Canonical Classics ← 第四十一回
第四十一回
心xīn猿yuán遭zāo火huǒ敗bài
木mù母mǔ被bèi魔mó擒qín

The Mind-Ape Suffers Defeat by Fire · The Wood-Mother Is Seized by the Demon

號山石碣
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition

號山石碣 The Stone Tablet on Roaring Mountain

將jiāng近jìn行xíng到dào門mén前qián,見jiàn有yǒu一yí座zuò石shí碣jié,上shàng鐫juān八bā個gè大dà字zì,乃nǎi是shì「號hào山shān枯kū松sōng澗jiàn火huǒ雲yún洞dòng」。那nà壁bì廂xiāng一yì群qún小xiǎo妖yāo,在zài那nà裡lǐ掄lūn槍qiāng舞wǔ劍jiàn的de跳tiào風fēng頑wán耍shuǎ。将jiāng近jìn行xíng到dào门mén前qián,见jiàn有yǒu一yí座zuò石shí碣jié,上shàng镌juān八bā个gè大dà字zì,乃nǎi是shì「号hào山shān枯kū松sōng涧jiàn火huǒ云yún洞dòng」。那nà壁bì厢xiāng一yì群qún小xiǎo妖yāo,在zài那nà里lǐ抡lūn枪qiāng舞wǔ剑jiàn的de跳tiào风fēng顽wán耍shuǎ。


逐句解 Line by line

將jiāng近jìn行xíng到dào門mén前qián,見jiàn有yǒu一yí座zuò石shí碣jié,上shàng鐫juān八bā個gè大dà字zì,乃nǎi是shì「號hào山shān枯kū松sōng澗jiàn火huǒ雲yún洞dòng」。 将jiāng近jìn行xíng到dào门mén前qián,见jiàn有yǒu一yí座zuò石shí碣jié,上shàng镌juān八bā个gè大dà字zì,乃nǎi是shì「号hào山shān枯kū松sōng涧jiàn火huǒ云yún洞dòng」。

Drawing near, they walked up to the gate, where a stone tablet stood, and graven upon it were eight great characters: ‘The Fire-Cloud Cave of the Withered-Pine Torrent on Roaring Mountain.’

The address, carved in stone, and worth pausing on because the novel rarely bothers. Eight characters: 號山枯松澗火雲洞, the Fire-Cloud Cave of the Withered-Pine Torrent on Roaring Mountain. 號 is hào, "named, styled," the settled reading for place-names. 將 in 將近 is jiāng, "about to, drawing near." 石碣 is an upright stone slab with an inscription cut into it.

那nà壁bì廂xiāng一yì群qún小xiǎo妖yāo,在zài那nà裡lǐ掄lūn槍qiāng舞wǔ劍jiàn的de跳tiào風fēng頑wán耍shuǎ。 那nà壁bì厢xiāng一yì群qún小xiǎo妖yāo,在zài那nà里lǐ抡lūn枪qiāng舞wǔ剑jiàn的de跳tiào风fēng顽wán耍shuǎ。

Off to one side a troop of little imps were whirling spears and flourishing blades, capering in the wind at their play.

那 twice, both just pointing -- over on that side, and there. 掄 lūn is to whirl something around your head; 跳風頑耍 is capering about in the wind at play. The little demons are, in effect, messing around in the yard.


總評 Commentary

A short passage doing one job: fixing the address. The tablet gathers the scattered place-names into a single eight-character line, 號山枯松澗火雲洞, which is the form the story will use from here on. It is the sort of concrete, checkable detail the novel drops into its wildest geography to make it feel surveyed.

The imps whirling spears in the yard do the second job, which is tonal. A moment ago the poetry was all cranes and phoenixes; now there are small monsters playing at soldiers outside the gate. The grandeur deflates on contact, and Wukong is about to start shouting.