Canonical Classics ← 第九回
第九回
chénguāngruǐrènféngzāi
jiāngliúsēngchóubàoběn

Chen Guangrui, Going to His Post, Meets Disaster · The River-Float Monk Avenges the Wrong and Requites His Origin

洪江遇害
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

洪江遇害 Murder at the Hong River

jiānxiǎoxíng宿juédàohóngjiāngkǒuzhǐjiànshāoziliúhóngbiāoèrrénchēngchuándàoànyíngjiēshìguāngruǐqiánshēngdāngyǒuzāinànzhuàngzháozhèyuānjiāguāngruǐlìngjiātóngjiāngxíngbānshàngchuánzhèngshàngchuánliúhóngzhēngyǎnkànjiànyīnxiǎojiěmiàn滿mǎnyuèyǎnqiūyīngtáoxiǎokǒuliǔmányāozhēnyǒuchénluòyànzhīróngyuèxiūhuāzhīmàodǒulángxīnsuìbiāoshèjiāngchuánchēngzhìméirényānchùhòuzhìjìngsāngēngxiānjiāngjiātóngshājiāngguāngruǐshīshǒudōutuīzàishuǐlexiǎojiějiànlezhàng便biànjiāngshēnshuǐliúhóngbàozhùdào:「ruòcóngwànshìjiēxiūruòcóngshídāoliǎngduàn。」xiǎojiěxúnzhǐquánshíyìngchéngshùnleliúhóngzéichuándàonánànjiāngchuánbiāoguǎnjiù穿chuānleguāngruǐguāndàileguānpíngtóngxiǎojiěwǎngjiāngzhōushàngrènlejiānxiǎoxíng宿juédàohóngjiāngkǒuzhǐjiànshāoziliúhóngbiāoèrrénchēngchuándàoànyíngjiēshìguāngruǐqiánshēngdāngyǒuzāinànzhuàngzháozhèyuānjiāguāngruǐlìngjiātóngjiāngxíngbānshàngchuánzhèngshàngchuánliúhóngzhēngyǎnkànjiànyīnxiǎojiěmiànmǎnyuèyǎnqiūyīngtáoxiǎokǒu绿liǔmányāozhēnyǒuchénluòyànzhīróngyuèxiūhuāzhīmàodǒulángxīnsuìbiāoshèjiāngchuánchēngzhìméirényānchùhòuzhìjìngsāngēngxiānjiāngjiātóngshājiāngguāngruǐshīshǒudōutuīzàishuǐlexiǎojiějiànlezhàng便biànjiāngshēnshuǐliúhóngbàozhùdào:「ruòcóngwànshìjiēxiūruòcóngshídāoliǎngduàn。」xiǎojiěxúnzhǐquánshíyìngchéngshùnleliúhóngzéichuándàonánànjiāngchuánbiāoguǎnjiù穿chuānleguāngruǐguāndàileguānpíngtóngxiǎojiěwǎngjiāngzhōushàngrènle


逐句解 Line by line

jiānxiǎoxíng宿juédàohóngjiāngkǒu jiānxiǎoxíng宿juédàohóngjiāngkǒu

The road was hard; travelling by day and resting by night, before they knew it they had reached the Hong River ferry.

曉行夜宿, to travel by day and lodge by night; 渡口, a ferry crossing.

zhǐjiànshāoziliúhóngbiāoèrrénchēngchuándàoànyíngjiē zhǐjiànshāoziliúhóngbiāoèrrénchēngchuándàoànyíngjiē

There they saw two boatmen, Liu Hong and Li Biao, who poled their boat to the bank to receive them.

梢子, a boatman ( neutral, zi); 撐船, to pole a boat.

shìguāngruǐqiánshēngdāngyǒuzāinànzhuàngzháozhèyuānjiā shìguāngruǐqiánshēngdāngyǒuzāinànzhuàngzháozhèyuānjiā

It was that Guangrui was fated from a former life to meet this calamity, and so ran straight into these enemies.

合當, 'destined to'; 災難 ('calamity') takes as nàn; 撞著, 'to run into' — here is the resultative zháo. The karmic frame both motivates the disaster and holds it at a distance.

guāngruǐlìngjiātóngjiāngxíngbānshàngchuánzhèngshàngchuán guāngruǐlìngjiātóngjiāngxíngbānshàngchuánzhèngshàngchuán

Guangrui had his serving-boy carry the baggage aboard, and just as husband and wife were boarding together,

here is the disposal jiāng.

liúhóngzhēngyǎnkànjiànyīnxiǎojiěmiàn滿mǎnyuèyǎnqiūyīngtáoxiǎokǒuliǔmányāo liúhóngzhēngyǎnkànjiànyīnxiǎojiěmiànmǎnyuèyǎnqiūyīngtáoxiǎokǒu绿liǔmányāo

Liu Hong, opening his eyes, saw that Yin Wenjiao's face was like the full moon, her eyes like autumn ripples, her small mouth a cherry, her supple waist a green willow —

A conventional catalogue of beauty; 眼似秋波 takes as . in 那劉洪 is the demonstrative .

zhēnyǒuchénluòyànzhīróngyuèxiūhuāzhīmàodǒulángxīn zhēnyǒuchénluòyànzhīróngyuèxiūhuāzhīmàodǒulángxīn

truly one with the look that 'sinks fish and downs wild geese,' the face that 'hides the moon and shames the flowers' — and a wolf's greed rose up in him.

沉魚落雁 and 閉月羞花 are the standard four-character hyperboles for a beautiful woman; 狼心, a wolf's heart.

suìbiāoshèjiāngchuánchēngzhìméirényānchù suìbiāoshèjiāngchuánchēngzhìméirényānchù

He then laid a plan with Li Biao and poled the boat to a spot without a soul about.

沒人煙處, a place with no sign of habitation.

hòuzhìjìngsāngēngxiānjiāngjiātóngshājiāngguāngruǐshīshǒudōutuīzàishuǐle hòuzhìjìngsāngēngxiānjiāngjiātóngshājiāngguāngruǐshīshǒudōutuīzàishuǐle

Waiting till the still of the third watch, they first killed the serving-boy, then beat Guangrui to death, and pushed both bodies into the water.

三更, the third night-watch, around midnight; is gēng. is the disposal jiāng, and ('all, both') is dōu.

xiǎojiějiànlezhàng便biànjiāngshēnshuǐ xiǎojiějiànlezhàng便biànjiāngshēnshuǐ

When the lady saw that her husband had been killed, she made to throw herself into the water as well.

赴水, to cast oneself into the water.

liúhóngbàozhùdào:「ruòcóngwànshìjiēxiūruòcóngshídāoliǎngduàn。」 liúhóngbàozhùdào:「ruòcóngwànshìjiēxiūruòcóngshídāoliǎngduàn。」

Liu Hong seized her in his arms, saying, 'If you will be mine, all is well; but if you will not, then it is the end at a single stroke.'

一刀兩斷, lit. 'one cut, two pieces' — to make a clean and final end.

xiǎojiěxúnzhǐquánshíyìngchéngshùnleliúhóng xiǎojiěxúnzhǐquánshíyìngchéngshùnleliúhóng

The lady, finding no recourse, could only consent for the moment and submit to Liu Hong.

只得, 'could only' — here is ; 應承, to assent — is yìng. She yields 權時, 'for the time being,' carrying her unborn child.

zéichuándàonánànjiāngchuánbiāoguǎn zéichuándàonánànjiāngchuánbiāoguǎn

The villain poled the boat to the south bank and handed it over to Li Biao to keep,

那賊, with demonstrative = ; 付與, to hand over.

jiù穿chuānleguāngruǐguāndàileguānpíngtóngxiǎojiěwǎngjiāngzhōushàngrènle jiù穿chuānleguāngruǐguāndàileguānpíngtóngxiǎojiěwǎngjiāngzhōushàngrènle

and himself put on Guangrui's robes and cap, took his official credentials, and went off with the lady to take up the post at Jiangzhou.

衣冠, robes and cap of office ( = guān, the noun); 官憑, the credentials of office. Liu Hong now usurps not only Guangrui's wife but his very identity.


總評 Commentary

The catastrophe is swift and brutal: the boatmen Liu Hong and Li Biao, struck by Yin Wenjiao's beauty, murder the serving-boy and Guangrui, dump the bodies in the river, and force the pregnant widow into compliance — Liu Hong taking the dead man's clothes, his credentials, and his post. The novel marks the disaster as karmic — 光蕊前生合當有此災難, 'fated from a former life' — a frame that both motivates and distances the horror. The set-piece catalogue of the lady's beauty (沉魚落雁, 閉月羞花) is conventional, but its placement at the instant of Liu Hong's 狼心 ('wolf's heart') lends it a grim irony. This Chen Guangrui episode is the literary working-out of the old 江流和尚 ('River-Float Monk') legend — an abandoned infant set adrift who grows up to avenge his parents — the material Dudbridge traces behind the novel's Tripitaka backstory.