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Reader's edition
理上難行
A Thing Hard to Do in Principle
三藏道:「陛下,你此來是請我徒弟與你去除卻那妖怪麼?」那人道:「正是,正是。」三藏道:「我徒弟幹別的事不濟,但說降妖捉怪,正合他宜。陛下啊,雖是著他拿怪,但恐理上難行。」那人道:「怎麼難行?」三藏道:「那怪既神通廣大,變得與你相同;滿朝文武,一個個言和心順;三宮妃嬪,一個個意合情投。我徒弟縱有手段,決不敢輕動干戈。倘被多官拿住,說我們欺邦滅國,問一款大逆之罪,困陷城中,卻不是畫虎刻鵠也?」那人道:「我朝中還有人哩。」三藏道:「陛下,你此来是请我徒弟与你去除却那妖怪么?」那人道:「正是,正是。」三藏道:「我徒弟干别的事不济,但说降妖捉怪,正合他宜。陛下啊,虽是著他拿怪,但恐理上难行。」那人道:「怎么难行?」三藏道:「那怪既神通广大,变得与你相同;满朝文武,一个个言和心顺;三宫妃嫔,一个个意合情投。我徒弟纵有手段,决不敢轻动干戈。倘被多官拿住,说我们欺邦灭国,问一款大逆之罪,困陷城中,却不是画虎刻鹄也?」那人道:「我朝中还有人哩。」
逐句解 Line by line
三藏道:「陛下,你此來是請我徒弟與你去除卻那妖怪麼?」
三藏道:「陛下,你此来是请我徒弟与你去除却那妖怪么?」
Tripitaka said, “Your Majesty, have you come to ask my disciple to go and rid you of that fiend?”
那 (nà) deictic; 除卻 (chú què) "to be rid of."
那人道:「正是,正是。」
那人道:「正是,正是。」
The man said, “Just so, just so.”
正是 (zhèng shì) "precisely so."
三藏道:「我徒弟幹別的事不濟,但說降妖捉怪,正合他宜。
三藏道:「我徒弟干别的事不济,但说降妖捉怪,正合他宜。
Tripitaka said, “My disciple is of little use at other tasks, but at subduing fiends and catching monsters he is exactly suited.
降妖 (xiáng yāo) "subdue fiends," 降 = xiáng; 正合他宜 (zhèng hé tā yí) "just fits what suits him."
陛下啊,雖是著他拿怪,但恐理上難行。」
陛下啊,虽是著他拿怪,但恐理上难行。」
Yet, Your Majesty, though I might set him to seize the fiend, I fear that in principle it cannot well be done.”
著他拿怪 (zhuó tā ná guài) "set him to catch the fiend," causative 著 = zhuó; 難行 (nán xíng) "hard to carry out."
那人道:「怎麼難行?」
那人道:「怎么难行?」
The man said, “Why can it not be done?”
那 (nà); 怎麼難行 (zěn me nán xíng) "how is it hard to do?"
三藏道:「那怪既神通廣大,變得與你相同;
三藏道:「那怪既神通广大,变得与你相同;
Tripitaka said, “Since that fiend has powers so vast that he has transformed into your very likeness;
那怪 (nà guài) deictic nà; 變得 (biàn de) complement de; 相同 (xiāng tóng) "the same as," xiāng.
滿朝文武,一個個言和心順;
满朝文武,一个个言和心顺;
the whole court, civil and military, is with him to a man, in word agreeing and in heart compliant;
滿朝 (mǎn cháo) "the whole court," 朝 = cháo; 一個個 (yí gè gè) "every one," by sandhi.
三宮妃嬪,一個個意合情投。
三宫妃嫔,一个个意合情投。
the consorts of the three palaces, every one, are of one mind and one accord with him.
妃嬪 (fēi pín) "consorts and concubines"; 意合情投 (yì hé qíng tóu) "of joined mind and matched feeling."
我徒弟縱有手段,決不敢輕動干戈。
我徒弟纵有手段,决不敢轻动干戈。
Though my disciple has his arts, he would never dare lightly to raise shield and spear.
干戈 (gān gē) "shield and spear," i.e. armed force; 輕動 (qīng dòng) "to stir rashly."
倘被多官拿住,說我們欺邦滅國,問一款大逆之罪,困陷城中,卻不是畫虎刻鵠也?」
倘被多官拿住,说我们欺邦灭国,问一款大逆之罪,困陷城中,却不是画虎刻鹄也?」
Were he seized by the throng of officials, charged with cheating the realm and destroying the state, arraigned on a count of high treason, and trapped within the city — would that not be to paint a tiger and carve a swan?”
城中 (chéng zhōng) "within the city"; 畫虎刻鵠 (huà hǔ kè hú) an idiom for a botched imitation that overreaches (from 畫虎不成反類犬 and 刻鵠不成尚類鶩).
那人道:「我朝中還有人哩。」
那人道:「我朝中还有人哩。」
The man said, “There is yet someone within my court.”
我朝中 (wǒ cháo zhōng) "within my court," 朝 = cháo, 中 = zhōng; 還有 (hái yǒu) "there is still."
總評 Commentary
Tripitaka answers the plea not with pity but with law: because the impostor holds court and harem to a man, any strike at the seeming king would be treason, and the pilgrims would be the ones trapped and arraigned. It is a shrewd, worldly reading of an impossible position.
The idiom he reaches for — to paint a tiger and carve a swan, both figures for an imitation that fails and misleads — is pointedly chosen in a chapter turning on a flawless impersonation: Tripitaka fears that their own intervention would be the clumsy copy that betrays them. The king’s cryptic reply, that someone yet remains within his court, quietly turns the whole design toward the prince.