老翁省悟 The Old Man Remembers
悟空厲聲高呼道:「你這個老兒全沒眼色!唐人是我師父,我是他徒弟。我也不是甚糖人,蜜人,我是齊天大聖!你們這裡人家,也有認得我的。我也曾見你來。」那老者道:「你在那裡見我?」悟空道:「你小時不曾在我面前扒柴?不曾在我臉上挑菜?」老者道:「這廝胡說!你在那裡住?我在那裡住?我來你面前扒柴、挑菜?」悟空道:「我兒子便胡說。你是認不得我了,我本是這兩界山石匣中的大聖,你再認認看。」老者方才省悟道:「你倒有些像他。但你是怎麼得出來的?」悟空將菩薩勸善,令他等待唐僧揭帖脫身之事,對那老者細說了一遍。悟空厉声高呼道:「你这个老儿全没眼色!唐人是我师父,我是他徒弟。我也不是甚糖人,蜜人,我是齐天大圣!你们这里人家,也有认得我的。我也曾见你来。」那老者道:「你在那里见我?」悟空道:「你小时不曾在我面前扒柴?不曾在我脸上挑菜?」老者道:「这厮胡说!你在那里住?我在那里住?我来你面前扒柴、挑菜?」悟空道:「我儿子便胡说。你是认不得我了,我本是这两界山石匣中的大圣,你再认认看。」老者方才省悟道:「你倒有些像他。但你是怎么得出来的?」悟空将菩萨劝善,令他等待唐僧揭帖脱身之事,对那老者细说了一遍。
逐句解 Line by line
Wukong cried out in a stern voice, "You have no eyes in your head at all, old man! The man of Tang is my master; I am his disciple.
Wukong's indignation launches the wordplay. 全沒眼色 ("no discernment at all") scolds the old man for failing to tell master from monster.
And I am no 'sugar-man' or 'honey-man' either — I am the Great Sage Equal to Heaven! Among the folk hereabouts there are some who know me.
The pun turns on sound: 唐人 ("a man of Tang") against 糖人 and 蜜人 ("sugar-man, honey-man"). Here 甚 means "any" and is read shén (as in 甚麼), not the adverbial shèn.
I have seen you before, as it happens."
He claims, absurdly, a prior acquaintance. 認得 ("know, recognise") reads 得 as de.
The old man said, "Where did you ever see me?"
The old man's natural question — 你在那裡見我 ("where did you see me?") — reads 那裡 as the interrogative nǎ ("where").
Wukong said, "Did you not, when you were small, rake firewood before my face? Did you not gather greens upon my very cheek?"
Wukong's teasing claim is deliberately preposterous: that as a child the old man gathered firewood and greens on his very body — the monkey imagined as a mountain overgrown after five centuries. 扒柴 ("to rake firewood") reads 扒 as pá.
The old man said, "This fellow talks nonsense! Where did you live, and where did I live, that I should come and rake firewood and gather greens before your face?"
The old man protests the impossibility, echoing the interrogative 那裡 (nǎ, "where") back at him. The exchange is pure comic banter.
Wukong said, "It is my son here who talks nonsense. You simply do not know me:
Wukong's retort — 我兒子便胡說, "it's my son who talks nonsense," i.e. "only a fool would" — is a coarse jest that makes the old man his junior. 兒子 reads 子 as neutral zi.
I am none other than the Great Sage of the stone chest in this Mountain of the Two Frontiers — look again and know me."
He drops the joke to identify himself plainly as the Great Sage of the famous stone chest. 石匣中 reads 中 as zhōng.
The old man at last came to himself and said, "You do rather resemble him. But how did you ever get out?"
Recognition dawns. 省悟 ("to come to realise") reads 省 as xǐng (not shěng). 怎麼得出來 ("how did you get out?") takes 得 as dé.
Then Wukong told the old man the whole tale — how the Bodhisattva had exhorted him to virtue and bidden him wait for the Tang monk to peel the seal and set him free — recounting it all through, from first to last.
The passage — and the chapter's narrative body — closes with Wukong recounting his release. 將 here is the object-marker, read jiāng; 那老者 reads 那 as nà.
Wukong's answer to the old man's slur turns the scene into a display of his brash, punning humour. He seizes on the sound of 唐人 ("man of Tang") to protest that he is no "sugar-man" or "honey-man," and then spins an absurd claim of old acquaintance — that the old man, as a boy, gathered firewood and greens upon the monkey's own body, a joke that pictures the imprisoned Great Sage as a mountain grown over with five centuries of brush.
The banter is characteristic: coarse, quick, self-aggrandising, and delivered with complete confidence. When teasing has run its course, Wukong identifies himself plainly as the Great Sage of the local stone chest, and recognition dawns on the old man, who has evidently long known the mountain's legend.
The chapter's narrative body closes on this note of recognition and recounting, with Wukong retelling the story of Guanyin's bargain and his release — folding the episode neatly back into the larger design of the pilgrimage before the chapter's closing frame.