本是佛寶 The Cassock Is A Buddha Treasure
那袈裟本是佛寶,上邊有如意珠、摩尼珠、紅瑪瑙、紫珊瑚、舍利子、夜明珠,所以透的光彩。他見了此衣缽,心中一喜,就現了本像,拿將過來,也不管擔繩偏正,擡上肩,往下就走。那袈裟本是佛宝,上边有如意珠、摩尼珠、红玛瑙、紫珊瑚、舍利子、夜明珠,所以透的光彩。他见了此衣钵,心中一喜,就现了本像,拿将过来,也不管担绳偏正,擡上肩,往下就走。
逐句解 Line by line
That cassock is by nature a treasure of the Buddha: set on it are a wish-granting pearl, a maṇi jewel, red agate, purple coral, a relic bead and a night-shining pearl — which is why the brightness comes through.
Six items in eighteen graphs, three graphs to each, and the sentence ends by explaining the light rather than valuing the robe — this is an optical note, not a religious one. 舍 is shè in 舍利, the transcription for a relic.
At the sight of the robe and bowl his heart lifted. He showed his own shape again, took the thing up, and without troubling whether the carrying-rope sat straight he swung it onto his shoulder and started down.
也不管擔繩偏正 — he did not trouble whether the carrying-rope sat straight. That one clause undoes the whole passage before it: two hundred graphs of not daring to push a window, and then he does not check how the load is slung. 擔 is dàn, the carried load, not the dān of carrying it.
This is the chapter's second account of what is in the bundle and by far the more specific. The travel rescript and the bowl were named in the argument on the mountain; here the cassock alone is itemised down to six jewels, and the reason given is optical rather than religious — this is why it shines.
Then, in a single clause, the whole night comes apart. He did not trouble whether the carrying-rope sat straight — and he has just spent a hundred graphs refusing to touch a window in case it creaked.