Canonical Classics ← 第十四回
第十四回
xīnyuánguīzhèng
liùzéizōng

The Mind-Monkey Returns to the Right · The Six Robbers Vanish Without a Trace

六賊自陳
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

六賊自陳 The Six Senses Named

xíngzhědedǎnliàngyuánróngfēnshuōzǒushàngqiánláichāshǒudāngxiōngduìliùrénshīdào:「lièwèiyǒushénmeyuánpínsēngde?」réndào:「děngshìjiǎnjìngdewángxínghǎoxīndeshānzhǔmíngjiǔliàngzhīzǎozǎodeliúxiàdōng西fàngguòruòdàobànjiàosuìshīfěn。」xíngzhědào:「shìchuándewángniándeshānzhǔquècéngwéndelièwèiyǒushénmíng。」réndào:「shìzhīshuōtīnghuànzuòyǎnkànhuànzuòěrtīnghuànzuòxiùàihuànzuòshéchánghuànzuòjiànhuànzuòshēnběnyōu。」kōngxiàodào:「yuánláishìliùmáozéiquèrèndezhèchūjiārénshìdezhǔréngōngdàoláidǎngjiédezhēnbǎochūláizuòfēnérjūnfēnráole。」xíngzhědedǎnliàngyuánróngfēnshuōzǒushàngqiánláichāshǒudāngxiōngduìliùrénshīdào:「lièwèiyǒushénmeyuánpínsēngde?」réndào:「děngshìjiǎnjìngdewángxínghǎoxīndeshānzhǔmíngjiǔliàngzhīzǎozǎodeliúxiàdōng西fàngguòruòdàobànjiàosuìshīfěn。」xíngzhědào:「shìchuándewángniándeshānzhǔquècéngwéndelièwèiyǒushénmíng。」réndào:「shìzhīshuōtīnghuànzuòyǎnkànhuànzuòěrtīnghuànzuòxiùàihuànzuòshéchánghuànzuòjiànhuànzuòshēnběnyōu。」kōngxiàodào:「yuánláishìliùmáozéiquèrèndezhèchūjiārénshìdezhǔréngōngdàoláidǎngjiédezhēnbǎochūláizuòfēnérjūnfēnráole。」


逐句解 Line by line

xíngzhědedǎnliàngyuánróngfēnshuōzǒushàngqiánláichāshǒudāngxiōngduìliùrénshīdào xíngzhědedǎnliàngyuánróngfēnshuōzǒushàngqiánláichāshǒudāngxiōngduìliùrénshīdào

The Pilgrim, bold by nature, would brook no discussion; he stepped forward, folded his hands at his breast, and made a bow to the six men, saying:

Wukong's courage brooks no parley. 那容分說 ("would not allow discussion") reads as the rhetorical ("how would he tolerate"); 對那六個人 reads the second as demonstrative . His folded-hands bow is mock-courtesy.

lièwèiyǒushénmeyuánpínsēngde?」 lièwèiyǒushénmeyuánpínsēngde?」

"Sirs, what is the reason you block the road of this poor monk?"

The polite form of the question — 列位, "you sirs" — sharpens the comedy against what follows. 甚麼 reads as shén.

réndào:「děngshìjiǎnjìngdewángxínghǎoxīndeshānzhǔ réndào:「děngshìjiǎnjìngdewángxínghǎoxīndeshānzhǔ

The men said, "We are the great kings who cut the highways, the mountain lords of generous heart.

The robbers' boast is stock highwayman's bombast: self-styled "great kings" and "mountain lords." 那人 reads as ; 行好心 reads as xíng.

míngjiǔliàngzhī míngjiǔliàngzhī

Our great names have long been noised abroad — you must not have heard.

They claim a universal fame. 你量不知 ("you surely do not know") uses in the sense "to presume," read liàng.

zǎozǎodeliúxiàdōng西fàngguòruòdàobànjiàosuìshīfěn。」 zǎozǎodeliúxiàdōng西fàngguòruòdàobànjiàosuìshīfěn。」

Set down your goods at once and we will let you pass; but say so much as half a 'no,' and we will grind you to bone and pulp."

The threat — hand over your goods or be ground to pulp — is delivered in ringing four-character phrases. 教你 ("make you") reads as jiào.

xíngzhědào:「shìchuándewángniándeshānzhǔquècéngwéndelièwèiyǒushénmíng。」 xíngzhědào:「shìchuándewángniándeshānzhǔquècéngwéndelièwèiyǒushénmíng。」

The Pilgrim said, "I too am a great king by inheritance, a mountain lord of many years' standing — yet I have never heard that you sirs had any great names."

Wukong answers boast with boast, claiming a grander banditry of his own — and needling that their fame has not reached him. 聞得 takes as de; 有甚大名 reads as shén.

réndào:「shìzhīshuōtīng réndào:「shìzhīshuōtīng

The men said, "You do not know them; then let me tell you, and hear:

The robbers offer to name themselves — the cue for the passage's allegorical heart.

huànzuòyǎnkànhuànzuòěrtīnghuànzuòxiùàihuànzuòshéchánghuànzuòjiànhuànzuòshēnběnyōu。」 huànzuòyǎnkànhuànzuòěrtīnghuànzuòxiùàihuànzuòshéchánghuànzuòjiànhuànzuòshēnběnyōu。」

one is called Eye-that-Sees-and-Delights, one Ear-that-Hears-and-Rages, one Nose-that-Smells-and-Covets, one Tongue-that-Tastes-and-Longs, one Mind-that-Conceives-and-Lusts, and one Body-that-is-Rooted-in-Care."

The six names decode the chapter's title. These are the 六賊 ("Six Robbers"), the Buddhist figure for the six senses (六根) that plunder the mind's peace: eye, ear, nose, tongue, mind, and body, each yoked to its besetting passion — delight, anger, craving, longing, lust, and care. To slay them is to still the senses.

kōngxiàodào:「yuánláishìliùmáozéiquèrèndezhèchūjiārénshìdezhǔréngōngdàoláidǎng kōngxiàodào:「yuánláishìliùmáozéiquèrèndezhèchūjiārénshìdezhǔréngōngdàoláidǎng

Wukong laughed and said, "So you are six petty thieves. You do not even know that this monk is your own master, yet you come to block my way.

Wukong, who grasps the allegory instantly, dismisses them as 六個毛賊 ("six petty thieves") and claims to be their rightful 主人公 ("master") — the mind that should command the senses. 不認得 reads as de.

jiédezhēnbǎochūláizuòfēnérjūnfēnráole。」 jiédezhēnbǎochūláizuòfēnérjūnfēnráole。」

Bring out the treasures you have robbed, and I will divide them with you in seven equal shares, and let you off."

His counter-demand — that they surrender their loot to be split seven ways (their six shares and his) — is pure impudence. 把那打劫 reads as ; 均分 reads as fēn.


總評 Commentary

The confrontation with the Six Robbers is the allegorical core of the chapter, and its title-line 六賊無蹤 ("the Six Robbers leave no trace") points directly here. When the bandits name themselves — Eye, Ear, Nose, Tongue, Mind, and Body, each bound to a passion — the reader is meant to recognise the 六根 or six sense-faculties of Buddhist teaching, the "thieves" that rob the practitioner of tranquillity.

Wukong grasps the figure at once, dismissing them as "petty thieves" and claiming to be their 主人公, their rightful master — for in the allegory the disciplined mind is precisely what should command and quiet the senses. The scene thus reads on two levels: a comic roadside robbery, and a parable of the newly converted Mind-Monkey confronting the sensory appetites he must subdue on the path.

The exchange keeps the surface comedy sharp — mock bows, duelling boasts, Wukong's outrageous demand for a seven-way split — while the names quietly carry the doctrinal weight. What follows, the killing of all six, is on the surface the reckless violence Sanzang will condemn; on the allegorical plane it is the annihilation of the senses' hold, the very thing the title celebrates.