Canonical Classics ← 第四十九回
第四十九回
sānzàngyǒuzāichénshuǐzhái
guānyīnjiùnànxiànlán

Tripitaka Meets Disaster and Sinks in the Water Mansion · Guanyin, Saving from Peril, Appears with the Fish Basket

老黿求問
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

老黿求問 The Turtle's Question

quèshuōshījiàzhebái黿yuánxiāoxíngguòlebǎitōngtiānjiègānshǒugānjiǎodedēngànsānzàngshàngshǒuchēngxièdào:「lǎo黿yuánlèizèngdàijīnghuíxièba。」lǎo黿yuándào:「láoshīxièwén西tiānmièshēngnéngzhīguòwèiláizhīshìzàijiānzhěngxiūxíngleqiānsānbǎiniánsuīrányánshòushēnqīnghuìshuōrénzhǐshìnántuōběnwànwànglǎoshīdào西tiānwènshēngkànshítuōběnrénshēn?」sānzàngxiǎngyǔndào:「wènwèn。」lǎo黿yuáncáicuìshuǐzhōnglequèshuōshījiàzhebáiyuánxiāoxíngguòlebǎitōngtiānjiègānshǒugānjiǎodedēngànsānzàngshàngshǒuchēngxièdào:「lǎoyuánlèizèngdàijīnghuíxièba。」lǎoyuándào:「láoshīxièwén西tiānmièshēngnéngzhīguòwèiláizhīshìzàijiānzhěngxiūxíngleqiānsānbǎiniánsuīrányán寿shòushēnqīnghuìshuōrénzhǐshìnántuōběnwànwànglǎoshīdào西tiānwènshēngkànshítuōběnrénshēn?」sānzàngxiǎngyǔndào:「wènwèn。」lǎoyuáncáicuìshuǐzhōngle


逐句解 Line by line

quèshuōshījiàzhebái黿yuánxiāoxíngguòlebǎitōngtiānjiègānshǒugānjiǎodedēngàn quèshuōshījiàzhebáiyuánxiāoxíngguòlebǎitōngtiānjiègānshǒugānjiǎodedēngàn

Now we tell how the master, riding the white turtle, in less than a day passed over the eight hundred li of the River That Reaches to Heaven, and stepped ashore with dry hands and dry feet.

卻說 picks the thread back up. 那師父 points, ; 駕著 keeps as zhe; 黿 yuán; 那消一日 points, ; 行過了 keeps as xíng and as le; 八百里 stays in Chinese measure as eight hundred , something over four hundred kilometres. Both occurrences of in 乾手乾腳 are gān, "dry" — the same character names the first trigram of the 易經, where it is qián, and that is the reading most likely to intrude. And dryness is the whole point of the line. The ice soaked him and nearly drowned him; the turtle puts him down without a wet foot.

sānzàngshàngshǒuchēngxièdào:「lǎo黿yuánlèizèngdàijīnghuíxièba。」 sānzàngshàngshǒuchēngxièdào:「lǎoyuánlèizèngdàijīnghuíxièba。」

Tripitaka went up the bank, joined his palms, and gave thanks: "Old turtle, I have troubled you, and have nothing to give you. I'll thank you when I come back with the scriptures."

三藏 keeps as zàng; 稱謝 takes as chēng; 老黿 keeps 黿 as yuán. The bare at the end of the sentence is the softening tag, read ba — this is the one place in the chapter where the character takes that reading, against the full-toned of 罷了 and 也罷 earlier. It is the ancestor of today's . His promise to repay on the way home is what opens the door for the turtle's request.

lǎo黿yuándào:「láoshīxiè lǎoyuándào:「láoshīxiè

The old turtle said: "No need for the master to give thanks.

老黿 keeps 黿 as yuán. He wants no gift. What he wants is of an altogether different order.

wén西tiānmièshēngnéngzhīguòwèiláizhīshì wén西tiānmièshēngnéngzhīguòwèiláizhīshì

I have heard that the Buddha-Patriarch of the Western Heaven is without death and without birth, and knows the things of past and future.

聞得 keeps as ; 佛祖 keeps as . 無滅無生, without extinction and without birth — the turtle's grasp of what the Buddha is, and the whole basis of the question he is about to ask.

zàijiānzhěngxiūxíngleqiānsānbǎiniánsuīrányánshòushēnqīnghuìshuōrénzhǐshìnántuōběn zàijiānzhěngxiūxíngleqiānsānbǎiniánsuīrányán寿shòushēnqīnghuìshuōrénzhǐshìnántuōběn

I have been at my cultivation here for over one thousand three hundred years. Though my span is lengthened and my body grown light, and I have learned to speak human speech, I still cannot shed my original shell.

此間 keeps as jiān; 修行了 keeps as xíng and as le; 難脫 takes as nán, "hard to"; 本殼 takes as , the shell. Thirteen hundred years of practice have bought him length of life, lightness of body and human speech, and left him still a turtle. That is the one transformation he cannot manage.

wànwànglǎoshīdào西tiānwènshēngkànshítuōběnrénshēn?」 wànwànglǎoshīdào西tiānwènshēngkànshítuōběnrénshēn?」

I earnestly beg the old master, when you reach the Western Heaven, to ask the Buddha-Patriarch on my behalf: when shall I be able to shed my shell and win a human body?"

佛祖 keeps as ; 看我 keeps as kàn; 得脫 and 可得一個人身 both keep as ; 本殼 keeps as . His entire fee for the crossing is a question carried west — when will I get out of this shell, and may I have a human body?

sānzàngxiǎngyǔndào:「wènwèn。」 sānzàngxiǎngyǔndào:「wènwèn。」

Tripitaka gave his ready promise: "I will ask, I will ask."

三藏 keeps as zàng; 響允 is to agree loudly and at once. Note how easily it is given, and how quickly. It is a promise the master will forget, and the novel will make him pay for it in a way no reader forgets.

lǎo黿yuáncáicuìshuǐzhōngle lǎoyuáncáicuìshuǐzhōngle

Only then did the old turtle plunge down into the water and go.

那老黿 points, ; 黿 yuán; 淬水中 keeps as zhōng; 去了 takes as le. He goes back under on the strength of a word, and the crossing ends on that word still unredeemed.


總評 Commentary

The turtle asks for no payment, only a question. After thirteen hundred years he has lengthened his life, lightened his body and learned to speak, and the one thing he cannot do is 脫本殼, get out of his own shell and into a human form. He believes the Buddha, being 無滅無生 and knowing what is past and what is to come, can tell him when it will happen. That so great a service should be repaid with a single question carried west is entirely in keeping with the novel's economy of merit: his whole hope rests on somebody else's destination.

Tripitaka's promise is given twice and given lightly — 我問我問, I'll ask, I'll ask — and readers of the whole book know it as one of its most consequential loose threads. Near the end of the journey the pilgrims will recross the Tongtian on this same turtle's back, and Tripitaka will have to admit he forgot; the turtle will tip the lot of them into the river, and the scriptures they have crossed the world for will come out soaked.

The seed of that disaster is planted right here, on a riverbank, in an easy assent given to a creature already submerging on the strength of it. The chapter sets it down without any emphasis at all — a small promise, readily made — and the novel lets it sit and wait for its reckoning.