strongest of the four is begging the weakest, and the weakest is the one holding the whip.
The Tang Monk said, "What have you to say?
Curt, and the opening of a prosecution rather than a conversation. (甚 is shén.)
"A monk must be merciful at every moment, keeping a heart of goodness in his every thought — sweeping the floor for fear of harming an ant, and screening the lamp with gauze to spare the moths.
The couplet is famous, and it deserves to be: sweep the floor gently in case there are ants beneath it, and put a gauze shade on the lamp so that the moths cannot fly in. That is the standard of mercy being invoked — a compassion so fine-grained that it takes account of insects. As an ideal it is beautiful. Held up here, against a blow that killed nothing whatever, it is being used to convict an innocent man. The elder has never been more admirable, or more wrong, than in this sentence.
"How is it that you do violence at every step, striking dead this innocent, ordinary person? What use would there be in fetching the scriptures?
平人 is an ordinary person, a civilian, somebody with no part in any of this. And the argument is a real one: what would be the good of fetching scriptures with a killer in the party? In the abstract it is unanswerable. Here it is aimed at a man who has killed nobody. (行 is xíng, "to act"; 將 fronts the object.)
"Go back where you came from."
Four characters. Go back. The one person who can see what is hunting them has just been sent home.
The Tight-Fillet Spell is the chapter's cruellest irony made physical. The one power that can master the Great Sage — the gold band, tightened by recitation — is used here not against a demon but against the disciple, for the offence of having seen a demon. Pain forces the strongest of the pilgrims to beg the weakest for a hearing, and the whole order of their strength is turned over.
The rebuke is built on the loftiest ideal in the book: a compassion so fine it sweeps the floor lest an ant be crushed and screens the lamp to spare the moths. In the abstract it is beautiful. Applied here it is catastrophically wrong, condemning as murder a blow that killed nothing. That is the tragedy the chapter is engineered to produce — the elder's highest virtue is the lever the demon works on him.
The dismissal expels the party's only real safeguard on the strength of an illusion. It is the low point of the episode, and it sets up both the plea that follows immediately and the disasters that come later from the same decision made permanent.