Canonical Classics ← 第二十七回
第二十七回
屍shī魔mó三sān戲xì唐táng三sān藏zàng
聖shèng僧sēng恨hèn逐zhú美měi猴hóu王wáng

The Corpse-Fiend Thrice Mocks Tang Tripitaka · The Holy Monk in Wrath Banishes the Handsome Monkey King

手書貶書
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition

手書貶書 The Dismissal Written

唐táng僧sēng見jiàn他tā言yán言yán語yǔ語yǔ,越yuè添tiān惱nǎo怒nù,滾gǔn鞍ān下xià馬mǎ來lái,叫jiào沙shā僧sēng包bāo袱fú內nèi取qǔ出chū紙zhǐ筆bǐ,即jí於yú澗jiàn下xià取qǔ水shuǐ,石shí上shàng磨mó墨mò,寫xiě了le一yì紙zhǐ貶biǎn書shū,遞dì於yú行xíng者zhě道dào:「猴hóu頭tóu,執zhí此cǐ為wéi照zhào,再zài不bú要yào你nǐ做zuò徒tú弟dì了le;如rú再zài與yǔ你nǐ相xiāng見jiàn,我wǒ就jiù墮duò了le阿ā鼻bí地dì獄yù。」行xíng者zhě連lián忙máng接jiē了le貶biǎn書shū道dào:「師shī父fù,不bù消xiāo發fā誓shì,老lǎo孫sūn去qù罷bà。」唐táng僧sēng见jiàn他tā言yán言yán语yǔ语yǔ,越yuè添tiān恼nǎo怒nù,滚gǔn鞍ān下xià马mǎ来lái,叫jiào沙shā僧sēng包bāo袱fú内nèi取qǔ出chū纸zhǐ笔bǐ,即jí于yú涧jiàn下xià取qǔ水shuǐ,石shí上shàng磨mó墨mò,写xiě了le一yì纸zhǐ贬biǎn书shū,递dì于yú行xíng者zhě道dào:「猴hóu头tóu,执zhí此cǐ为wéi照zhào,再zài不bú要yào你nǐ做zuò徒tú弟dì了le;如rú再zài与yǔ你nǐ相xiāng见jiàn,我wǒ就jiù堕duò了le阿ā鼻bí地dì狱yù。」行xíng者zhě连lián忙máng接jiē了le贬biǎn书shū道dào:「师shī父fù,不bù消xiāo发fā誓shì,老lǎo孙sūn去qù罢bà。」


逐句解 Line by line

唐táng僧sēng見jiàn他tā言yán言yán語yǔ語yǔ,越yuè添tiān惱nǎo怒nù,滾gǔn鞍ān下xià馬mǎ來lái,叫jiào沙shā僧sēng包bāo袱fú內nèi取qǔ出chū紙zhǐ筆bǐ,即jí於yú澗jiàn下xià取qǔ水shuǐ,石shí上shàng磨mó墨mò,寫xiě了le一yì紙zhǐ貶biǎn書shū,遞dì於yú行xíng者zhě道dào:「猴hóu頭tóu,執zhí此cǐ為wéi照zhào,再zài不bú要yào你nǐ做zuò徒tú弟dì了le; 唐táng僧sēng见jiàn他tā言yán言yán语yǔ语yǔ,越yuè添tiān恼nǎo怒nù,滚gǔn鞍ān下xià马mǎ来lái,叫jiào沙shā僧sēng包bāo袱fú内nèi取qǔ出chū纸zhǐ笔bǐ,即jí于yú涧jiàn下xià取qǔ水shuǐ,石shí上shàng磨mó墨mò,写xiě了le一yì纸zhǐ贬biǎn书shū,递dì于yú行xíng者zhě道dào:「猴hóu头tóu,执zhí此cǐ为wéi照zhào,再zài不bú要yào你nǐ做zuò徒tú弟dì了le;

Seeing him go on talking and talking, the Tang Monk, more enraged than ever, slid from his saddle, told Sha Monk to fetch paper and brush from the bundle, drew water at the ravine below, ground ink on a stone, wrote out a note of dismissal, and handed it to Pilgrim: "Monkey-head, hold this as your warrant. I want you no more for a disciple;

Watch the staging here, because it is deliberate and slow. He gets down off the horse. He sends Sha Monk for paper and brush. He goes to the ravine for water, grinds ink on a stone, and writes. Every one of those steps takes time, and he does not stop at any of them. 貶書 is a writ of demotion or expulsion, an official document of the kind a magistrate issues, and 執此為照, "hold this as your warrant", is the formula of a legal instrument. He is not throwing his disciple out. He is discharging him, in writing. (為 is wéi, "as, to serve as", not the purposive wèi.)

如rú再zài與yǔ你nǐ相xiāng見jiàn,我wǒ就jiù墮duò了le阿ā鼻bí地dì獄yù。」 如rú再zài与yǔ你nǐ相xiāng见jiàn,我wǒ就jiù堕duò了le阿ā鼻bí地dì狱yù。」

"and if ever I see you again, may I fall into the Avīci Hell."

阿鼻地獄 (Ā bí dì yù) transcribes the Sanskrit Avīci, "without respite" — the deepest of the Buddhist hells, the one where the torment never pauses. A monk swearing by it is staking everything he has. And he is not many chapters away from needing this disciple back. (相見 takes 相 as xiāng.)

行xíng者zhě連lián忙máng接jiē了le貶biǎn書shū道dào:「師shī父fù,不bù消xiāo發fā誓shì,老lǎo孫sūn去qù罷bà。」 行xíng者zhě连lián忙máng接jiē了le贬biǎn书shū道dào:「师shī父fù,不bù消xiāo发fā誓shì,老lǎo孙sūn去qù罢bà。」

Pilgrim quickly took the writ of dismissal and said, "Master, no need to swear oaths — old Sun will go."

Wukong's answer is the gentlest thing in the passage. Don't swear oaths. He takes the paper and lets his master off the vow, which is more consideration than he has been shown all day.


總評 Commentary

The written dismissal marks the point of no return. The earlier expulsions were spoken in anger and undone by pleading; this one goes on paper, a formal writ of severance, and is sealed with the most dreadful oath available to a Buddhist. The document and the vow together make the parting final in a way that words never managed.

Wukong's restraint is the passage's quiet power. He does not contest the writ or the oath. He takes the letter and says only that there is no need to swear. There is no anger left in him, only a resigned tenderness that spares the master the weight of his own curse. The Great Sage who shook Heaven accepts his exile with more grace than the gentle monk shows in pronouncing it.

The oath is heavy with dramatic irony. Tripitaka swears never to see Wukong again on pain of the deepest hell — and the novel reunites them soon enough, when the master, captured and helpless, has to beg for the very disciple he is casting out here. The vow measures a fury that cannot last, sworn by a man who does not know his own need.