Canonical Classics ← 第四十九回
第四十九回
三sān藏zàng有yǒu災zāi沉chén水shuǐ宅zhái
觀guān音yīn救jiù難nàn現xiàn魚yú籃lán

Tripitaka Meets Disaster and Sinks in the Water Mansion · Guanyin, Saving from Peril, Appears with the Fish Basket

老黿出水
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

老黿出水 The Old Turtle Appears

正zhèng都dōu在zài河hé邊biān上shàng吵chǎo鬧nào,忽hū聽tīng得dé河hé中zhōng間jiān高gāo叫jiào:「孫sūn大dà聖shèng不bú要yào打dǎ船chuán,花huā費fèi人rén家jiā財cái物wù。我wǒ送sòng你nǐ師shī徒tú們men過guò去qù。」眾zhòng人rén聽tīng說shuō,個gè個gè心xīn驚jīng,膽dǎn小xiǎo的de走zǒu了le回huí家jiā,膽dǎn大dà的de戰zhàn兢jīng兢jīng貪tān看kàn。須xū臾yú,那nà水shuǐ裡lǐ鑽zuān出chū一yí個gè怪guài來lái,你nǐ道dào怎zěn生shēng模mú樣yàng:正zhèng都dōu在zài河hé边biān上shàng吵chǎo闹nào,忽hū听tīng得dé河hé中zhōng间jiān高gāo叫jiào:「孙sūn大dà圣shèng不bú要yào打dǎ船chuán,花huā费fèi人rén家jiā财cái物wù。我wǒ送sòng你nǐ师shī徒tú们men过guò去qù。」众zhòng人rén听tīng说shuō,个gè个gè心xīn惊jīng,胆dǎn小xiǎo的de走zǒu了le回huí家jiā,胆dǎn大dà的de战zhàn兢jīng兢jīng贪tān看kàn。须xū臾yú,那nà水shuǐ里lǐ钻zuān出chū一yí个gè怪guài来lái,你nǐ道dào怎zěn生shēng模mú样yàng:

方fāng頭tóu神shén物wù非fēi凡fán品pǐn,九jiǔ助zhù靈líng機jī號hào水shuǐ仙xiān。方fāng头tóu神shén物wù非fēi凡fán品pǐn,九jiǔ助zhù灵líng机jī号hào水shuǐ仙xiān。
曳yè尾wěi能néng延yán千qiān紀jì壽shòu,潛qián身shēn靜jìng隱yǐn百bǎi川chuān淵yuān。曳yè尾wěi能néng延yán千qiān纪jì寿shòu,潜qián身shēn静jìng隐yǐn百bǎi川chuān渊yuān。
翻fān波bō跳tiào浪làng沖chōng江jiāng岸àn,向xiàng日rì朝cháo風fēng臥wò海hǎi邊biān。翻fān波bō跳tiào浪làng冲chōng江jiāng岸àn,向xiàng日rì朝cháo风fēng卧wò海hǎi边biān。
養yǎng氣qì含hán靈líng真zhēn有yǒu道dào,多duō年nián粉fěn蓋gài癩lài頭tóu黿yuán。养yǎng气qì含hán灵líng真zhēn有yǒu道dào,多duō年nián粉fěn盖gài癞lài头tóu鼋yuán。

逐句解 Line by line

正zhèng都dōu在zài河hé邊biān上shàng吵chǎo鬧nào,忽hū聽tīng得dé河hé中zhōng間jiān高gāo叫jiào:「孫sūn大dà聖shèng不bú要yào打dǎ船chuán,花huā費fèi人rén家jiā財cái物wù。我wǒ送sòng你nǐ師shī徒tú們men過guò去qù。」 正zhèng都dōu在zài河hé边biān上shàng吵chǎo闹nào,忽hū听tīng得dé河hé中zhōng间jiān高gāo叫jiào:「孙sūn大dà圣shèng不bú要yào打dǎ船chuán,花huā费fèi人rén家jiā财cái物wù。我wǒ送sòng你nǐ师shī徒tú们men过guò去qù。」

They were all in an uproar of haggling at the riverside when suddenly, from the middle of the river, came a loud cry: "Great Sage Sun, do not build a boat, do not waste the people's goods and money. I will carry you and your master across."

正都在 takes 都 as dōu; 聽得 keeps 得 as dé; 河中間 takes 中 as zhōng and 間 as jiān. A 。 falls inside the shouted speech and it is one utterance. A voice from the middle of the river stops the boat-building and turns the crossing into something much stranger.

眾zhòng人rén聽tīng說shuō,個gè個gè心xīn驚jīng,膽dǎn小xiǎo的de走zǒu了le回huí家jiā,膽dǎn大dà的de戰zhàn兢jīng兢jīng貪tān看kàn。 众zhòng人rén听tīng说shuō,个gè个gè心xīn惊jīng,胆dǎn小xiǎo的de走zǒu了le回huí家jiā,胆dǎn大dà的de战zhàn兢jīng兢jīng贪tān看kàn。

When the people heard it, every one of them took fright. The faint-hearted ran home; the bold stood watching in fear and trembling.

走了 takes 了 as the tag le; 貪看 keeps 看 as kàn — "greedy to look," which is exactly the impulse. 戰兢兢, shaking all over. These are people who have feared this water all their lives, and something in it has just spoken.

須xū臾yú,那nà水shuǐ裡lǐ鑽zuān出chū一yí個gè怪guài來lái,你nǐ道dào怎zěn生shēng模mú樣yàng: 须xū臾yú,那nà水shuǐ里lǐ钻zuān出chū一yí个gè怪guài来lái,你nǐ道dào怎zěn生shēng模mú样yàng:

In a moment, a monster bored up out of the water. Consider what it looked like:

那水裡 points, nà. 你道怎生模樣 with a colon is the cue — "and what did it look like, do you suppose?" Four couplets follow, and prose and poem belong to one passage.

方fāng頭tóu神shén物wù非fēi凡fán品pǐn,九jiǔ助zhù靈líng機jī號hào水shuǐ仙xiān。 方fāng头tóu神shén物wù非fēi凡fán品pǐn,九jiǔ助zhù灵líng机jī号hào水shuǐ仙xiān。

A square-headed numinous creature, no common kind; / by ninefold workings of the spirit, styled the Water Immortal.

號水仙: 號 is hào, "to be styled, to go by the name of." The same character was háo, "to howl," earlier in this chapter, when the demon came roaring up out of the water. 九助靈機 refers to the ninefold workings ascribed to the divine tortoise in old Chinese lore.

曳yè尾wěi能néng延yán千qiān紀jì壽shòu,潛qián身shēn靜jìng隱yǐn百bǎi川chuān淵yuān。 曳yè尾wěi能néng延yán千qiān纪jì寿shòu,潜qián身shēn静jìng隐yǐn百bǎi川chuān渊yuān。

Trailing his tail, he can draw out a thousand ages of life; / hiding his body, he lies quiet in the deeps of a hundred rivers.

曳尾, dragging the tail, is a direct nod to one of the most famous stories in the 莊子: the sacred tortoise of Chu, whose shell was kept wrapped in cloth on an altar, and which Zhuangzi says would surely rather have stayed alive dragging its tail through the mud. In two characters the line claims that whole preference for this creature. 千紀, a thousand ages; 百川淵, the deeps of a hundred rivers.

翻fān波bō跳tiào浪làng沖chōng江jiāng岸àn,向xiàng日rì朝cháo風fēng臥wò海hǎi邊biān。 翻fān波bō跳tiào浪làng冲chōng江jiāng岸àn,向xiàng日rì朝cháo风fēng卧wò海hǎi边biān。

Churning the waves, leaping the billows, he buffets the river-bank; / facing the sun, meeting the wind, he lies at the sea's edge.

向日朝風 takes 朝 as cháo, "facing toward." The couplet gives him both postures of his kind: violent in the water, and flat out on the shore in the sun like any turtle on any bank.

養yǎng氣qì含hán靈líng真zhēn有yǒu道dào,多duō年nián粉fěn蓋gài癩lài頭tóu黿yuán。 养yǎng气qì含hán灵líng真zhēn有yǒu道dào,多duō年nián粉fěn盖gài癞lài头tóu鼋yuán。

Nurturing his breath and holding the numen, he truly has the Way: / for many a year the powder-crusted, scabby-headed turtle.

癩頭黿: 黿 is yuán, the great soft-shelled turtle, and 癩頭 is scabby-headed. Having spent three and a half couplets making him a holy creature, the poem finishes by calling him a mangy old river turtle. The affection in that is unmistakable.


總評 Commentary

The old turtle's poem runs on two registers at once, grand and homely, and it says where it got the grand one. 曳尾, trailing the tail, points straight at the parable in the 莊子: the sacred tortoise of Chu, dead three thousand years and honoured in a box on an altar, which Zhuangzi says would surely rather be alive and dragging its tail through the mud. In two characters the line claims that whole Daoist preference — humble life over exalted death — for the creature now surfacing in the river. The rest of the attributes are old lore too: the square head, the ninefold workings, the thousand-year lifespan all belong to the divine tortoise of Chinese antiquity, the shell that was burned for oracles and read for the pattern of the cosmos.

And then the last line punctures all of it. 多年粉蓋癩頭黿 — the powder-crusted, scabby-headed old turtle. The poem grants him the Way and calls him mangy in the same breath, and the incongruity is precisely the point. This is a real adept inside a river turtle, and the chapter, having just shown the Bodhisattva of Mercy barefoot and whittling, is entirely comfortable with holiness in shabby clothes.

His arrival also collects a debt the reader has been carrying since the second passage. The sign over the demon's gate read 水黿之第, Mansion of the Water Turtle, and named an owner who never appeared. Here he is.