Canonical Classics ← 第三十七回
第三十七回
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The Ghost-King Visits Tang Tripitaka by Night · Wukong, by Divine Transformation, Leads the Infant

理上難行
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拼音 Pinyin Off
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原文 Original text 繁體 Traditional Reader's edition

理上難行 A Thing Hard to Do in Principle

sānzàngdào:「xiàláishìqǐngchúquèyāoguàime?」réndào:「zhèngshìzhèngshì。」sānzàngdào:「gànbiédeshìdànshuōxiángyāozhuōguàizhèngxiàasuīshìzhuóguàidànkǒngshàngnánxíng。」réndào:「zěnmenánxíng?」sānzàngdào:「guàishéntōngguǎngbiàndexiāngtóng滿mǎncháowényánxīnshùnsāngōngfēipínqíngtóuzòngyǒushǒuduànjuégǎnqīngdònggāntǎngbèiduōguānzhùshuōmenbāngmièguówènkuǎnzhīzuìkùnxiànchéngzhōngquèshìhuà?」réndào:「cháozhōngháiyǒurén。」sānzàngdào:「xiàláishìqǐngchúquèyāoguàime?」réndào:「zhèngshìzhèngshì。」sānzàngdào:「gànbiédeshìdànshuōxiángyāozhuōguàizhèngxiàasuīshìzhuóguàidànkǒngshàngnánxíng。」réndào:「zěnmenánxíng?」sānzàngdào:「guàishéntōng广guǎngbiàndexiāngtóngmǎncháowényánxīnshùnsāngōngfēipínqíngtóuzòngyǒushǒuduànjuégǎnqīngdònggāntǎngbèiduōguānzhùshuōmenbāngmièguówènkuǎnzhīzuìkùnxiànchéngzhōngquèshìhuà?」réndào:「cháozhōngháiyǒurén。」


逐句解 Line by line

sānzàngdào:「xiàláishìqǐngchúquèyāoguàime?」 sānzàngdào:「xiàláishìqǐngchúquèyāoguàime?」

Tripitaka said, “Your Majesty, have you come to ask my disciple to go and rid you of that fiend?”

那 (nà) deictic; 除卻 (chú què) "to be rid of."

réndào:「zhèngshìzhèngshì。」 réndào:「zhèngshìzhèngshì。」

The man said, “Just so, just so.”

正是 (zhèng shì) "precisely so."

sānzàngdào:「gànbiédeshìdànshuōxiángyāozhuōguàizhèng sānzàngdào:「gànbiédeshìdànshuōxiángyāozhuōguàizhèng

Tripitaka said, “My disciple is of little use at other tasks, but at subduing fiends and catching monsters he is exactly suited.

降妖 (xiáng yāo) "subdue fiends," = xiáng; 正合他宜 (zhèng hé tā yí) "just fits what suits him."

xiàasuīshìzhuóguàidànkǒngshàngnánxíng。」 xiàasuīshìzhuóguàidànkǒngshàngnánxíng。」

Yet, Your Majesty, though I might set him to seize the fiend, I fear that in principle it cannot well be done.”

著他拿怪 (zhuó tā ná guài) "set him to catch the fiend," causative = zhuó; 難行 (nán xíng) "hard to carry out."

réndào:「zěnmenánxíng?」 réndào:「zěnmenánxíng?」

The man said, “Why can it not be done?”

那 (nà); 怎麼難行 (zěn me nán xíng) "how is it hard to do?"

sānzàngdào:「guàishéntōngguǎngbiàndexiāngtóng sānzàngdào:「guàishéntōng广guǎngbiàndexiāngtóng

Tripitaka said, “Since that fiend has powers so vast that he has transformed into your very likeness;

那怪 (nà guài) deictic ; 變得 (biàn de) complement de; 相同 (xiāng tóng) "the same as," xiāng.

滿mǎncháowényánxīnshùn mǎncháowényánxīnshùn

the whole court, civil and military, is with him to a man, in word agreeing and in heart compliant;

滿朝 (mǎn cháo) "the whole court," = cháo; 一個個 (yí gè gè) "every one," by sandhi.

sāngōngfēipínqíngtóu sāngōngfēipínqíngtóu

the consorts of the three palaces, every one, are of one mind and one accord with him.

妃嬪 (fēi pín) "consorts and concubines"; 意合情投 (yì hé qíng tóu) "of joined mind and matched feeling."

zòngyǒushǒuduànjuégǎnqīngdònggān zòngyǒushǒuduànjuégǎnqīngdònggān

Though my disciple has his arts, he would never dare lightly to raise shield and spear.

干戈 (gān gē) "shield and spear," i.e. armed force; 輕動 (qīng dòng) "to stir rashly."

tǎngbèiduōguānzhùshuōmenbāngmièguówènkuǎnzhīzuìkùnxiànchéngzhōngquèshìhuà?」 tǎngbèiduōguānzhùshuōmenbāngmièguówènkuǎnzhīzuìkùnxiànchéngzhōngquèshìhuà?」

Were he seized by the throng of officials, charged with cheating the realm and destroying the state, arraigned on a count of high treason, and trapped within the city — would that not be to paint a tiger and carve a swan?”

城中 (chéng zhōng) "within the city"; 畫虎刻鵠 (huà hǔ kè hú) an idiom for a botched imitation that overreaches (from 畫虎不成反類犬 and 刻鵠不成尚類鶩).

réndào:「cháozhōngháiyǒurén。」 réndào:「cháozhōngháiyǒurén。」

The man said, “There is yet someone within my court.”

我朝中 (wǒ cháo zhōng) "within my court," = cháo, = zhōng; 還有 (hái yǒu) "there is still."


總評 Commentary

Tripitaka answers the plea not with pity but with law: because the impostor holds court and harem to a man, any strike at the seeming king would be treason, and the pilgrims would be the ones trapped and arraigned. It is a shrewd, worldly reading of an impossible position.

The idiom he reaches for — to paint a tiger and carve a swan, both figures for an imitation that fails and misleads — is pointedly chosen in a chapter turning on a flawless impersonation: Tripitaka fears that their own intervention would be the clumsy copy that betrays them. The king’s cryptic reply, that someone yet remains within his court, quietly turns the whole design toward the prince.