Canonical Classics ← 第四十九回
第四十九回
三sān藏zàng有yǒu災zāi沉chén水shuǐ宅zhái
觀guān音yīn救jiù難nàn現xiàn魚yú籃lán

Tripitaka Meets Disaster and Sinks in the Water Mansion · Guanyin, Saving from Peril, Appears with the Fish Basket

找路奔西
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

找路奔西 Westward Again

行xíng者zhě遂suì伏fú侍shì唐táng僧sēng上shàng馬mǎ,八bā戒jiè挑tiāo著zhe行xíng囊náng,沙shā僧sēng跟gēn隨suí左zuǒ右yòu,師shī徒tú們men找zhǎo大dà路lù,一yì直zhí奔bēn西xī。這zhè的de是shì:行xíng者zhě遂suì伏fú侍shì唐táng僧sēng上shàng马mǎ,八bā戒jiè挑tiāo着zhe行xíng囊náng,沙shā僧sēng跟gēn随suí左zuǒ右yòu,师shī徒tú们men找zhǎo大dà路lù,一yì直zhí奔bēn西xī。这zhè的de是shì:

聖shèng僧sēng奉fèng旨zhǐ拜bài彌mí陀tuó,水shuǐ遠yuǎn山shān遙yáo災zāi難nán多duō。圣shèng僧sēng奉fèng旨zhǐ拜bài弥mí陀tuó,水shuǐ远yuǎn山shān遥yáo灾zāi难nán多duō。
意yì志zhì心xīn誠chéng不bú懼jù死sǐ,白bái黿yuán馱tuó渡dù過guò天tiān河hé。意yì志zhì心xīn诚chéng不bú惧jù死sǐ,白bái鼋yuán驮tuó渡dù过guò天tiān河hé。

逐句解 Line by line

行xíng者zhě遂suì伏fú侍shì唐táng僧sēng上shàng馬mǎ,八bā戒jiè挑tiāo著zhe行xíng囊náng,沙shā僧sēng跟gēn隨suí左zuǒ右yòu,師shī徒tú們men找zhǎo大dà路lù,一yì直zhí奔bēn西xī。 行xíng者zhě遂suì伏fú侍shì唐táng僧sēng上shàng马mǎ,八bā戒jiè挑tiāo着zhe行xíng囊náng,沙shā僧sēng跟gēn随suí左zuǒ右yòu,师shī徒tú们men找zhǎo大dà路lù,一yì直zhí奔bēn西xī。

Pilgrim then waited upon the Tang Monk to mount, Eight Rules shouldered the luggage, Sha Monk followed to left and right, and master and disciples found the main road and made straight for the west.

行者 and 行囊 both keep 行 as xíng; 挑著 keeps 著 as zhe, with 挑 as tiāo, to carry on a shoulder-pole — the other reading of the character that appeared earlier as tiǎo in 挑戰, to provoke a fight. The marching order re-forms and the road goes on.

這zhè的de是shì: 这zhè的de是shì:

This is it:

這的是 and a colon: the cue for the couplet that closes the chapter's story and sums up the whole stretch of river.

聖shèng僧sēng奉fèng旨zhǐ拜bài彌mí陀tuó,水shuǐ遠yuǎn山shān遙yáo災zāi難nán多duō。 圣shèng僧sēng奉fèng旨zhǐ拜bài弥mí陀tuó,水shuǐ远yuǎn山shān遥yáo灾zāi难nán多duō。

The holy monk, by imperial charge, goes to worship Amitābha; / the waters far, the mountains distant, his calamities are many.

拜彌陀, to worship Amitābha. 災難 is calamity — and 難 is one of this chapter's recurring two-reading characters, meaning "hard to" in 難知 and 難脫 but naming a disaster in 身有難 and 僧難. The first line names the mission; the second names its price.

意yì志zhì心xīn誠chéng不bú懼jù死sǐ,白bái黿yuán馱tuó渡dù過guò天tiān河hé。 意yì志zhì心xīn诚chéng不bú惧jù死sǐ,白bái鼋yuán驮tuó渡dù过guò天tiān河hé。

His will and heart are true, and he fears not death; / the white turtle bore him in ferry across the River of Heaven.

白黿 keeps 黿 as yuán; 馱渡, to carry across on the back. The closing couplet fixes the picture the reader is meant to keep — the pilgrim ferried over the sky-river on a turtle's shell.


總評 Commentary

The closing verse is a two-line summing-up, the kind the novel places at the end of an episode to fix its shape in the memory. The first line restates the mission in its most formal terms — 聖僧奉旨拜彌陀, the holy monk sent by imperial command to worship the Buddha — and the second names what it costs: 水遠山遙災難多, far waters, distant mountains, and calamities without number. That is the frame the whole pilgrimage hangs in, a commission from an emperor and a road measured out in disasters survived.

The second couplet turns from the mission to the man, and then to the emblem. 意志心誠不懼死, his will true and unafraid of death, is Tripitaka's one durable virtue — the thing that got him across a river which had already nearly drowned him. And 白黿馱渡過天河, the white turtle carrying him over the River of Heaven, is the image the chapter chooses to leave behind.

Three chapters of the Tongtian resolve into that single picture. Not the demon, not the battles, not even the fish in the basket: a pilgrim carried dry across the water on the back of a living creature he had very nearly clubbed to death.