Canonical Classics ← 第七十二回
第七十二回
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zhuógòuquánjièwàngxíng

In Spiderweb Cave the Seven Passions Cloud the Root · At Filth-Cleansing Spring Eight Rules Forgets Himself

彩漆的衣架
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原文 Original text 繁體 Traditional Reader's edition

彩漆的衣架 Two Painted Clothes Racks

chíshàngyòuyǒusānjiāntíngzitíngzizhōngjìnhòufàngzhezhāngzhījiǎodebǎndèngliǎngshāntóufàngzheliǎngcǎidejiàxíngzhěànzhōngyīngyīngdechìfēizàijiàtóushàngdīngzhùchíshàngyòuyǒusānjiāntíngzitíngzizhōngjìnhòufàngzhezhāngzhījiǎodebǎndèngliǎngshāntóufàngzheliǎngcǎidejiàxíngzhěànzhōngyīngyīngdechìfēizàijiàtóushàngdīngzhù


逐句解 Line by line

chíshàngyòuyǒusānjiāntíngzi chíshàngyòuyǒusānjiāntíngzi

Above the pool there were three bays of pavilion.

is jiān, the measure word for the bay of a building — the span between two pillars, which is how Chinese counts rooms. takes the light zi in 亭子.

tíngzizhōngjìnhòufàngzhezhāngzhījiǎodebǎndèng tíngzizhōngjìnhòufàngzhezhāngzhījiǎodebǎndèng

In the middle bay, up against the back wall, stood a bench with eight legs.

is zhe, the durative marker — set there and standing. is zhōng, within. An eight-legged bench is a long one: the furniture is being counted because it is about to matter.

liǎngshāntóufàngzheliǎngcǎidejià liǎngshāntóufàngzheliǎngcǎidejià

And at the two ends stood two clothes racks in coloured lacquer.

is zhe again. 彩漆 is coloured lacquer, which is expensive. Twelve characters to establish that there are two racks and where they stand.

xíngzhěànzhōngyīngyīngdechìfēizàijiàtóushàngdīngzhù xíngzhěànzhōngyīngyīngdechìfēizàijiàtóushàngdīngzhù

Pilgrim, hidden and pleased with himself, went buzzing over on a wing and settled on the head of one of the clothes racks.

is zhōng again — 暗中, in concealment. 喜嚶嚶 puts his pleasure and the fly's buzz in the same three characters. He has picked the clothes rack, and the reason is obvious the moment you realise what people do with a clothes rack at a bathing pool.


總評 Commentary

Three bays of pavilion, one long bench, two lacquered clothes racks. The book has counted the furniture, and the furniture is the plot.

Watch where Pilgrim lands. He has flown past the pool, past the pavilion, past the bench, and settled on top of a clothes rack — which is where seven sets of clothes are about to be hung. He worked out the room before anybody entered it.

This is the same method as the local god and the eavesdropping: get the information first, then act. Nothing about it is heroic, and the chapter has been quietly building the contrast since Tripitaka walked up to a door he had spent an hour deciding not to approach.