Canonical Classics ← 第四十九回
第四十九回
sānzàngyǒuzāichénshuǐzhái
guānyīnjiùnànxiànlán

Tripitaka Meets Disaster and Sinks in the Water Mansion · Guanyin, Saving from Peril, Appears with the Fish Basket

命出俟候
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

命出俟候 Sent Back Out

xíngzhějiànlerěnzhùshēnggāojiàodào:「sūnkōngzhìxīncháo。」jiào:「wàimiànhòu。」xíngzhěkòutóudào:「shīyǒunànláibàiwèntōngtiānyāoguàigēnyuán。」dào:「qiěchūdàichūlái。」xíngzhějiànlerěnzhùshēnggāojiàodào:「sūnkōngzhìxīncháo。」jiào:「wàimiànhòu。」xíngzhěkòutóudào:「shīyǒunànláibàiwèntōngtiānyāoguàigēnyuán。」dào:「qiěchūdàichūlái。」


逐句解 Line by line

xíngzhějiànlerěnzhùshēnggāojiàodào:「sūnkōngzhìxīncháo。」 xíngzhějiànlerěnzhùshēnggāojiàodào:「sūnkōngzhìxīncháo。」

Pilgrim, seeing this, could not hold back but cried out in a sharp voice: "Bodhisattva, your disciple Sun Wukong pays reverence with a whole heart."

見了 takes as the tag le; 弟子 takes as , the full-toned word for a person; 志心朝禮 takes as cháo, "to pay court." He announces himself in the full formal style, as though the right ceremony might put the scene back in order.

jiào:「wàimiànhòu。」 jiào:「wàimiànhòu。」

The Bodhisattva said: "Wait outside."

jiào, "bade." Two characters, and she does not look up from the bamboo. That composure is what his urgency breaks against.

xíngzhěkòutóudào:「shīyǒunànláibàiwèntōngtiānyāoguàigēnyuán。」 xíngzhěkòutóudào:「shīyǒunànláibàiwèntōngtiānyāoguàigēnyuán。」

Pilgrim knocked his head and said: "Bodhisattva, my master is in peril. I have come on purpose to ask the source of the fiend in the River That Reaches to Heaven."

有難: nàn, the noun "peril." 拜問, to ask with a bow; 根源, the root and the source — precisely the question he set out to put.

dào:「qiěchūdàichūlái。」 dào:「qiěchūdàichūlái。」

The Bodhisattva said: "Go on out, and wait while I come."

She repeats the dismissal almost word for word and will not be hurried. The whole tension of the passage sits between his haste and her unhurriedness.


總評 Commentary

Two tempers colliding. Wukong bursts in with a full formal salutation — 弟子孫悟空志心朝禮 — as though the correct ceremony might restore order to the scene; the Bodhisattva answers in two characters, 外面俟候, wait outside, and does not lift her eyes from the bamboo. His master is drowning under a river and his urgency is entirely real. Her calm is not indifference: it is a different order of time, in which the basket already is the answer and cannot be woven any faster.

Nothing is explained. She does not say what the basket is for, does not acknowledge the danger he names, does not put down her work. Her refusal to perform her office on demand — to put on the robes, mount the dais, and receive a petition in form — is of a piece with the undress of the poem before it. The rescue is going to come out of the homely labour and not out of the ceremony, and she will not pretend otherwise to soothe Wukong's nerves. He is sent back out, and the chapter keeps him there while she finishes.