精神抖擻 Spirits Restored And Steps Firm
少頃,漸覺胸心寬泰,氣血調和,就精神抖擻,腳力強健。下了龍床,穿上朝服,即登寶殿,見了唐僧,輒倒身下拜。那長老忙忙還禮。少顷,渐觉胸心宽泰,气血调和,就精神抖擞,脚力强健。下了龙床,穿上朝服,即登宝殿,见了唐僧,辄倒身下拜。那长老忙忙还礼。
逐句解 Line by line
In a little while he felt his chest and heart grow easy, his breath and blood come into balance, his spirits rouse themselves, and strength return to his legs.
Four clauses and the cure is reported. After all that preparation, this is all it gets. 調 is tiáo, to bring into balance, and 和 is hé, concord in the abstract — 康熙 glosses that reading 順也,諧也. It is not the huò of stirring substances together that the same character took at the compounding. 強 is qiáng.
He came down from the dragon couch, put on his court robes, went up into the throne hall, saw the Tang Monk, and at once prostrated himself before him.
Five verbs in a row, and the last of them is the point: a reigning king goes down on the floor in front of a monk. 倒 is dǎo in 倒身, and 朝 is cháo, the court.
The elder hurriedly returned the courtesy.
Tripitaka's entire part in the scene, in one short line. He spent last night as a hostage and is now being bowed to by the man who held him. 還 is huán here, to give back — 還禮, to return a courtesy — not the hái of "still".
The recovery is reported in four clauses and no more — chest and heart easy, breath and blood in balance, spirits roused, strength back in the legs. After all that preparation the cure itself gets one sentence.
Then five verbs in a row, and the last of them is the point. A reigning king comes down off his couch, dresses, climbs to his throne hall, sees a monk, and goes down on the floor in front of him. Tripitaka's entire part in the scene is one short line of hurried courtesy — he spent last night as a hostage and is now being bowed to by the man who held him.