Canonical Classics ← 第十四回
第十四回
xīnyuánguīzhèng
liùzéizōng

The Mind-Monkey Returns to the Right · The Six Robbers Vanish Without a Trace

老母贈衣
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

老母贈衣 The Old Woman on the Road

zhǎnglǎozhǐshōushíxíngshāozàishàngzhīshǒuzhǔzhezhàngzhīshǒujiūzhejiāngshéngliángliángwǎng西qiánjìnxíngduōshízhǐjiànshānqiánmiànyǒuniángāodelǎopěngjiàn綿mián綿miánshàngyǒudǐnghuāmàosānzàngjiànláidezhìjìnhuāngmángqiānyòuràngxínglǎowèndào:「shìláidezhǎnglǎoxíng?」sānzàngdào:「nǎidōngtángfèngchāiwǎng西tiānbàihuóqiúzhēnjīngzhě。」lǎodào:「西fāngnǎiléiyīntiānzhúguójièyǒushíwànqiānzhèděngdānrényòubànyòu?」sānzàngdào:「qiánshōudexìngxiōngwánshìshuōleshòujiàosuìmiǎoránér。」lǎodào:「yǒuzhèlǐng綿miánzhíduōdǐngqiànjīnhuāmàoyuánshìérziyòngdezhǐzuòlesānshàngxìngmìngduǎnshēnwángcáilechángleshījiāngzhèliǎngjiànmàoláizuòniànzhǎnglǎoayǒuzhèmàosòngle。」sānzàngdào:「chénglǎoshèngdànzhǐshìzǒulegǎnlǐngshòu。」zhǎnglǎozhǐshōushíxíngshāozàishàngzhīshǒuzhǔzhezhàngzhīshǒujiūzhejiāngshéngliángliángwǎng西qiánjìnxíngduōshízhǐjiànshānqiánmiànyǒuniángāodelǎopěngjiànmiánmiánshàngyǒudǐnghuāmàosānzàngjiànláidezhìjìnhuāngmángqiānyòuràngxínglǎowèndào:「shìláidezhǎnglǎoxíng?」sānzàngdào:「nǎidōngtángfèngchāiwǎng西tiānbàihuóqiúzhēnjīngzhě。」lǎodào:「西fāngnǎiléiyīntiānzhúguójièyǒushíwànqiānzhèděngdānrényòubànyòu?」sānzàngdào:「qiánshōudexìngxiōngwánshìshuōleshòujiàosuìmiǎoránér。」lǎodào:「yǒuzhèlǐngmiánzhíduōdǐngqiànjīnhuāmàoyuánshìérziyòngdezhǐzuòlesānshàngxìngmìngduǎnshēnwángcáilechángleshījiāngzhèliǎngjiànmàoláizuòniànzhǎnglǎoayǒuzhèmàosòngle。」sānzàngdào:「chénglǎoshèngdànzhǐshìzǒulegǎnlǐngshòu。」


逐句解 Line by line

zhǎnglǎozhǐshōushíxíngshāozàishàngzhīshǒuzhǔzhezhàngzhīshǒujiūzhejiāngshéngliángliángwǎng西qiánjìn zhǎnglǎozhǐshōushíxíngshāozàishàngzhīshǒuzhǔzhezhàngzhīshǒujiūzhejiāngshéngliángliángwǎng西qiánjìn

The elder could only gather up the baggage, load it on the horse — riding not at all — and, staff in one hand and bridle-rope in the other, press on westward in wretched loneliness.

Look at what he is doing: not riding, but walking beside the horse with the luggage piled on it, staff in one hand and rope in the other. The picture is doing the work of a paragraph of self-pity. 那長老 reads as and as zhǎng; 只得 takes as ; 拄著 and 揪著 both use the ongoing-action (zhe).

xíngduōshízhǐjiànshānqiánmiànyǒuniángāodelǎopěngjiàn綿mián綿miánshàngyǒudǐnghuāmào xíngduōshízhǐjiànshānqiánmiànyǒuniángāodelǎopěngjiànmiánmiánshàngyǒudǐnghuāmào

He had not gone far when he saw, on the mountain road ahead, an aged woman bearing a padded garment, and upon the garment a flowered cap.

An old woman on an empty mountain road, carrying a padded coat with a cap sitting on top of it. She is carrying exactly what the situation requires, which is the first sign to the reader that this is not a chance meeting at all. 行不多時 reads as xíng.

sānzàngjiànláidezhìjìnhuāngmángqiānyòuràngxíng sānzàngjiànláidezhìjìnhuāngmángqiānyòuràngxíng

Seeing her come very near, Sanzang hastily led his horse aside and stood at the right to let her pass.

Even wretched, he remembers his manners and stands aside to let her pass. 三藏 reads as zàng; 來得 takes as de; 讓行 reads as xíng.

lǎowèndào:「shìláidezhǎnglǎoxíng?」 lǎowèndào:「shìláidezhǎnglǎoxíng?」

The old woman asked, "Where do you come from, reverend, walking here so utterly alone?"

Her first question goes straight to the sore spot: why are you walking here entirely alone? 那裡來的 reads as the asking-word , 'where', while 那老母 reads the same character as , 'that'.

sānzàngdào:「nǎidōngtángfèngchāiwǎng西tiānbàihuóqiúzhēnjīngzhě。」 sānzàngdào:「nǎidōngtángfèngchāiwǎng西tiānbàihuóqiúzhēnjīngzhě。」

Sanzang said, "Your disciple is one sent from the Eastern Land of Great Tang to the Western Heaven, to worship the living Buddha and seek the true scriptures."

The standard account of himself again. 奉差, 'sent by command', reads as chāi; 活佛 reads as .

lǎodào:「西fāngnǎiléiyīntiānzhúguójièyǒushíwànqiān lǎodào:「西fāngnǎiléiyīntiānzhúguójièyǒushíwànqiān

The old woman said, "The Buddha of the West is at the Temple of Great Thunderclap, within the bounds of the country of India — a hundred and eight thousand li from here.

She supplies the canonical geography: the Buddha sits at the 大雷音寺, the Temple of Great Thunderclap, inside the bounds of India, and it is a hundred and eight thousand away. The number is not random — it is the exact distance one somersault of Wukong's cloud covers, as he will boast a few passages from now. The whole journey is one jump for the disciple the monk has just lost. 西方佛 reads as .

zhèděngdānrényòubànyòu?」 zhèděngdānrényòubànyòu?」

With but a single man and a lone horse, no companion and no disciple, how can you ever get there?"

And then the knife: one man, one horse, no companion, no disciple — how do you propose to get there? 你如何去得 reads as , the 'can you manage it' sense.

sānzàngdào:「qiánshōudexìngxiōngwánshìshuōleshòujiàosuìmiǎoránér。」 sānzàngdào:「qiánshōudexìngxiōngwánshìshuōleshòujiàosuìmiǎoránér。」

Sanzang said, "Your disciple did, some days ago, take on a disciple; but he was of a wild and violent temper, and because I spoke a few words to him he would not take correction, and went off out of sight."

He tells the truth, including the part that reflects badly on him: I said a few words and he would not take correction. That admission is the opening she came for. 三藏 reads as zàng; 收得 takes as de; 不受教 reads as jiào.

lǎodào:「yǒuzhèlǐng綿miánzhíduōdǐngqiànjīnhuāmàoyuánshìérziyòngdezhǐzuòlesānshàngxìngmìngduǎnshēnwáng lǎodào:「yǒuzhèlǐngmiánzhíduōdǐngqiànjīnhuāmàoyuánshìérziyòngdezhǐzuòlesānshàngxìngmìngduǎnshēnwáng

The old woman said, "I have here a padded cloth tunic and a gold-inlaid flowered cap, which were once my son's. He was a monk only three days before, alas, his life was cut short and he died.

The provenance she gives the clothes is heartbreaking and entirely invented: they belonged to her son, who was a monk for three days before he died. 兒子 takes the light (zi).

cáilechángleshījiāngzhèliǎngjiànmàoláizuòniàn cáilechángleshījiāngzhèliǎngjiànmàoláizuòniàn

I have just now been to his temple to weep for him, taken leave of his master, and brought these two things — the garment and the cap — away, to keep as a remembrance.

Weeping at the temple, taking leave of his master, carrying the things home as keepsakes — the detail is laid on thickly, because these are not keepsakes. They are a leash. 將這兩件 reads as jiāng.

zhǎnglǎoayǒuzhèmàosòngle。」 zhǎnglǎoayǒuzhèmàosòngle。」

Reverend, since you have a disciple, let me make you a gift of them."

Note the condition she attaches: since you have a disciple, take them. She is pressing the gift on exactly the ground he is about to deny. 長老 reads as zhǎng.

sānzàngdào:「chénglǎoshèngdànzhǐshìzǒulegǎnlǐngshòu。」 sānzàngdào:「chénglǎoshèngdànzhǐshìzǒulegǎnlǐngshòu。」

Sanzang said, "I thank you, old mother, for your generous gift; but my disciple has already gone, and I dare not accept it."

And he refuses, honestly, for the honest reason — my disciple has gone. Which is precisely the objection she has come to demolish. 三藏 reads as zàng.


總評 Commentary

With Wukong gone, the story turns to Guanyin's intervention, staged as a chance meeting on a lonely road. The desolate picture of the abandoned monk — on foot beside his own horse, staff in hand, heading west alone — is answered at once by an old woman coming the other way with a spare coat and cap, which is the first hint that this is the bodhisattva in disguise, out to mend what the quarrel broke.

The exchange also does quiet groundwork. Her reply fixes the scale and the destination of the whole pilgrimage — the living Buddha at the Temple of Great Thunderclap in India, a hundred and eight thousand off — and her question about his solitude draws out the confession of the lost disciple that gives her gift its opening. The dead-son story lends the robe and cap a tender human colour that hides what they are for.

Sanzang's honest refusal — he cannot take a disciple's clothes when his disciple has run away — is exactly the objection the disguised Guanyin came to sweep aside. The scene is poised for her real purpose, which is not the garment but the spell that goes with it: the means of compelling the very disciple the monk believes he has lost.