Canonical Classics ← 第二十七回
第二十七回
屍shī魔mó三sān戲xì唐táng三sān藏zàng
聖shèng僧sēng恨hèn逐zhú美měi猴hóu王wáng

The Corpse-Fiend Thrice Mocks Tang Tripitaka · The Holy Monk in Wrath Banishes the Handsome Monkey King

揮淚而別
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

揮淚而別 Departing in Tears

那nà大dà聖shèng見jiàn長zhǎng老lǎo三sān番fān兩liǎng復fù,不bù肯kěn轉zhuǎn意yì回huí心xīn,沒méi奈nài何hé才cái去qù。你nǐ看kàn他tā:那nà大dà圣shèng见jiàn长zhǎng老lǎo三sān番fān两liǎng复fù,不bù肯kěn转zhuǎn意yì回huí心xīn,没méi奈nài何hé才cái去qù。你nǐ看kàn他tā:

噙qín淚lèi叩kòu頭tóu辭cí長zhǎng老lǎo,含hán悲bēi留liú意yì囑zhǔ沙shā僧sēng。噙qín泪lèi叩kòu头tóu辞cí长zhǎng老lǎo,含hán悲bēi留liú意yì嘱zhǔ沙shā僧sēng。
一yì頭tóu拭shì迸bèng坡pō前qián草cǎo,兩liǎng腳jiǎo蹬dēng翻fān地dì上shàng藤téng。一yì头tóu拭shì迸bèng坡pō前qián草cǎo,两liǎng脚jiǎo蹬dēng翻fān地dì上shàng藤téng。
上shàng天tiān下xià地dì如rú輪lún轉zhuǎn,跨kuà海hǎi飛fēi山shān第dì一yì能néng。上shàng天tiān下xià地dì如rú轮lún转zhuǎn,跨kuà海hǎi飞fēi山shān第dì一yì能néng。
頃qǐng刻kè之zhī間jiān不bú見jiàn影yǐng,霎shà時shí疾jí返fǎn舊jiù途tú程chéng。顷qǐng刻kè之zhī间jiān不bú见jiàn影yǐng,霎shà时shí疾jí返fǎn旧jiù途tú程chéng。

逐句解 Line by line

那nà大dà聖shèng見jiàn長zhǎng老lǎo三sān番fān兩liǎng復fù,不bù肯kěn轉zhuǎn意yì回huí心xīn,沒méi奈nài何hé才cái去qù。 那nà大dà圣shèng见jiàn长zhǎng老lǎo三sān番fān两liǎng复fù,不bù肯kěn转zhuǎn意yì回huí心xīn,没méi奈nài何hé才cái去qù。

The Great Sage, seeing that the elder — three times over, back and forth — would not change his heart, had no help for it and made to go.

三番兩復 — three times over and twice back — is a set phrase for something that has gone round and round, and it is the narrator's summary of the whole afternoon. 沒奈何才去: only when there was nothing else to be done did he go. He has not stormed off. He has run out of options. (那 points, nà; 長老 takes 長 as zhǎng.)

你nǐ看kàn他tā: 你nǐ看kàn他tā:

Look at him:

Three characters, and they mean the poetry is starting. 你看他 — look at him — is the storyteller turning the audience's head toward what comes next.

噙qín淚lèi叩kòu頭tóu辭cí長zhǎng老lǎo,含hán悲bēi留liú意yì囑zhǔ沙shā僧sēng。 噙qín泪lèi叩kòu头tóu辞cí长zhǎng老lǎo,含hán悲bēi留liú意yì嘱zhǔ沙shā僧sēng。

Holding back tears, he knocked his head in farewell to the elder; swallowing grief, with lingering care he charged Sha Monk.

噙淚 is holding tears in the eye without letting them fall, which is a precise and rather devastating way to describe somebody keeping their composure. And look at what he does with the last of it: one bow to the master who would not accept a bow, and one more instruction for Sha Monk. Even the verse cannot get him to think about himself. (長老 takes 長 as zhǎng.)

一yì頭tóu拭shì迸bèng坡pō前qián草cǎo,兩liǎng腳jiǎo蹬dēng翻fān地dì上shàng藤téng。 一yì头tóu拭shì迸bèng坡pō前qián草cǎo,两liǎng脚jiǎo蹬dēng翻fān地dì上shàng藤téng。

With a shake of his head he brushed against the grass on the slope; with both feet he kicked and overturned the vines on the ground.

The couplet is all physical force — the grass on the slope brushed flat, the vines on the ground kicked over — and none of it is aimed at anything. This is what leaving looks like when the person leaving is strong enough to level a mountain and has nothing to hit.

上shàng天tiān下xià地dì如rú輪lún轉zhuǎn,跨kuà海hǎi飛fēi山shān第dì一yì能néng。 上shàng天tiān下xià地dì如rú轮lún转zhuǎn,跨kuà海hǎi飞fēi山shān第dì一yì能néng。

Up to Heaven, down to Earth, as swift as a turning wheel; crossing seas, soaring mountains — first in all the world for that.

And then the poem does something odd and rather moving: it changes the subject to how fast he is. Up to heaven and down to earth like a spinning wheel, over seas and mountains, 第一能, first in the world at it. All that power, and none of it is any use for the only thing he wants.

頃qǐng刻kè之zhī間jiān不bú見jiàn影yǐng,霎shà時shí疾jí返fǎn舊jiù途tú程chéng。 顷qǐng刻kè之zhī间jiān不bú见jiàn影yǐng,霎shà时shí疾jí返fǎn旧jiù途tú程chéng。

In a moment his shadow was gone; in a flash he sped back along the old road home.

頃刻 and 霎時 are both "in an instant", stacked one after the other. He is gone before anyone can look up. And the road he takes is 舊途程, the old route — the way he came, travelled backwards, alone. (間 is jiān.)


總評 Commentary

The farewell verse gives the parting its full weight. It opens on the image that defines the chapter's ending: the Great Sage holding back tears as he kowtows goodbye. The being who overturned Heaven and feared no demon weeps here at a rupture he has no power to prevent, and the grief is the more affecting for how seldom the novel shows it.

The verse then modulates from sorrow into the display of power that is Wukong's signature — up to heaven, down to earth, across seas and over mountains, first in all the world. The juxtaposition is pointed. All that matchless speed, and it cannot mend a bond broken by a gentle master's fear. It carries him instantly away from the place, and not at all from the grief.

On the build: this is the chapter's last set-piece verse, joining the prose lead-in to the farewell couplets in a single passage marked as carrying verse. The poetry closes as it opened, but where the first set-piece described a forbidding mountain, this one describes a man leaving — and the whole arc of the episode is contained between the two.