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The Corpse-Fiend Thrice Mocks Tang Tripitaka · The Holy Monk in Wrath Banishes the Handsome Monkey King

大聖降威
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

大聖降威 The Great Sage Cows the Beasts

zhǎnglǎoshàngxīnjīngsūnshèngshīshǒuduànzhetiěbàngxiāohǒushēngxiàdelángchóngdiāncuànbàobēntáozhǎnglǎoshàngxīnjīngsūnshèngshīshǒuduànzhetiěbàngxiāohǒushēngxiàdelángchóngdiāncuànbàobēntáo


逐句解 Line by line

zhǎnglǎoshàngxīnjīng zhǎnglǎoshàngxīnjīng

Up on his horse the elder's heart quailed.

心驚 (xīn jīng): "the heart startled, alarmed." The single terse clause fixes Tripitaka's mortal timidity against the wild scene just described — a frailty the narrative will exploit as the chapter turns.

sūnshèngshīshǒuduànzhetiěbàngxiāohǒushēngxiàdelángchóngdiāncuànbàobēntáo sūnshèngshīshǒuduànzhetiěbàngxiāohǒushēngxiàdelángchóngdiāncuànbàobēntáo

But the Great Sage Sun put forth his arts: brandishing the iron cudgel, he loosed a roaring howl that so terrified the wolves and vermin they tumbled and scattered, while tigers and leopards fled headlong.

佈施手段 (bù shī shǒu duàn): "to deploy [his] skills, put on a display of power" — 佈施 here is the secular "to spread forth, apply," playing wryly against its Buddhist sense of "almsgiving." The aspect-marker 著 (zhe) in 舞著鐵棒 marks the sustained brandishing. 諕得 (xià dé) "frightened [them] such that…": the graph 諕 (xià) is a vernacular variant of "to scare," and 得 (de) here is the complement-marker particle introducing the result, not 得 (dé) "to obtain." 顛竄 (diān cuàn) "to bolt and scatter in panic."


總評 Commentary

A hinge of just two clauses, but a pointed one. The elder quails (心驚); the disciple, needing only a roar and a flourish of the cudgel, empties the mountain of its predators. The contrast is the chapter's governing irony in miniature — Wukong's power is never in doubt, only the master's ability to see it rightly. When the real threat comes disguised as a harmless woman, that same power will be turned against him as "murder."

The wordplay on 佈施 ("almsgiving" / "applying one's arts") is characteristic of the novel's texture, where Buddhist vocabulary is constantly bent to martial or comic ends. The 諕 (xià) graph recurs throughout the chapter as the demon and Bajie in turn "frighten" the timid Tripitaka; its reading is worth fixing early, since the vernacular form is easily mistaken.