Canonical Classics ← 第六十六回
第六十六回
zhūshénzāoshǒu
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The Gods Fall Victim to a Vicious Hand · Maitreya Binds the Demon Fiend

夢吞日光
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

夢吞日光 A Dream Of Swallowing Sunlight

shàngshīnǎijìngguówángshànshènghuánghòumèngtūnguāngjuééryǒuyùnhuáitāishíyuèkāihuángyuánniánjiǎchénzhīsuìsānyuèchūshíjiàngdànwánggōngshàngshīnǎijìngguówángshànshènghuánghòumèngtūnguāngjuééryǒuyùn怀huáitāishíyuèkāihuángyuánniánjiǎchénzhīsuìsānyuèchūshíjiàngdànwánggōng


逐句解 Line by line

shàngshīnǎijìngguówángshànshènghuánghòumèngtūnguāngjuééryǒuyùnhuáitāishíyuèkāihuángyuánniánjiǎchénzhīsuìsānyuèchūshíjiàngdànwánggōng shàngshīnǎijìngguówángshànshènghuánghòumèngtūnguāngjuééryǒuyùn怀huáitāishíyuèkāihuángyuánniánjiǎchénzhīsuìsānyuèchūshíjiàngdànwánggōng

The Patriarch, Highest Emperor, was born of the King of Jingle and his queen Shansheng, who dreamed that she swallowed the light of the sun and woke to find herself with child. She carried him fourteen months, and in the first year of the Kaihuang reign, the year jiachen, on the first day of the third month at the hour of noon, he came down and was born in the royal palace.

A god's birth, told to a fixed recipe: royal parents, a portent in a dream, a conception with no ordinary cause, a pregnancy longer than nature allows, and a birth dated to the hour. 初一 is read chū yī — it is the first day of a lunar month, a set phrase, so keeps its full tone instead of shifting as it normally would before a falling tone. in 淨樂 is , joy — the kingdom is Pure Joy. 降誕 is the formal term for the birth of a god or a sovereign, with as jiàng, to come down.


總評 Commentary

Swallowing the sun is the portent proper to a god whose domain will be the pole of heaven. Everything else in the sentence follows the template for a divine nativity, and readers in the Ming would have recognised it the way a modern reader recognises the opening of a fairy tale.

The dating is exact where the surrounding prose is vague — reign, cyclical year, month, day and hour, all specified. That kind of precision is a claim to historical fact rather than a record of one, and it is the same move a temple inscription makes.

Placing the birth here, between the poem about the mountain and the hymn about the god, gives the sequence its order: first the place, then the life, then the titles. Monkey has not spoken since he landed and will not speak until the hymn is finished.