Canonical Classics ← 第三十七回
第三十七回
guǐwángtángsānzàng
kōngshénhuàyǐnyīngér

The Ghost-King Visits Tang Tripitaka by Night · Wukong, by Divine Transformation, Leads the Infant

袈裟有詩
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

袈裟有詩 The Cassock Bears a Verse

tàidào:「shìfāngláide使shǐzhèbānyǐnshēn?」sānzàngshàngqiánshīdào:「pínsēngyǐnshēnnǎishìdōngtángsēngshàngléiyīnbàiqiújīngjìnbǎodeshàng。」tàidào:「dōngsuīshìzhōngyuánqióngyǒushénbǎobèishuōláitīng。」sānzàngdào:「shēnshàng穿chuāndezhèjiāshāshìsānyàngbǎobèiháiyǒuděngèrděnggènghǎode。」tàidào:「bànbiānshānshēnbànbiānnéngzhíduōshǎogǎnchēngbǎobèi?」sānzàngdào:「zhèjiāshāsuīquányǒushīshīyuētàidào:「shìfāngláide使shǐzhèbānyǐnshēn?」sānzàngshàngqiánshīdào:「pínsēngyǐnshēnnǎishìdōngtángsēngshàngléiyīnbàiqiújīngjìnbǎodeshàng。」tàidào:「dōngsuīshìzhōngyuánqióngyǒushénbǎobèishuōláitīng。」sānzàngdào:「shēnshàng穿chuāndezhèjiāshāshìsānyàngbǎobèiháiyǒuděngèrděnggènghǎode。」tàidào:「bànbiānshānshēnbànbiānnéngzhíduōshǎogǎnchēngbǎobèi?」sānzàngdào:「zhèjiāshāsuīquányǒushīshīyuē

piāntǎnlùnnèiyǐnzhēntuōshìchénpiāntǎnlùnnèiyǐnzhēntuōshìchén
wànxiànqiānzhēnchéngzhèngguǒjiǔzhūbǎoyuánshénwàn线xiànqiānzhēnchéngzhèngguǒjiǔzhūbǎoyuánshén
xiānéshènggōngxiūzhìchánsēngjìnggòushēnxiānéshènggōngxiūzhìchánsēngjìnggòushēn
jiànjiàyíngyóudeyuānwèibàowǎngwéirén。」jiànjiàyíngyóudeyuānwèibàowǎngwéirén。」

逐句解 Line by line

tàidào:「shìfāngláide使shǐzhèbānyǐnshēn?」 tàidào:「shìfāngláide使shǐzhèbānyǐnshēn?」

That prince said, “From what quarter do you come, that you use such a hiding-spell to make sport of me?”

那太子 (nà tài zǐ) deictic , = ; 那方 (nǎ fāng) "which quarter," interrogative = .

sānzàngshàngqiánshīdào:「pínsēngyǐnshēnnǎishìdōngtángsēngshàngléiyīnbàiqiújīngjìnbǎodeshàng。」 sānzàngshàngqiánshīdào:「pínsēngyǐnshēnnǎishìdōngtángsēngshàngléiyīnbàiqiújīngjìnbǎodeshàng。」

Tripitaka came forward, made his bow, and said, “This poor monk has no hiding-spell; I am the Tang Monk of the Eastern Land, a monk going up to Thunderclap Monastery to worship the Buddha, seek the scriptures, and present treasures.”

貧僧 (pín sēng) "this poor monk"; 佛 (fó) invariant.

tàidào:「dōngsuīshìzhōngyuánqióngyǒushénbǎobèishuōláitīng。」 tàidào:「dōngsuīshìzhōngyuánqióngyǒushénbǎobèishuōláitīng。」

The prince said, “Though your Eastern Land is the Central Plain, its poverty is beyond compare; what treasures have you? Tell me and let me hear.”

那東土 (nà dōng tǔ) deictic ; 中原 (zhōng yuán) "the Central Plain," zhōng; 有甚 (yǒu shén) "what," = shén.

sānzàngdào:「shēnshàng穿chuāndezhèjiāshāshìsānyàngbǎobèi sānzàngdào:「shēnshàng穿chuāndezhèjiāshāshìsānyàngbǎobèi

Tripitaka said, “This cassock I wear upon my body is a treasure of the third kind.

袈裟 (jiā shā) "the monastic cassock" (Skt. kāṣāya).

háiyǒuděngèrděnggènghǎode。」 háiyǒuděngèrděnggènghǎode。」

There are yet finer things of the first grade and the second.”

還有 (hái yǒu) "there are yet," = hái; 第一等 (dì yī děng) "the first grade," ordinal = (not sandhi’d).

tàidào:「bànbiānshānshēnbànbiānnéngzhíduōshǎogǎnchēngbǎobèi?」 tàidào:「bànbiānshānshēnbànbiānnéngzhíduōshǎogǎnchēngbǎobèi?」

The prince said, “That garment of yours, covering half the body and baring half the arm — how much can it be worth, that you dare call it a treasure?”

那衣服 (nà yī fú) deictic ; 苫身 (shān shēn) "cover the body"; 露臂 (lù bì) "bare the arm."

sānzàngdào:「zhèjiāshāsuīquányǒushī sānzàngdào:「zhèjiāshāsuīquányǒushī

Tripitaka said, “Though this cassock does not clothe the whole body, there are some lines of verse upon it.

不全體 (bù quán tǐ) "not clothing the whole body."

shīyuē shīyuē

The verse says:

詩曰 (shī yuē) "the verse says," the lead-in to the embedded poem.

piāntǎnlùnnèiyǐnzhēntuōshìchén piāntǎnlùnnèiyǐnzhēntuōshìchén

The Buddha-robe, bared at one shoulder, needs no debate; within it hides the True Suchness, freed from worldly dust.

偏袒 (piān tǎn) "the bared shoulder" of the monastic robe; 真如 (zhēn rú) "True Suchness" (Skt. tathatā); 佛 (fó) invariant.

wànxiànqiānzhēnchéngzhèngguǒjiǔzhūbǎoyuánshén wàn线xiànqiānzhēnchéngzhèngguǒjiǔzhūbǎoyuánshén

Ten thousand threads and a thousand stitches make the true fruit; nine pearls and eight jewels join the primal spirit.

正果 (zhèng guǒ) "the true fruit" of attainment; 元神 (yuán shén) "the primal spirit."

xiānéshènggōngxiūzhìchánsēngjìnggòushēn xiānéshènggōngxiūzhìchánsēngjìnggòushēn

Immortal maids and holy women reverently wrought it, bestowed on the Chan monk to still and cleanse his body.

仙娥 (xiān é) "immortal maidens"; 遺賜 (yí cì) "bestowed"; 靜垢身 (jìng gòu shēn) "to still and cleanse the defiled body."

jiànjiàyíngyóudeyuānwèibàowǎngwéirén。」 jiànjiàyíngyóudeyuānwèibàowǎngwéirén。」

To fail to rise before the sovereign might yet be borne; but your father’s wrong unavenged — in vain, then, are you a man!

見駕不迎 (jiàn jià bù yíng) "to fail to rise before the sovereign"; 枉為人 (wǎng wéi rén) "in vain to be a man," = wéi (to be), not wèi.


總評 Commentary

The dispute over the cassock — the prince scorning a “half-piece of cloth” — draws out a verse extolling the robe as woven by immortal maidens and holding the True Suchness, the Buddhist mystery hidden in the humble garment.

The poem’s force is its sudden turn in the last line: ostensibly praising the cassock, it ends by striking at the prince himself — “your father’s wrong unavenged, in vain are you a man.” With that, the scene pivots from a quarrel over a robe to the buried question of the murdered king, and the prince can no longer wave the monk away.