原文 Original text
繁體 Traditional
Reader's edition
血書浮江
The Blood-Letter on the River
小姐醒來,句句記得,將子抱定,無計可施。忽然劉洪回來,一見此子,便要淹殺。小姐道:「今日天色已晚,容待明日拋去江中。」幸喜次早劉洪忽有緊急公事遠出。小姐暗思:「此子若待賊人回來,性命休矣。不如及早拋棄江中,聽其生死。倘或皇天見憐,有人救得,收養此子,他日還得相逢。」但恐難以識認,即咬破手指,寫下血書一紙,將父母姓名、跟腳緣由,備細開載;又將此子左腳上一個小指,用口咬下,以為記驗。取貼身汗衫一件,包裹此子,乘空抱出衙門。幸喜官衙離江不遠。小姐到了江邊,大哭一場。正欲拋棄,忽見江岸岸側飄起一片木板,小姐即朝天拜禱,將此子安在板上,用帶縛住,血書繫在胸前,推放江中,聽其所之。小姐含淚回衙不題。小姐醒来,句句记得,将子抱定,无计可施。忽然刘洪回来,一见此子,便要淹杀。小姐道:「今日天色已晚,容待明日抛去江中。」幸喜次早刘洪忽有紧急公事远出。小姐暗思:「此子若待贼人回来,性命休矣。不如及早抛弃江中,听其生死。倘或皇天见怜,有人救得,收养此子,他日还得相逢。」但恐难以识认,即咬破手指,写下血书一纸,将父母姓名、跟脚缘由,备细开载;又将此子左脚上一个小指,用口咬下,以为记验。取贴身汗衫一件,包裹此子,乘空抱出衙门。幸喜官衙离江不远。小姐到了江边,大哭一场。正欲抛弃,忽见江岸岸侧飘起一片木板,小姐即朝天拜祷,将此子安在板上,用带缚住,血书系在胸前,推放江中,听其所之。小姐含泪回衙不题。
逐句解 Line by line
小姐醒來,句句記得,將子抱定,無計可施。
小姐醒来,句句记得,将子抱定,无计可施。
The lady woke, remembering every word, and clasping the child to her could find no plan.
句句記得: she recalls the star-god's whole charge — 記得 takes 得 as the resultative de; 子 is zǐ.
忽然劉洪回來,一見此子,便要淹殺。
忽然刘洪回来,一见此子,便要淹杀。
Suddenly Liu Hong returned, and at the sight of the child meant to drown it.
淹殺, to drown; in 此子 the 子 is zǐ.
小姐道:「今日天色已晚,容待明日拋去江中。」
小姐道:「今日天色已晚,容待明日抛去江中。」
The lady said, 'It is late in the day now; let us wait and cast it into the river tomorrow.'
She buys a day's reprieve; 江中, into the river.
幸喜次早劉洪忽有緊急公事遠出。
幸喜次早刘洪忽有紧急公事远出。
By good fortune, early next morning Liu Hong was suddenly called away on urgent official business.
幸喜, by lucky chance.
小姐暗思:「此子若待賊人回來,性命休矣。
小姐暗思:「此子若待贼人回来,性命休矣。
The lady thought to herself, 'If this child waits for the villain's return, its life is forfeit.'
休矣, 'is finished' — its life would be lost; 此子, 子 = zǐ.
不如及早拋棄江中,聽其生死。
不如及早抛弃江中,听其生死。
'Better to cast it into the river early and leave it to live or die.'
聽其生死, to leave it to live or die as it may.
倘或皇天見憐,有人救得,收養此子,他日還得相逢。」
倘或皇天见怜,有人救得,收养此子,他日还得相逢。」
'Should Heaven take pity, and someone save and raise this child, one day we might meet again.'
救得 ('manage to save') takes 得 as the potential dé; in 他日還得相逢, 還 is hái ('still') and 相逢 takes the reciprocal 相 (xiāng); 子 = zǐ.
但恐難以識認,即咬破手指,寫下血書一紙,
但恐难以识认,即咬破手指,写下血书一纸,
But fearing the child could not later be known for hers, she bit her finger and wrote a letter in blood,
難以識認, hard to recognize — 難 here is nán, 'difficult.'
將父母姓名、跟腳緣由,備細開載;
将父母姓名、跟脚缘由,备细开载;
setting down in full the parents' names and the whole history of his origins;
跟腳緣由, the roots and circumstances; 開載, to set down on record — 載 here is zǎi.
又將此子左腳上一個小指,用口咬下,以為記驗。
又将此子左脚上一个小指,用口咬下,以为记验。
and she bit off the little toe of the child's left foot, as a token of proof.
以為記驗, 'as a mark of verification' — 為 here is wéi; the bitten toe will later confirm his identity. 子 = zǐ.
取貼身汗衫一件,包裹此子,乘空抱出衙門。
取贴身汗衫一件,包裹此子,乘空抱出衙门。
She took an inner garment from her own body, wrapped the child in it, and seizing the chance carried him out of the yamen.
汗衫, an undershirt worn next to the skin; 乘空, taking the chance — 乘 is chéng. 子 = zǐ.
幸喜官衙離江不遠。
幸喜官衙离江不远。
By good fortune the yamen was not far from the river.
官衙, the government office.
小姐到了江邊,大哭一場。
小姐到了江边,大哭一场。
Reaching the riverside, the lady wept long and bitterly.
大哭一場, to weep a great spell.
正欲拋棄,忽見江岸岸側飄起一片木板,
正欲抛弃,忽见江岸岸侧飘起一片木板,
Just as she was about to cast him away, she saw a plank of wood float up at the river's edge,
飄起, to float up — the providential plank.
小姐即朝天拜禱,將此子安在板上,用帶縛住,
小姐即朝天拜祷,将此子安在板上,用带缚住,
and bowing in prayer toward Heaven, she laid the child on the plank and bound him fast with a sash,
朝天拜禱, to bow in prayer toward Heaven (朝, cháo, 'facing'); 子 = zǐ.
血書繫在胸前,推放江中,聽其所之。
血书系在胸前,推放江中,听其所之。
fastened the blood-letter at his breast, and pushed him out into the river, to go where it would.
繫在胸前, fastened at the breast (繫, xì, in its literary sense); 聽其所之, to let him go where he might.
小姐含淚回衙不題。
小姐含泪回衙不题。
Swallowing her tears, the lady returned to the yamen — of which no more here.
含淚, holding back tears.
總評 Commentary
This is the chapter's most harrowing scene, and the pivot of the 江流 ('River-Float') legend beneath it. Unable to keep the child or to let Liu Hong drown him, the mother commits him to the river — but first she does two terrible, deliberate things: she writes a letter in her own blood recording his parentage and history, and she bites off the little toe of his left foot as a bodily token (記驗) by which he may one day be known. Both will work exactly as she intends, eighteen years on. The episode gives the passive infant-set-adrift motif a fierce maternal agency: every detail of the future recognition is laid down here in advance, in blood and in flesh.