原文 Original text
繁體 Traditional
Reader's edition
御井遭讒
Betrayed at the Palace Well
朕與那全真攜手緩步,至御花園裡,忽行到八角琉璃井邊,不知他拋下些甚麼物件,井中有萬道金光。哄朕到井邊看甚麼寶貝,他陡起兇心,撲通的把寡人推下井內,將石板蓋住井口,擁上泥土,移一株芭蕉栽在上面。可憐我啊,已死去三年,是一個落井傷生的冤屈之鬼也。」朕与那全真携手缓步,至御花园里,忽行到八角琉璃井边,不知他抛下些甚么物件,井中有万道金光。哄朕到井边看甚么宝贝,他陡起凶心,扑通的把寡人推下井内,将石板盖住井口,拥上泥土,移一株芭蕉栽在上面。可怜我啊,已死去三年,是一个落井伤生的冤屈之鬼也。」
逐句解 Line by line
朕與那全真攜手緩步,至御花園裡,忽行到八角琉璃井邊,不知他拋下些甚麼物件,井中有萬道金光。
朕与那全真携手缓步,至御花园里,忽行到八角琉璃井边,不知他抛下些甚么物件,井中有万道金光。
I and that Quanzhen adept walked hand in hand at a slow pace, until we came to the garden, and of a sudden reached the eight-cornered glazed-tile well; I know not what he cast down into it, but within the well there rose ten thousand shafts of golden light.
那 (nà) deictic; 甚麼 (shén me) "what"; 井中 (jǐng zhōng) "within the well"; 八角琉璃井 (bā jiǎo liú lí jǐng) the "eight-cornered glazed-tile well." 行 (xíng) here "to go, proceed."
哄朕到井邊看甚麼寶貝,他陡起兇心,撲通的把寡人推下井內,將石板蓋住井口,擁上泥土,移一株芭蕉栽在上面。
哄朕到井边看甚么宝贝,他陡起凶心,扑通的把寡人推下井内,将石板盖住井口,拥上泥土,移一株芭蕉栽在上面。
He coaxed me to the well’s edge to look at some treasure; then, his cruel heart rising, with a splash he pushed me, the solitary one, down into the well, laid a stone slab over its mouth, heaped earth upon it, and moved a plantain to plant above.
甚麼 (shén me) "what"; 將石板蓋住 (jiāng shí bǎn gài zhù) "took the stone slab and covered [it]," disposal 將 = jiāng; 芭蕉 (bā jiāo) "plantain."
可憐我啊,已死去三年,是一個落井傷生的冤屈之鬼也。」
可怜我啊,已死去三年,是一个落井伤生的冤屈之鬼也。」
Pity me — three years already dead, a wronged ghost drowned in a well, my life cut short.”
冤屈之鬼 (yuān qū zhī guǐ) "a ghost of wrong and injustice"; 傷生 (shāng shēng) "to have one’s life destroyed."
總評 Commentary
The murder is told with terrible economy: the false brother lures the king with a golden radiance rising from the well — a lure that is also a first glimpse of the adept’s true, unnatural power — and drowns him at the instant of his trust. The eight-cornered glazed-tile well becomes the chapter’s central image, at once the scene of the crime and the hidden grave.
The concealment is methodical — stone slab, heaped earth, a plantain transplanted over the mouth — the transplanted tree marking the spot even as it hides it, a detail the plot will later turn upon. The king closes his account by naming himself a wronged ghost, three years drowned, which turns his narration from lament into petition.