返本還原 Returned To Its Original Form
被行者見一個打一個,見兩個打兩個,把五七百個小妖盡皆打死。各現原身,都是些山精樹怪,獸孽禽魔。佛祖將金收攢一處,吹口仙氣,念聲咒語,即時返本還原,復得金鐃一副。別了行者,駕祥雲,徑轉極樂世界。被行者见一个打一个,见两个打两个,把五七百个小妖尽皆打死。各现原身,都是些山精树怪,兽孽禽魔。佛祖将金收攒一处,吹口仙气,念声咒语,即时返本还原,复得金铙一副。别了行者,驾祥云,径转极乐世界。
逐句解 Line by line
Pilgrim struck one where he saw one and two where he saw two, and killed the whole five or seven hundred of them.
The construction repeats itself exactly — see one, strike one; see two, strike two — and the arithmetic runs on to five or seven hundred without a change of tone.
Each showed his original body, and they were all hill-sprites and tree-goblins, beast-spawn and bird-fiends.
The four-part inventory that customarily follows a massacre in this novel, and it works as a justification: what was killed was not people.
The Buddha Patriarch gathered the gold into one place, blew a breath of immortal air and spoke a spell, and at once it returned to its original form: a pair of golden cymbals recovered.
攢 is cuán, to gather into one place. 還 is huán again, in 返本還原 — back to the root, home to the origin.
He took leave of Pilgrim, mounted an auspicious cloud, and went straight back to the Land of Ultimate Bliss.
Thirteen characters and he is gone. The god who solved the chapter is on stage for less of it than either of the two who could not.
返本還原 is the chapter's last word on its own subject. Everything that went wrong here was a thing out of its proper place — a page playing at Buddhahood, a chime-mallet used as a club, a carrying-bag used as a prison — and the repair is stated as a restoration of originals.
The cymbals are the last of the three to be put right, and they take a breath and a spell where the other two took only a grasp. Broken metal is harder to mend than a misplaced authority.
Maitreya's departure has no ceremony at all. He arrived out of a coloured cloud with rain over the whole hilltop and a four-couplet portrait; he leaves in thirteen characters, having said nothing more about the ordeal he told Monkey was scheduled.