五行之源 The Source of the Five Phases
行者忍不住叫道:「師父莫恨水災。經云:『土乃五行之母,水乃五行之源。無土不生,無水不長。』老孫來了。」三藏聞得道:「徒弟啊,救我耶。」行者道:「你且放心,待我們擒住妖精,管教你脫難。」三藏道:「快些兒下手,再停一日,足足悶殺我也。」行者道:「沒事,沒事。我去也!」行者忍不住叫道:「师父莫恨水灾。经云:『土乃五行之母,水乃五行之源。无土不生,无水不长。』老孙来了。」三藏闻得道:「徒弟啊,救我耶。」行者道:「你且放心,待我们擒住妖精,管教你脱难。」三藏道:「快些儿下手,再停一日,足足闷杀我也。」行者道:「没事,没事。我去也!」
逐句解 Line by line
Pilgrim could bear it no longer and called out: "Master, do not rail at the water for your troubles.
莫恨水災, don't hold the water to blame. Wukong answers the argument of the lament rather than the grief in it, which is exactly like him.
The scripture says: 'Earth is the mother of the Five Phases, and water is their source.
五行, the Five Phases — wood, fire, earth, metal, water — with 行 read xíng, never háng. Wukong introduces the line as 經云, "the scripture says," but there is nothing Buddhist about it: this is Chinese natural philosophy in Buddhist dress. The novel does this constantly, letting characters quote whatever tradition suits the argument and calling all of it 經.
Without earth nothing is born; without water nothing grows.'
不長: 長 is zhǎng, "to grow," not cháng, "long." The comfort on offer is cosmological — the element drowning you is the element everything alive depends on. It is a philosopher's answer to a man in a box.
Old Sun is here."
Four characters, and they are the entire reassurance. The doctrine was throat-clearing; this is the point.
Tripitaka heard him and said: "Disciple! Save me!"
聞得: 得 dé. Tripitaka ignores the cosmology completely, which is both the joke and the pathos of the exchange.
Pilgrim said: "Set your heart at rest. When we have seized the fiend, I shall see to it that you are free of this peril."
管教 — 教 is jiào, "to cause, to see to it," not jiāo, "to teach." 脫難: 難 is nàn, the noun, matching 身有難 in the lament just now.
Tripitaka said: "Be quick about it. Another day of this and I shall be stifled outright."
快些兒: here 兒 is the toneless little tag er, not the ér that means a child or a person. In 悶殺 the character 殺 is not killing anyone — it simply pushes the verb to its limit, like the English "bored to death."
Pilgrim said: "No matter, no matter.
沒事: 沒 méi, "there isn't." The doubling makes it offhand — reassurance tossed over the shoulder on the way out.
I'm off!"
我去也 — the 也 at the end is the spoken flourish that marks an exit, something like "and off I go." The passage closes on the departure that launches the first assault.
Wukong's comfort is a small piece of doctrinal comedy. Tripitaka has just sung eight lines blaming water for the ruin of his life, and Wukong replies with a correction: water is not the enemy, it is the source — 無水不長, without water nothing grows. He introduces this as scripture, 經云, though the content is Five Phases natural philosophy with no Buddhist pedigree whatever. The novel does this all the time, and never apologises for it.
There is a second irony the text leaves lying on the floor. Wukong is recommending the Five Phases to a man shut inside stone — and he himself spent five hundred years pinned under the Mountain of Five Phases, 五行山, for the crimes of the opening chapters. The one who has been under the rock is telling the one in the box that the elements mean him no harm.
Tripitaka, of course, does not engage with the doctrine for a second. 救我耶 — save me — is his entire reply, and it is the right one. Wukong signs off with a brisk 我去也, and the fighting starts.