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第二十七回
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The Corpse-Fiend Thrice Mocks Tang Tripitaka · The Holy Monk in Wrath Banishes the Handsome Monkey King

堅執不吃
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堅執不吃 The Monk Will Not Eat

sānzàngdào:「shànzāishànzāiyǒuzhāiguǒzilejiùláigǎnchījiǎshàngchīlefànzhàngxiǎoquèzuìzuòpínsēng?」jiàntángsēngkěnchīquèyòu滿mǎnmiànchūnshēngdào:「shīazhāisēngháishìxiǎozhànggèngshìshànrénshēnghǎodeshìxiūqiáoàilǎoliánpíndàntīngjiànshuōzhèfànsòngshīchīleqíngshàngxúnchánggèngshìtóng。」sānzàngzhǐshìchīsānzàngdào:「shànzāishànzāiyǒuzhāiguǒzilejiùláigǎnchījiǎshàngchīlefànzhàngxiǎoquèzuìzuòpínsēng?」jiàntángsēngkěnchīquèyòumǎnmiànchūnshēngdào:「shīazhāisēngháishìxiǎozhànggèngshìshànrénshēnghǎodeshìxiūqiáoàilǎoliánpíndàntīngjiànshuōzhèfànsòngshīchīleqíngshàngxúnchánggèngshìtóng。」sānzàngzhǐshìchī


逐句解 Line by line

sānzàngdào:「shànzāi sānzàngdào:「shànzāi

Tripitaka said, "How good!

善哉 (shàn zāi) renders the Sanskrit sādhu — well said, well done — and is the standard Buddhist noise of approval, what a monk says when something pleases him spiritually. The pious tale has landed.

shànzāi shànzāi

"How good!

Said twice. He means it, which is the trouble.

yǒuzhāiguǒzilejiùlái yǒuzhāiguǒzilejiùlái

"But I have a disciple gone to pick fruit, who will be back directly.

And there is the clock, dropped into the conversation without emphasis: a disciple is out picking fruit and will be back directly. From the demon's side of the table it is the only sentence in the scene that matters. (果子 takes the toneless zi.)

gǎnchījiǎshàngchīlefànzhàngxiǎoquèzuìzuòpínsēng?」 gǎnchījiǎshàngchīlefànzhàngxiǎoquèzuìzuòpínsēng?」

"I dare not eat it. Suppose I, a monk, ate your food and your husband found out and cursed you — would not the blame fall upon this poor cleric?"

His reason for refusing is beautifully, uselessly considerate: if your husband hears you fed a monk with his lunch he will scold you, and then it will be my fault. 罪坐 is to have blame come and settle on you; 貧僧, "this poor monk", is the elder's humble way of saying "I". He is worrying about a marital row while a corpse-fiend stands in front of him holding a jar of maggots. The scruple is real, fine-grained, and aimed at entirely the wrong thing. (曉得 takes the toneless de.)

jiàntángsēngkěnchīquèyòu滿mǎnmiànchūnshēngdào:「shīazhāisēngháishìxiǎo jiàntángsēngkěnchīquèyòumǎnmiànchūnshēngdào:「shīazhāisēngháishìxiǎo

Seeing the Tang Monk would not eat, the woman, her face all abloom with spring warmth, pressed on: "Master, ah — my parents' alms-giving to monks is a small thing;

滿面春生 — spring coming up all over her face — is a lovely way of saying she beamed. And watch her change tack: the parents have not worked, so out comes the husband. 還是小可, "that's only a small matter", takes as hái, "still, yet" — a different reading from the huán, "repay", in her earlier 還誓願. points, so ; 女子 takes .

zhànggèngshìshànrénshēnghǎodeshìxiūqiáoàilǎoliánpín zhànggèngshìshànrénshēnghǎodeshìxiūqiáoàilǎoliánpín

"but my husband is a good man beyond that — all his life he has loved to mend bridges and repair roads, and to cherish the old and pity the poor.

修橋補路 and 愛老憐貧 — mending bridges and roads, cherishing the old and pitying the poor — are the standard catalogue of lay good works, the items any Ming layman would list if asked what a virtuous man does with his money. She has now furnished her imaginary husband with a full charitable record. ( is gèng, "even more so".)

dàntīngjiànshuōzhèfànsòngshīchīleqíngshàngxúnchánggèngshìtóng。」 dàntīngjiànshuōzhèfànsòngshīchīleqíngshàngxúnchánggèngshìtóng。」

"Were he but to hear that this food had been given to you, Master, to eat, then in his love for me as his wife he would be more pleased than ever."

And the counter-argument lands, turning his objection inside out. He said the husband would be angry; she says the husband would be delighted, and would think the better of her for it. She has taken the precise shape of his refusal and answered it point for point — as she has done every single time he has raised a doubt. ( is gèng again.)

sānzàngzhǐshìchī sānzàngzhǐshìchī

But Tripitaka simply would not eat.

Seven characters, and they are the last thing standing. He will not eat. Not because he suspects her — he does not — but because he is being stubborn about a point of etiquette. It is enough. It holds until Wukong lands.


總評 Commentary

Won over by the woman's piety, the monk still refuses the food — not from suspicion but from delicacy, afraid of getting a wife into trouble with her husband. It is a characteristically fine-grained moral scruple, and characteristically pointed at the wrong thing: he weighs a domestic impropriety while blind to the fiend in front of him.

Every refusal draws a fresh appeal — the husband's charity, then the husband's supposed delight at the gift. But the passage twice glances at the real threat to her plan: the disciple gone for fruit, who will be back directly. Her mounting urgency is being measured against Wukong's flight time.

The stalemate — she cannot make him eat, he cannot see what she is — is the still point before the storm. It breaks two passages later, when Wukong drops out of the sky, sees at a glance what a whole party of monks could not, and swings.