解屍脫命 The Corpse-Trick
三藏正在此羞慚,行者又發起性來,掣鐵棒,望妖精劈臉一下。那怪物有些手段,使個「解屍法」,見行者棍子來時,他卻抖擻精神,預先走了,把一個假屍首打死在地下。諕得個長老戰戰兢兢,口中作念道:「這猴著然無禮,屢勸不從,無故傷人性命。」行者道:「師父莫怪,你且來看看這罐子裡是甚東西?」沙僧攙著長老,近前看時,那裡是甚香米飯,卻是一罐子拖尾巴的長蛆;也不是麵觔,卻是幾個青蛙、癩蝦蟆,滿地亂跳。長老才有三分兒信了。三藏正在此羞惭,行者又发起性来,掣铁棒,望妖精劈脸一下。那怪物有些手段,使个「解尸法」,见行者棍子来时,他却抖擞精神,预先走了,把一个假尸首打死在地下。諕得个长老战战兢兢,口中作念道:「这猴著然无礼,屡劝不从,无故伤人性命。」行者道:「师父莫怪,你且来看看这罐子里是甚东西?」沙僧搀著长老,近前看时,那里是甚香米饭,却是一罐子拖尾巴的长蛆;也不是面觔,却是几个青蛙、癞虾蟆,满地乱跳。长老才有三分儿信了。
逐句解 Line by line
While Tripitaka sat there in his shame, Pilgrim, his temper flaring up again, whipped out the iron cudgel and struck the fiend a blow full in the face.
羞慚 (xiū cán) "shame, mortification." 發起性來 (fā qǐ xìng lái) "to fly into a temper." 劈臉一下 (pī liǎn yí xià) "a blow straight at the face." Wukong's blow — struck in anger as much as judgement — sets the disaster in motion; whatever its rightness, it will read to the horrified elder as murder.
But the monster had arts of its own, and worked a Corpse-Liberation spell: seeing Pilgrim's cudgel coming, it braced its spirit and slipped away in advance, leaving a false corpse struck dead upon the ground.
那怪物 "that monster," 那 (nà). 解屍法 (jiě shī fǎ) "the Corpse-Liberation method" — a technique for shedding a decoy body and escaping in spirit (元神), so that the real demon survives while a lifeless double takes the blow. 棍子 (gùn zi) "cudgel," 子 (zi). This is why the coming chain of "killings" resolves nothing: each blow slays only a shell.
The elder, frightened out of his wits, trembled and muttered a prayer: "This monkey is truly beyond all manners! Time and again I counsel him, and he will not heed — killing a person's life for no cause at all."
諕得 "frightened so that," 諕 (xià), 得 (de). 著然無禮 (zhuó rán wú lǐ) "truly, flagrantly ill-mannered" — here 著 (zhuó), on the analogy of 著實 (zhuó shí) "really, truly" (a reading flagged for review). 口中 (kǒu zhōng) "in his mouth," 中 (zhōng). The elder sees only a wanton killing; the gap between what he sees (a slain woman) and what is true (a vanished fiend) is the whole tragedy in miniature.
Said Pilgrim, "Don't take it amiss, Master — just come and see what's in this jar."
莫怪 (mò guài) "do not blame [me]." 罐子 (guàn zi) "jar," 子 (zi); 甚東西 "what thing," 甚 (shén) "what." Wukong, undaunted, offers the physical proof — the jar's contents — that ought to settle the matter, and for a moment nearly does.
Sha Monk helped the elder up, and when they came near to look — where was any fragrant rice? It was a jar full of long, tail-dragging maggots;
攙著 (chān zhe) "supporting [him] by the arm," 著 (zhe). Two 長: 長老 = zhǎng (elder, first), 長蛆 = cháng (long maggots, second). 那裡是甚香米飯 "where was there any fragrant rice" — 那裡 (nǎ lǐ) rhetorical (那 (nǎ)), 甚 (shén) "any." The rice revealed as 長蛆 "long maggots" is the demon's disguise stripped from the food as it could not be from her face.
and no wheat-gluten either, but a few green frogs and warty toads, hopping every which way over the ground.
麵觔 (miàn jīn) "wheat-gluten" (觔 a variant of 筋). 青蛙 (qīng wā) "green frogs"; 癩蝦蟆 (lài há ma) "warty toads" — where 蝦 (há) takes its 蝦蟆 (toad) reading, not the 蝦 (xiā) of "shrimp." The loathsome swarm is the plain sensory evidence of the demon's fraud, briefly turning the elder toward belief.
Only then did the elder come to believe it — some thirty per cent.
才有三分兒信了 "only then believed [it] some three parts in ten" — 三分兒 "a third," the suffix 兒 (er). The precise, meagre fraction (三分 (sān fēn)) is quietly comic and quietly tragic: even the evidence of maggots and toads wins only a partial, provisional belief — enough for Bajie's slander, in the next passage, to undo entirely.
The passage introduces the mechanism that makes the whole three-fold episode possible: the 解屍法, the Corpse-Liberation trick, by which the demon sheds a lifeless decoy and escapes in spirit while a false body takes the blow. This is why Wukong's blows never resolve anything — each slays only a shell — and why the master, seeing a woman struck dead, can only read murder. The device turns the conflict into a cruel machine: true sight strikes, and produces a corpse.
Against the demon's illusion the narrator sets hard sensory proof. The jar, opened, holds not rice and gluten but long maggots and warty toads — the disguise stripped from the food as it could not be stripped from her face. For a moment the evidence tells: the elder comes to believe it, the narrator notes with deadpan precision, "some thirty per cent." That meagre, provisional fraction is the whole pathos of the scene — even maggots buy only a partial belief, and a partial belief is no defence at all.
The passage also holds Wukong's error and rightness in a single frame. He strikes in flaring temper (發起性來), which the elder cannot but see as wanton; yet he immediately offers the proof ("come and see what's in this jar") that vindicates him. Right in substance, rash in manner — the pattern that will destroy him.