Canonical Classics ← 第六十九回
第六十九回
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The Mind-Lord by Night Compounds the Medicines · The Sovereign at the Banquet Discourses on the Demon

中虛心痛
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

中虛心痛 What Each Pulse Declares

zuǒcùnqiángérjǐnzhězhōngxīntòngguānérhuǎnzhěhànchūchǐkōuérchénzhěxiǎo便biànchìér便biàndàixuèyòushǒucùnmàiérhuázhěnèijiéjīngguānchíérjiézhě宿shíliúyǐnchǐshuòérláozhěfán滿mǎnhánxiāngchízuǒcùnqiángérjǐnzhězhōngxīntòngguānérhuǎnzhěhànchūchǐkōuérchénzhěxiǎo便biànchìér便biàndàixuèyòushǒucùnmàiérhuázhěnèijiéjīngguānchíérjiézhě宿shíliúyǐnchǐshuòérláozhěfánmǎnhánxiāngchí


逐句解 Line by line

zuǒcùnqiángérjǐnzhězhōngxīntòngguānérhuǎnzhěhànchūchǐkōuérchénzhěxiǎo便biànchìér便biàndàixuè zuǒcùnqiángérjǐnzhězhōngxīntòngguānérhuǎnzhěhànchūchǐkōuérchénzhěxiǎo便biànchìér便biàndàixuè

"Now, where the left cùn is forceful and taut, the centre is depleted and the heart pains; where the guān is rough and slack, there is sweating and numbness of the flesh; where the chǐ is hollow and sunken, the water passes red and the stool carries blood.

Same six pulses, second time round, with a condition hung on each. The pattern is the oldest one in Chinese exposition: to open, then a topic marked with , then the verdict marked with . Three of them in a row, all built the same way. is in that opening use — a throat-clearing "now, then" — and not the of 夫人, a lady, which this chapter will need later when the demon sends for one.

yòushǒucùnmàiérhuázhěnèijiéjīngguānchíérjiézhě宿shíliúyǐnchǐshuòérláozhěfán滿mǎnhánxiāngchí yòushǒucùnmàiérhuázhěnèijiéjīngguānchíérjiézhě宿shíliúyǐnchǐshuòérláozhěfánmǎnhánxiāngchí

"Where the right cùn is floating and slippery, there is binding within and the channels are stopped; where the guān is slow and knotted, food lodges undigested and drink stands; where the chǐ is rapid and firm, vexation and fullness contend with depletion and cold."

And the right hand again, to the same formula. is shuò once more. 宿 is , kept overnight — so 宿食 is food that has sat undigested. is xiāng, mutually, which makes 相持 two conditions gripping each other in a deadlock, neither able to give way.


總評 Commentary

Now the same six pulses again, this time with a condition hung on each. The second recital shortens the first as it goes — 左手寸脈 becomes 左寸, and the of 芤且沉 becomes — so you are carried through the argument instead of being made to hold two lists at once.

None of the medicine here is invented. The pulse qualities, the paired stations, the conditions read off them all come from the standing vocabulary of Chinese diagnosis, and a Ming reader with any schooling would have found the passage competent rather than fanciful. That soundness is what makes the joke possible later. The frame has to hold before the contents can be absurd.