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倒栽蔥
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition

倒栽蔥 Face Down And Upside Down

左zuǒ邊biān去qù,一yí個gè面miàn磕kē地dì;右yòu邊biān去qù,一yí個gè倒dào栽zāi蔥cōng;急jí轉zhuǎn身shēn,又yòu跌diē了le個gè嘴zuǐ搵wèn地dì;忙máng爬pá起qǐ,又yòu跌diē了le個gè豎shù蜻qīng蜓tíng。左zuǒ边biān去qù,一yí个gè面miàn磕kē地dì;右yòu边biān去qù,一yí个gè倒dào栽zāi葱cōng;急jí转zhuǎn身shēn,又yòu跌diē了le个gè嘴zuǐ揾wèn地dì;忙máng爬pá起qǐ,又yòu跌diē了le个gè竖shù蜻qīng蜓tíng。


逐句解 Line by line

左zuǒ邊biān去qù,一yí個gè面miàn磕kē地dì; 左zuǒ边biān去qù,一yí个gè面miàn磕kē地dì;

Go left, and it was a faceful of ground;

面磕地 — face knocking the earth. Eight characters, and the sentence is built to be answered by the next one.

右yòu邊biān去qù,一yí個gè倒dào栽zāi蔥cōng; 右yòu边biān去qù,一yí个gè倒dào栽zāi葱cōng;

go right, and it was an upended leek;

倒栽蔥, a leek planted upside down, is still the ordinary Chinese for going head over heels. The vegetable is doing the work an English speaker gets from turning turtle.

急jí轉zhuǎn身shēn,又yòu跌diē了le個gè嘴zuǐ搵wèn地dì; 急jí转zhuǎn身shēn,又yòu跌diē了le个gè嘴zuǐ揾wèn地dì;

turn round in a hurry, and he came down with his mouth in the dirt;

嘴搵地 — mouth pressed into the ground. Third fall, third body part.

忙máng爬pá起qǐ,又yòu跌diē了le個gè豎shù蜻qīng蜓tíng。 忙máng爬pá起qǐ,又yòu跌diē了le个gè竖shù蜻qīng蜓tíng。

scramble up quickly, and down he went in a standing dragonfly.

豎蜻蜓, a dragonfly stood on end, is a headstand — the insect balanced vertically on its nose. Fourth fall, and the chapter is naming them the way it named the kickball moves.


總評 Commentary

Four falls in thirty-six characters, each with its own name, each built on the same two-part shape: try to move this way, land like that.

The names are the pleasure of it. An upended leek for going head over heels — still current Chinese. A standing dragonfly for a headstand, the insect balanced on its nose. The book that gave two hundred characters to the named moves of a ball game is using the same instinct on a pig falling over.

It looks like verse and it is not. Five short parallel members in a row, each scanning neatly, and the source marks none of them as poetry. That distinction matters here: this is prose that has picked up a rhythm, which is a thing this author does when something is funny.