Canonical Classics ← 第六十九回
第六十九回
xīnzhǔjiānxiūyào
jūnwángyánshànglùnyāoxié

The Mind-Lord by Night Compounds the Medicines · The Sovereign at the Banquet Discourses on the Demon

精神抖擻
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

精神抖擻 Spirits Restored And Steps Firm

shǎoqǐngjiànjuéxiōngxīnkuāntàixuè調tiáojiùjīngshéndǒusǒujiǎoqiángjiànxiàlelóngchuáng穿chuānshàngcháodēngbǎo殿diànjiànletángsēngzhédǎoshēnxiàbàizhǎnglǎomángmánghuánshǎoqǐngjiànjuéxiōngxīnkuāntàixuètiáojiùjīngshéndǒusǒujiǎoqiángjiànxiàlelóngchuáng穿chuānshàngcháodēngbǎo殿diànjiànletángsēngzhédǎoshēnxiàbàizhǎnglǎomángmánghuán


逐句解 Line by line

shǎoqǐngjiànjuéxiōngxīnkuāntàixuè調tiáojiùjīngshéndǒusǒujiǎoqiángjiàn shǎoqǐngjiànjuéxiōngxīnkuāntàixuètiáojiùjīngshéndǒusǒujiǎoqiángjiàn

In a little while he felt his chest and heart grow easy, his breath and blood come into balance, his spirits rouse themselves, and strength return to his legs.

Four clauses and the cure is reported. After all that preparation, this is all it gets. 調 is tiáo, to bring into balance, and is , concord in the abstract — 康熙 glosses that reading 順也,諧也. It is not the huò of stirring substances together that the same character took at the compounding. is qiáng.

xiàlelóngchuáng穿chuānshàngcháodēngbǎo殿diànjiànletángsēngzhédǎoshēnxiàbài xiàlelóngchuáng穿chuānshàngcháodēngbǎo殿diànjiànletángsēngzhédǎoshēnxiàbài

He came down from the dragon couch, put on his court robes, went up into the throne hall, saw the Tang Monk, and at once prostrated himself before him.

Five verbs in a row, and the last of them is the point: a reigning king goes down on the floor in front of a monk. is dǎo in 倒身, and is cháo, the court.

zhǎnglǎomángmánghuán zhǎnglǎomángmánghuán

The elder hurriedly returned the courtesy.

Tripitaka's entire part in the scene, in one short line. He spent last night as a hostage and is now being bowed to by the man who held him. is huán here, to give back — 還禮, to return a courtesy — not the hái of "still".


總評 Commentary

The recovery is reported in four clauses and no more — chest and heart easy, breath and blood in balance, spirits roused, strength back in the legs. After all that preparation the cure itself gets one sentence.

Then five verbs in a row, and the last of them is the point. A reigning king comes down off his couch, dresses, climbs to his throne hall, sees a monk, and goes down on the floor in front of him. Tripitaka's entire part in the scene is one short line of hurried courtesy — he spent last night as a hostage and is now being bowed to by the man who held him.